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sex role --- historic gardens --- Block, Agnes --- anno 1600-1699 --- Netherlands
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This Ashgate Research Companion presents an authoritative review of the current research on women and gender in early modern Europe from a multidisciplinary perspective. The authors examine women's lives, ideologies of gender and the differences between ideology and reality through the recent research across many disciplines, including history, literary studies, art history, musicology, history of science and medicine and religious studies.
History of civilization --- anno 1400-1499 --- anno 1500-1599 --- Europe --- History of Europe --- Sociology of the family. Sociology of sexuality --- Femmes --- Rôle selon le sexe --- Women --- Sex role --- Histoire --- Conditions sociales --- History. --- Social conditions. --- Sex role -- Europe -- History. --- Sex role --Europe --History. --- Women -- Europe -- History. --- Women -- Europe -- Social conditions. --- Gender & Ethnic Studies --- Social Sciences --- Gender Studies & Sexuality --- History --- Social conditions --- Histoire. --- Conditions sociales. --- Women - Europe - History --- Women - Europe - Social conditions --- Sex role - Europe - History --- vrouwengeschiedenis --- women [female humans] --- anno 1500-1799 --- Sex role. --- Modern period. --- Renaissance. --- Since 1450. --- Europe.
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Sociology of the family. Sociology of sexuality --- History of the Low Countries --- sex role --- gender --- women [female humans] --- anno 1500-1799
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politics --- women [female humans] --- Rubens, Peter Paul --- Aesthetics of art --- Allegories --- Allegorieën --- Allégories --- Rôle selon le sexe dans l'art --- Seksuele rolpatronen in de kunst --- Sex role in art --- Criticism and interpretation
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Gender, Space, and Experience at the Renaissance Court investigates the dynamic relationships between gender and architectural space in Renaissance Italy. It examines the ceremonial use and artistic reception of the Palazzo Te from the arrival of the Holy Roman Emperor Charles V in 1530 to the Sack of Mantua in 1630. This book further proposes that we conceptualise the built environment as a performative space, a space formed by the gendered relationships and actors of its time. The Palazzo Te was constituted by the gendered behaviors of sixteenth-century courtiers, but it was not simply a passive receptor of gender performance. Through its multivalent form and ceremonial function, Maria F. Maurer argues that the palace was an active participant in the construction and perception of femininity and masculinity in the early modern court.
Art --- History of civilization --- History of Italy --- sex role --- Mantua, Palazzo del Te --- anno 1500-1599 --- Mantua --- Art, Renaissance --- Architecture --- Sex role --- Architecture and society --- Human factors --- History. --- Psychological aspects. --- Palazzo del Te (Mantua, Italy) --- Gender role --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Environmental psychology --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Design and construction --- Social aspects --- Giulio Romano, Federico II Gonzaga, Palazzo Te, Gender, Space. --- Architecture, Primitive --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles --- architectuur, Italië
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Iconography --- anno 1400-1499 --- anno 1500-1599 --- anno 1300-1399 --- Europe --- Sex role in art. --- Civilization, Classical, in art. --- Civilization, Western --- Art and society --- Rôle selon le sexe dans l'art --- Civilisation ancienne dans l'art --- Civilisation occidentale --- Art et société --- Classical influences. --- History --- Influence ancienne --- Histoire --- Rôle selon le sexe dans l'art --- Art et société
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"This book studies family life and gender broadly within Italy, not just one region or city, from the fourteenth through the seventeenth centuries. Paternal control of the household was paramount in Italian life at this time, with control of property and even marital choices and career paths laid out for children and carried out from beyond the grave by means of written testaments. However, the reality was always more complex than a simple reading of local laws and legal doctrines would seem to permit, especially when there were no sons to step forward as heirs. Family disputes provided an opening for legal ambiguities to redirect property and endow women with property and means of control. This book uses the decisions of lawyers and judges to examine family dynamics through the lens of law and legal disputes"--
Domestic relations --- History --- Families --- Family law --- Marriage --- Persons (Law) --- Sex and law --- Law and legislation --- families [kinship groups] --- kinship --- sex role --- History of Italy --- Family law. Inheritance law --- Sociology of the family. Sociology of sexuality --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- HISTORY --- Domestic relations. --- General. --- To 1599. --- Italy. --- cultuurgeschiedenis --- gender
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The eighteenth century was an age when not only the aristocracy but a burgeoning middle class could enjoy a remarkable flowering of the arts. But it was a man's world, any woman who wished to succeed as an artist had to overcome numerous obstacles. In a society in which women were required to marry, reproduce, and conform to rigid social conventions a professional artist risked becoming an object of gossip and hostility. Nevertheless, for a woman who had charm and good looks, was ambitious, and allied talent with hard work, success was attainable. This book examines the careers and working lives of celebrated artists like Angelica Kauffman and Elisabeth Vigée Le Brun but also of those who are now forgotten. As well as assessing the work itself, from history and genre painting to portraits, it considers artists' studios, the functioning of the print market, how art was sold, the role of patrons and the flourishing world of the lady amateur. It is enriched by up to 55 illustrations in glorious colour.
