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History --- Painting --- patronage --- Nederlandse kunstenaars in Italië --- collecting --- Florence --- Painting, Dutch --- Painting, Flemish --- Peinture --- Peinture hollandaise --- Peinture flamande --- Early Netherlandish

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Painting --- Art --- Kress, Samuel Henry --- Europe --- Painting, European --- Painting, Modern --- Peinture européenne --- Catalogs --- Catalogues --- Peinture européenne. --- Catalogs. --- Peinture européenne

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History --- Painting --- Painting, Flemish --- Painting, Dutch --- Peinture flamande --- Peinture hollandaise --- Hollandse school --- Nederlandse school --- Vlaamse school

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Art --- anno 1400-1499 --- anno 1500-1599 --- France --- England --- Portrait painting, French --- Portrait painting, English --- Peinture de portraits française --- Peinture de portraits anglaise --- Peinture de portraits française

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" Painting in Latin America, 1550-1820: From Conquest to Independence surveys the diverse styles, subjects, and iconography of painting in Latin America between the 16th and 19th centuries. While European art forms were widely disseminated, copied, and adapted throughout Latin America, colonial painting is not a derivative extension of Europe. The ongoing debate over what to call it-mestizo, hybrid, creole, indo-hispanic, tequitqui-testifies to a fundamental yet unresolved question of identity. Comparing and contrasting the Viceroyalties of New Spain, with its center in modern-day Mexico, and Peru, the authors explore the very different ways the two regions responded to the influence of the Europeans and their art. A wide range of art and artists are considered, some for the first time. Rich with new photography and primary research, this book delivers a wealth of new insight into the history of images and the history of art"--

Painting, Colonial --- Painting, Latin American --- Peinture coloniale --- Peinture latino-américaine --- Peinture latino-américaine --- Painting --- anno 1500-1799 --- anno 1800-1899 --- Latin America