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Au XVIe siècle en Allemagne, une guerre des images s'instaure entre les princes luthériens et catholiques. L'enjeu, au-delà de la reconnaissance d'une foi est la redéfinition du pouvoir civil, face à l'empereur. Naïma Ghermani renouvelle ici l'étude des modes de représentation du corps politique, le portrait passant d'un usage privé à une véritable iconisation du prince.
History of civilization --- History of Germany and Austria --- anno 1500-1599 --- Portraits de la Renaissance --- Rois et souverains --- Pouvoir (sciences sociales) --- Gravure --- Allemagne --- Aspect symbolique --- 16e siècle
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Une génération après que la Révolution eut supprimé les privilèges aristocratiques, une nouvelle élite apparut dans la société française : les " artistes ", dont le prestige était devenu tel qu'il leur permettait de s'égaler aux plus grands, malgré l'absence de naissance, de fortune, de pouvoir. En même temps s'imposait l'idée qu'ils formaient une seule catégorie mêlant, tous genres confondus, écrivains, peintres, sculpteurs, musiciens. Et l'identité collective (le cette catégorie inédite se définissait, avec la " bohème " , par l'excentricité du hors normes une élite en marge, donc. Cette situation paradoxale s'explique en partie par le statut institutionnel, économique, démographique, juridique, sémantique des activités artistiques, que reconstitue minutieusement Nathalie Heinich. Mais elle tient aussi à des facteurs de plus longue durée : les valeurs de sens commun, que révèle l'exploration des romans, des témoignages, des journaux, des correspondances. Car on ne comprendrait pas que cet étrange phénomène ait pu perdurer, s'imposant aujourd'hui plus que jamais, sans prendre en compte ces valeurs fondamentales que sont l'aspiration à l'égalité et la reconnaissance de l'excellence, la préséance du mérite et le droit au privilège. La singularité artiste offrirait-elle à notre société contemporaine, écartelée entre aristocratisme, égalitarisme et méritocratie, une solution de compromis à un élitisme acceptable par la démocratie ?
History of civilization --- Sociology of culture --- anno 1800-1999 --- France --- Intellectuals --- Artists --- Elite (Social sciences) --- Intellectuels --- Artistes --- Elite (Sciences sociales) --- Social conditions --- Conditions sociales --- Artiste --- Artiste et société --- Sociologie de l'art --- Élite (sciences sociales) --- Art --- Aspect social --- Politique publique --- Social identity - Artists - Cultural sociology - 19th-20th centuries. --- Intellectuals. --- Social conditions. --- 700.4552 --- Arts Sociology and anthropology --- Elite (Social sciences). --- Intelligentsia --- Persons --- Social classes --- Specialists --- Elites (Social sciences) --- Leadership --- Power (Social sciences) --- Social groups --- Socioeconomic status --- Sociologie de l'art. --- Aspect social. --- Artists - Social conditions
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Based on the research training requirements of UK Economic and Social Research Council postgraduate training, this is an introduction for beginning researchers to the core conceptual and practical skills required for successful research.