sex role --- Art --- anno 1700-1799 --- vrouwelijke kunstenaars --- sociale geschiedenis --- kunsthandel --- 18de eeuw --- Femme, thème --- Femme artiste --- 18e siècle --- Vigée-Lebrun, Louise-Elisabeth, --- Kauffmann, Angelica, --- Vigée-Lebrun, Louise-Elisabeth, 1755-1842 --- Kauffmann, Angelica, 1741-1807 --- vrouwelijke kunstenaars. --- sociale geschiedenis. --- kunsthandel. --- 18de eeuw. --- vrouwelijke kunstenaar
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This volume presents the first collection of essays dedicated to women as producers of visual and material culture in the Early Modern European courts, offering fresh insights into the careers of, among others, Caterina van Hemessen, Sofonisba Anguissola, Luisa Roldán, and Diana Mantuana. Also considered are groups of female makers, such as ladies-in-waiting at the seventeenth-century Medici court. Chapters address works by women who occupied a range of social and economic positions within and around the courts and across media, including paintings, sculpture, prints, and textiles. Both individually and collectively, the texts deepen understanding of the individual artists and courts highlighted and, more broadly, consider the variety of experiences of female makers across traditional geographic and chronological distinctions. The book is also accompanied by the "Global Makers: Women Artists in the Early Modern Courts" digital humanities project ), extending and expanding the work begun here.
Arts, Renaissance. --- Self in literature. --- Self-portraits. --- Women artists --- Women artists. --- Sociology of the family. Sociology of sexuality --- Art --- History of civilization --- sex role --- courts [social groups] --- portraits --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Self-portraits --- Self in literature --- Arts, Renaissance --- Portraits --- Artists, Women --- Women as artists --- Artists --- Renaissance arts --- Cour et courtisans --- Femmes artistes --- cultuurgeschiedenis --- vrouwelijke kunstenaar
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This book is a new history of early modern gender, told through the lyric poetry of Renaissance Italy. In the evolution of Western gender roles, the Italian Renaissance was a watershed moment, when a confluence of cultural developments disrupted centuries of Aristotelian, binary thinking. Men and women living through this upheaval exploited Petrarchism's capacity for subjective expression and experimentation - as well as its status as the most accessible of genres - in order to imagine new gendered possibilities in realms such as marriage, war, and religion. One of the first studies to examine writing by early modern Italian men and women together, it is also a revolutionary testament to poetry's work in the world. These poets' works challenge the traditional boundaries drawn around lyric's utility. They show us how poems could be sites of resistance against the pervading social order - how they are texts capable not only of recording social history, but also of shaping it.
Sociology of the family. Sociology of sexuality --- Poetry --- Italian literature --- poetry --- gender [sociological concept] --- Renaissance --- Petrarca, Francesco --- Social and cultural history. --- Literary studies: poetry and poets. --- Literary studies: ancient, classical and medieval. --- LITERARY CRITICISM / Poetry. --- LITERARY CRITICISM / Medieval. --- LITERARY CRITICISM / European / Italian. --- Literary studies: classical, early and medieval. --- Petrarchism, lyric, gender, women writers, masculinity. --- Sex role in literature. --- Italian poetry --- History and criticism. --- Petrarca, Francesco, --- Criticism and interpretation.
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