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The Dutch Golden Age of painting spawned some of history's greatest artists and artisans, but few can boast the genius and legacy of Rembrandt Harmenszoon van Rijn (1606-1669). Despite never leaving his native Netherlands, Rembrandt projected his oeuvre past the boundaries of his own experience, producing some of art's most diverse and impactful works across portraiture, biblical, allegorical, landscape, and genre scenes. In all their forms, Rembrandt's paintings are built of intricacies-the totality of each subtle facial wrinkle, gaze, or figure amounting to an emotional force that stands unmatched among his contemporaries and artistic progeny alike. Each work is imbued with human feeling. Biblical scenes, like Bathsheba at her Bath, become vehicles for meditations on human longing, probing depths beyond that which is canonized in scripture or depicted in other representations. His portraits, be them of wealthy patrons or tradesmen, communicate the essence of an individual through fine demarcations, their faces bathed in an ethereal light against darkened earthtones. Perhaps most striking, his series of self-portraits are a triumph of the medium; beginning in his youth and spanning until a year prior to his death, Rembrandt's self portraiture is an intimate glimpse into his lifelong process of self-reflection. On the occasion of the 350th anniversary of the artist's death and released in tandem with an exhibition of unprecedented scale at the Rijksmuseum, this XXL monograph compiles all 330 of Rembrandt's paintings in stunning reproductions. From Belshazzar's Feast to The Anatomy Lesson of Dr. Nicolaes Tulp, we discover Rembrandt's painted oeuvre like never before.

Painting --- easel paintings [paintings by form] --- Rembrandt --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand

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Rembrandt --- Landscape painting, Dutch --- -Dutch landscape painting --- Rembrandt Harmenszoon van Rijn --- -Rembrandt Harmenszoon van Rijn --- Dutch landscape painting --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Rembrandt van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- landschap, Nederlanden

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Rembrandt van Rjin (1606-1669) was among the few celebrated old masters who enjoyed considerable freedom in his choice of subject matter. Living and working in the Protestant Netherlands, he painted largely for private patrons and the open market, selecting his own subjects in the hope of finding buyers. Although he depicted biblical, historical, and mythological themes in emulation of the great artists of the past, his subjects often focus on fundamental human experiences and emotions that transcend their literary sources. Even when working within the confines of specific commissions, Rembrandt managed to imbue his paintings with deeper, personal meanings. These works reveal the artist's profound humanity and at times reflect the circumstances of his life. This illuminating study explores some of the central themes of Rembrandt's paintings, drawings, and etchings: grand - love, sin, repentance and forgiveness, adultery, fatherhood, and the conflict between the generations - as well as mundane and idiosyncratic. It demonstrates how Rembrandt's subjects can offer new revelations about this complex artist.

Rembrandt --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Criticism and interpretation. --- Themes, motives. --- Rembrandt van Rijn --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Aesthetics of art --- Thematology --- art criticism --- theme

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Art --- Lievens, Jan I --- Rembrandt --- Leiden --- Rembrandt van Rijn --- Lievens, Jan --- Huygens, Constantijn (Jr.) --- 17de eeuw --- Painting, Dutch --- Dutch painting --- Rembrandt Harmenszoon van Rijn, --- Lievens, Jan, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Criticism and interpretation. --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Rembrandt. --- Lievens, Jan. --- Huygens, Constantijn (Jr.). --- 17de eeuw. --- Leiden.

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This collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more. Developed from a series of international conferences devoted to charting new directions in Rembrandt research, these essays illuminate the current state of Rembrandt studies and suggest avenues for future inquiry.

Aesthetics of art --- art criticism --- gouden eeuw (Holland) --- Rembrandt --- Netherlands --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Criticism and interpretation. --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- ART / European. --- Rembrandt, Gerrit Dou, Jan Lievens, Jan van Vliet, Ferdinand Bol, painting, printmaking, technical art history. --- Arts --- Hollandse school --- Künstlerschule. --- Umkreis.