Methods in social research (general) --- Social sciences --- Sciences sociales --- Research --- Handbooks, manuals, etc --- Methodology --- Recherche --- Guides, manuels, etc --- Méthodologie --- #SBIB:003.IO --- #SBIB:303H0 --- #SBIB:303H12 --- Methoden in de sociale wetenschappen: algemeen --- Methoden en technieken: sociale wetenschappen --- Research. --- Méthodologie --- Social science research --- Art --- History --- art market --- Mould, Philip
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This volume is the first book-length study to thematise the representation of power in the seventeenth-century Dutch Republic. Bringing together scholars from different backgrounds, the volume aims to stimulate a cross-disciplinary dialogue about representations in art, literature, ritual, and other media. Within the Dutch Republic, different state actors – the city, the provincial states, the States General, the stadtholders, and individual power-holders – vied for the supremacy of power. A vital aspect of this persistent struggle was its representative dimension. In making representative claims about their place in the balance of power, these institutions all faced the challenge of developing a republican language that was both distinctive enough and universally understood. In the cultural repertoires available to political figures, artists, and intellectuals, republican models contended with monarchical ones. In visual and literary depictions, public ritual, and diplomatic encounters alike, the temptation to stand up to the grandeur of powerful European monarchies by borrowing from their representative traditions was not always easy to resist.--quatrième de couverture
Iconography --- History of the Netherlands --- power --- kunst en politiek --- anno 1600-1699 --- Représentations sociales --- Pouvoir (sciences sociales) --- Entrées (cérémonies) --- Rois et souverains --- Portraits --- Monarchy in art --- Monarchy --- Arts, Dutch --- History --- Dutch arts --- Kingdom (Monarchy) --- Executive power --- Political science --- Royalists
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The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that 'voiced' the social, political and cultural messages incorporated in processional entries in the countries of Early Modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513
joyous entry --- triumphs --- History of civilization --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Ceremonial entries --- Processions --- Rites and ceremonies --- Royal visitors --- Power (Social sciences) --- History --- History. --- Social life and customs. --- Entrées (cérémonies) --- Pouvoir (sciences sociales) --- Rites et cérémonies --- Histoire --- Moeurs et coutumes --- Ceremonial entries. --- Processions. --- Europe. --- Histoire. --- Moeurs et coutumes. --- Ceremonial entries - Europe - History --- Processions - Europe - History --- Rites and ceremonies - Europe - History --- Royal visitors - Europe - History --- Power (Social sciences) - Europe - History. --- Europe - Social life and customs.
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1940-1966. 20 Nederlands. 12 M. 27 Oude titel : B1131 : Wetenschap in Vlaanderen, 1935(1jg.)-1939(4jg.), M. 35 H. 35 R
Science --- Science. --- 949.3"19" --- #TS:KOHU --- #TS:KOMA --- #TS:WMAG --- Closed periodicals --- Flandre --- #BUAR:bibl.de Bock --- #C91TS-g --- 950 Vlaamse Beweging --- 320.9493 --- 949.3 --- #WSCH:EXTE --- #TS:WSCH --- Mouvement culturel --- Sciences sociales --- 949.3"19" Geschiedenis van België--20e eeuw. Periode 1900-1999 --- Geschiedenis van België--20e eeuw. Periode 1900-1999 --- socialiniai mokslai --- družbene vede --- social sciences --- humanitní vědy --- κοινωνικές επιστήμες --- sociālās zinātnes --- științe sociale --- társadalomtudományok --- општествени науки --- socialvidenskaber --- shkenca sociale --- scienze sociali --- Sozialwissenschaften --- xjenzi soċjali --- yhteiskuntatieteet --- samhällsvetenskap --- ciências sociais --- spoločenské vedy --- nauki społeczne --- eolaíochtaí sóisialta --- друштвене науке --- социални науки --- društvene znanosti --- sociale wetenschappen --- ciencias sociales --- sotsiaalteadused --- menswetenschappen --- sociální vědy --- bölcsészettudományok --- științe umane --- humanističke znanosti --- duchovědy --- humanvetenskap --- scienze umane --- humanities --- společenské vědy --- ühiskonnateadused --- културологија --- studime klasike --- humanidades --- ciências humanas --- sciences humaines --- humanitārās zinātnes --- humanitné vedy --- хуманистички науки --- Gesellschaftswissenschaften --- geesteswetenschappen --- humaniora --- humanitariniai mokslai --- Kulturwissenschaften --- επιστήμες του ανθρώπου --- духовни науки --- samfundsvidenskaber --- humanitaarteadused --- scienze dell'uomo --- cultural movement --- kulturális mozgalom --- movimento culturale --- gluaiseacht chultúrtha --- movimiento cultural --- kulturno gibanje --- kultuuriliikumine --- културно движение --- kultūras kustība --- ruch kulturalny --- Kulturbewegung --- културно движење --- culturele beweging --- πολιτιστικό κίνημα --- kulturrörelse --- kultúrne hnutie --- kultūrinis judėjimas --- kulturel bevægelse --- културни покрет --- kulturni pokret --- mișcare culturală --- lëvizje kulturore --- moviment kulturali --- kulturní hnutí --- movimento cultural --- kulttuuriliike --- kulturbevægelse --- kulturní pohyb --- kulturell rörelse --- Vlaanderen --- Social sciences Political science Belgium --- Geschiedenis van België --- History of Belgium and Luxembourg --- anno 1800-1899 --- anno 1900-1999 --- Flanders --- Belgium --- geschiedenis --- Vlaamse Beweging --- Revue --- Sciences --- Life Sciences --- General and Others
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History
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tourism
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travelogs
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History of the Low Countries
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History of civilization
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journeys
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anno 1700-1799
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anno 1600-1699
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Dutch
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Flemings
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Elite (Social sciences)
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Travel
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Travelers
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Néerlandais
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Flamands
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Elite (Sciences sociales)
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Voyages
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Voyage
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Voyageurs
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Histoire
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Europe
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Description and travel.
