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Painting, Italian --- Painting, Renaissance --- Paintings, Renaissance --- Renaissance painting --- Italian painting --- Congresses --- Titian, --- Titian --- Titiaan --- Titien --- Tizian --- di Gregorio Vecellio, Tiziano --- Ticijan, --- Titiano Vecellio, --- Titianus, --- Titien, --- Tit︠s︡ian, --- Tizian, --- Tiziano, --- Tiziano Vecelli, --- Tycjan, --- Vecelli, Tiziano, --- Vecellio, Tiziano, --- Vechellio, Tit︠s︡iano, --- Criticism and interpretation --- Congresses. --- congres / 1990

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"Tiziano Vecellio, known in England as Titian, is one of the undisputed masters of Western art." "Written by some of the world's most renowned Titian scholars, this beautiful and generously illustrated book accompanies the first monographic exhibition in Britain devoted to the work of this extraordinary artist. The exhibition includes over forty paintings from every stage of Titian's long career, including masterpieces such as the group of paintings commissioned for the studiolo of Alfonso d'Este, shown together for the first time since they first hung in the Duke's place in Ferrara." "The catalogue to the exhibition is preceded by four authoritative essays investigating different aspects of Titian's work: Titian's life and times, by Charles Hope; his skill as a painter of portraits, by Jennifer Fletcher; his painting technique, by Jill Dunkerton; and an examination of Titian replicas and variants, by Miguel Falomir. These provide the background for a detailed discussion of the works in the exhibition. Short essays by David Jaffe introduce the main themes. The wide scope of the book and its lavish illustrations make this the most informative and accessible introduction to Titian for many years."--Jacket.

Painting --- schilderkunst --- painting [image-making] --- Titian --- National Gallery [London] --- Tiziano Vecellio (Titiaan) 1488/'90-1576 (° Pieve di Cadore, Italië) --- Schilderkunst ; Italië ; 16de eeuw ; Titiaan --- Schilderkunst ; Italië ; Renaissance --- Renaissance ; Venetië --- Tentoonstellingscatalogi ; London ; National Gallery --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- Titian, --- Ticijan, --- Titiano Vecellio, --- Titianus, --- Titien, --- Tit︠s︡ian, --- Tizian, --- Tiziano, --- Tiziano Vecelli, --- Tycjan, --- Vecelli, Tiziano, --- Vecellio, Tiziano, --- Vechellio, Tit︠s︡iano, --- Criticism and interpretation. --- Titiaan --- Titien --- Tizian --- di Gregorio Vecellio, Tiziano --- CDL --- 75.071 TITIAAN --- Titiaan.

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"Titian (c. 1488-1576) produced a masterful group of paintings for Philip II of Spain, celebrating the loves of gods, goddesses, and mortals. Depicting scenes from the Ovid's narrative poem Metamorphoses, Titian named them "poesie" and considered the works as visual equivalents of poetry. This volume presents a detailed study of the complete series-Danae, Venus and Adonis, Perseus and Andromeda, Diana and Actaeon, Diana and Callisto, and The Rape of Europa, as well as The Death of Actaeon-lavishly illustrated with details of these emotionally charged paintings. The book explores Titian's creative process, studio practice, and technique, in addition to his use of literary and visual sources and his correspondence with Philip II. The artistic legacy of the series for later European painting is also examined in the works in artists such as Rubens, Velázquez, and Rembrandt. Offering the most comprehensive overview of these remarkable works, Titian: Love, Desire, Death is an indispensable resource for scholars and admirers of Renaissance painting"--

Painting --- painting [image-making] --- mythology [literary genre] --- legendary beings --- Philip II [King of Spain] --- Charles V [Holy Roman emperor] --- Titian --- Titian, --- Painting, Renaissance --- Art and mythology --- Art, Renaissance --- Renaissance art --- Titiaan --- Titien --- Tizian --- di Gregorio Vecellio, Tiziano --- Ticijan, --- Titiano Vecellio, --- Titianus, --- Titien, --- Tit︠s︡ian, --- Tizian, --- Tiziano, --- Tiziano Vecelli, --- Tycjan, --- Vecelli, Tiziano, --- Vecellio, Tiziano, --- Vechellio, Tit︠s︡iano, --- Criticism and interpretation. --- Exhibitions --- Renaissance --- Exhibitions. --- Expositions. --- passies, emoties, affecties --- liefde --- Dood --- vrouw --- techniek --- mythologie --- passies, emoties, affecties. --- liefde. --- Dood. --- vrouw. --- techniek. --- mythologie. --- Titiaan.

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congres / 1987 --- Rubens, Peter Paul --- Bellini, Giovanni --- Dyck, van, Anthony --- Titian --- Dionysia in art --- -Congresses --- -Rubens, Peter Paul Sir --- -Criticism and interpretation --- Criticism and interpretation --- -Titian --- Titien --- Tizian --- di Gregorio Vecellio, Tiziano --- Titian, --- Rubens, Peter Paul, --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Ticijan, --- Titiano Vecellio, --- Titianus, --- Titien, --- Tit︠s︡ian, --- Tizian, --- Tiziano, --- Tiziano Vecelli, --- Tycjan, --- Vecelli, Tiziano, --- Vecellio, Tiziano, --- Vechellio, Tit︠s︡iano, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Congresses --- Titiaan

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In this fascinating study Marie Tanner examines the ways in which Titian incorporates new concepts of sensuality and spirituality in the mythological paintings for King Philip II of Spain. The paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip’s triumphal parade through the empire as his father’s heir apparent. The cycle that took shape comprises Danae and Venus and Adonis (Madrid, Prado); Diana and Actaeon and Diana and Callisto (Edinburgh, National Gallery of Scotland); Perseus and Andromeda (London, Wallace Collection) and Europa (Boston, Isabella Stewart Gardner Museum). These masterpieces of the artist’s mature period can be considered the most important Renaissance grouping of mythological paintings executed by a single artist. The author proposes that Philip’s expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus. The dispersal of the pictures' in the seventeenth century resulted in a scholarly focus on the single pictures and a concentration on their sensual aspects. In Aretino, a Venetian dialogue on painting, Titian’s friend and apologist Lodovico Dolce is a spokesman for art that following poetry, entices through beauty, while hiding important truths beneath the veil of allegory. This study analyzes the ways in which Titian incorporates new concepts of sensuality and spirituality in a Venetian vernacular to create masterpieces whose originality and ravishing beauty belie their didactic content.

mythology [literary genre] --- easel paintings [paintings by form] --- Philip II [King of Spain] --- Titian --- Titian, --- Painting --- legendary beings --- Charles V [Holy Roman emperor] --- Allegories --- Symbolism in art --- Allegory (Art) --- Signs and symbols in art --- Art --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Philip --- Filips --- Felipe --- Filipe --- Philippe --- Filippe --- Philips --- Fīlīb --- Philipp --- Filippo --- Ticijan, --- Titiano Vecellio, --- Titianus, --- Titien, --- Tit︠s︡ian, --- Tizian, --- Tiziano, --- Tiziano Vecelli, --- Tycjan, --- Vecelli, Tiziano, --- Vecellio, Tiziano, --- Vechellio, Tit︠s︡iano, --- Art patronage. --- Art, Italian --- Allegories. --- Symbolism in art. --- Titiaan --- Titien --- Tizian --- di Gregorio Vecellio, Tiziano --- Sublime, the --- Titian, - approximately 1488-1576