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Descriptions et voyages
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Description and travel
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094:910.4
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910.4 <492> "16"
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910.4 <492> "17"
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910.4 <493>
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Ontdekkingsreizen. Reizen. Expedities. Reisverhalen
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Ontdekkingsreizen. Reizen. Expedities. Reisverhalen--
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Après une longue période de troubles des guerres de religion, le renouveau des arts se manifesta de façon particulièrement éclatante sous le règne d'Henri IV, dans tous les domaines : peinture, sculpture, architecture, mais aussi l'art des jardins, les arts de cour, notamment les ballets et les entrées. Ce fut aussi le cas de l'art du livre, encore trop peu étudié aujourd'hui. Ce livre expose l'ampleur de ce renouveau et en montre les multiples aspects. Afin de cerner les transformations et les nouvelles configurations artistiques de cette période, les pratiques artistiques sont replacées dans leur contexte historique, politique et culturel. L'ouvrage pose les enjeux épistémologiques entre pouvoir (élaboration et diffusion par l'image de la figure du « bon roi », tolérant et unificateur du royaume) et art (art de cour, art sacré, dans une époque de troubles religieux…). Enfin, dans une volonté d'inscrire la production artistique française dans un cadre plus large, ce livre explore les liens qui unissent la France d'Henri IV et de Marie de Médicis aux grands centres artistiques européens (Florence, Nancy, Anvers).
French [culture or style] --- Art --- Henry IV [King of France] --- Arts, Renaissance --- Arts --- Politics in art --- Power (Social sciences) in art --- Arts de la Renaissance --- Politique dans l'art --- Pouvoir (Sciences sociales) --- Congresses --- Political aspects --- History --- Congresses. --- Congrès --- Aspect politique --- Histoire --- dans l'art --- Henry --- Portraits --- France --- Kings and rulers --- Art patronage --- Rois et souverains --- Mécénat --- Congrès --- Mécénat --- Kunst --- Frans --- Hendrik IV [Koning van Frankrijk] --- Actes de congrès. --- Henri --- Et l'art --- Henri IV --- 944.03 --- 7 <44> --- 7.034.1 --- 7.04 --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 7.034.1 Renaissancekunst --- Renaissancekunst --- 7 <44> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Frankrijk --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Frankrijk --- 944.03 Geschiedenis van Frankrijk--(1589-1789) --- Geschiedenis van Frankrijk--(1589-1789) --- Religion --- Medieval & Renaissance Studies --- éducation --- politique --- Rome --- peinture --- musique --- religion --- Contre-réforme --- Réforme --- Pape --- pouvoir --- architecture --- Danse --- arts --- savoir --- culturel --- Valois --- Bourbon --- calvinisme --- Fontainebleau --- Huguenot --- Louvre --- Médicis --- Franse school
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In de zeventiende eeuw was Antwerpen niet langer de internationale handelsmetropool van West-Europa. De stad bleef evenwel een spil van kunststromingen en en belangrijk kunstcentrum, dat aan de grondslag lag van talrijke artistieke innovaties. Ondanks de opkomst van een massamarkt voor kunst, bleef de consumptie van architectuur en beeldende kunsten in belangrijke mate het terrein van de patronage.Kunstpatronage wordt in dit boek als sociale constructie bestudeerd. Het zwaartepunt ligt daarbij op de organisatorische inbedding van de kunst en de patronen, die de kunstpatronage aannam binnen de
Art and society --- Art patronage --- Art patrons --- Art, Flemish --- Elite (Social sciences) --- History --- patronaat --- geschiedenis --- economie --- stadsontwikkeling --- architectuur --- kerkgeschiedenis --- contrareformatie --- kunstkabinetten --- familieportret --- 16de eeuw --- 17de eeuw --- Antwerpen --- social history --- urban history --- History of Antwerp --- patrons [philanthropists] --- Art --- patronage --- anno 1600-1699 --- Antwerp --- 911.375 <09> <493 ANTWERPEN> --- Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van ...--België--ANTWERPEN --- Mécénat --- Mécènes --- Art et société --- Elite (Sciences sociales) --- Art flamand --- Collectors and collecting --- Collectionneurs et collections --- Histoire --- Antwerp (Belgium) --- Anvers (Belgique) --- Intellectual life --- Vie intellectuelle --- Elites (Social sciences) --- Leadership --- Power (Social sciences) --- Social classes --- Social groups --- Patrons, Art --- Benefactors --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Flemish art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Anṿerśah (Belgium) --- Anṭṿerpen (Belgium) --- Antwerpen (Belgium) --- Antuerpia (Belgium) --- Anvers (Belgium) --- Anversa (Belgium) --- Antwerpia (Belgium) --- Anwerpia (Belgium) --- Andowerpia (Belgium) --- Amberes (Belgium) --- Antverpia (Belgium) --- Ambivaritum (Belgium) --- Anderpus (Belgium) --- Andevorpum (Belgium) --- Andoverpis (Belgium) --- Andoverpum (Belgium) --- Antwerpha (Belgium) --- Antwerpium (Belgium) --- Antwerpo (Belgium) --- Antwerpum (Belgium) --- Handoverpia (Belgium) --- Andwerpa (Belgium) --- Antverpis (Belgium) --- Antverpo (Belgium) --- Antverpum (Belgium) --- Belgium --- 17th century --- Art [Flemish ] --- אנטווערפען --- familiegroep, in het bijzonder ouders met hun kind(eren) --- patronaat. --- geschiedenis. --- economie. --- stadsontwikkeling. --- architectuur. --- kerkgeschiedenis. --- contrareformatie. --- kunstkabinetten. --- familiegroep, in het bijzonder ouders met hun kind(eren). --- 16de eeuw. --- 17de eeuw. --- Antwerpen. --- stadselite
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The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture. The novelties, however, went far beyond architectural forms: they involved the reorganisation of courtly interiors and their functions, new uses for the buildings, and the relationship between the palaces and their surroundings. The whole urban setting was affected by these processes, and therefore the social, residential and political customs of its inhabitants. This is the focus of A Renaissance Architecture of Power , which aims to analyse from a comparative perspective the evolution of Italian court palaces in the Renaissance in their entirety. Contributors are Silvia Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti, Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile, Aurora Scotti, Elena Svalduz, and Stefano Zaggia.
palaces --- Architecture de la Renaissance --- Palais --- Renaissance --- History of Italy --- Architecture --- History of civilization --- anno 1400-1499 --- Italy --- Architecture, Renaissance --- Architecture and state --- Power (Social sciences) --- Palaces --- Pouvoir (Sciences sociales) --- History --- History. --- Politique gouvernementale --- Histoire --- Italie --- Politics and government --- Politique et gouvernement --- Princes --- Royalty --- Courts and courtiers --- State and architecture --- Buildings --- Empowerment (Social sciences) --- Political power --- Exchange theory (Sociology) --- Political science --- Social sciences --- Sociology --- Consensus (Social sciences) --- Renaissance architecture --- Renaissance revival (Architecture) --- Dwellings --- Italia --- Italian Republic (1946- ) --- Italianska republika --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italien --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliyā --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy) --- Kings and rulers --- History, Local. --- palaces [official residences]
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