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Architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History&delete& --- Outlines, syllabi, etc --- Design and construction --- History --- Architecture, Primitive --- architecture [discipline]

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architecture [discipline] --- Key, Lieven de --- Haarlem --- Architecture --- Key, Lieven de, --- Criticism and interpretation. --- Haarlem (Netherlands) --- Buildings, structures, etc. --- -Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- -Criticism and interpretation --- -Buildings, structures, etc --- -Key, Lieven de --- Architecture, Western (Western countries) --- De Key, Lieven, --- Harlem (Netherlands) --- Architecture, Primitive

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Stretching back to antiquity, motion had been a key means of designing and describing the physical environment. But during the sixteenth through eighteenth centuries, individuals across Europe increasingly designed, experienced, and described a new world of motion: one characterized by continuous, rather than segmented, movement. New spaces that included vistas along house interiors and uninterrupted library reading rooms offered open expanses for shaping sequences of social behaviour, scientists observed how the Earth rotated around the sun, and philosophers attributed emotions to neural vibrations in the human brain. 'Early Modern Spaces in Motion' examines this increased emphasis on motion with eight essays encompassing a geographical span of Portugal to German-speaking lands and a disciplinary range from architectural history to English. It consequently merges longstanding strands of analysis considering people in motion and buildings in motion to explore the cultural historical attitudes underpinning the varied impacts of motion in early modern Europe.

Motion in architecture --- Architecture --- Architecture and society --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History --- Social aspects --- Human factors --- Design and construction --- Library planning and design --- History of civilization --- History of Europe --- anno 1500-1799 --- Architecture, Primitive

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country houses --- architectural theory --- houses --- architecture [discipline] --- Vingboons, Philips II --- Amsterdam --- Architecture --- 72 VINGBOONS, PHILIPS --- -Vingboons, Philips --- architectuur --- architectuurgeschiedenis --- Nederland --- zeventiende eeuw --- woningen --- villa's --- schouwburg --- stadhuis --- Noord-Duitsland --- Deventer --- Kampen --- Vingboons Philips --- 72.071 VINGBOONS --- 728.1 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architectuur. Bouwkunst--VINGBOONS, PHILIPS --- Design and construction --- Vingboons, Philips --- -Criticism and interpretation --- History --- Vingboons, Philips, --- Criticism and interpretation. --- 72 VINGBOONS, PHILIPS Architectuur. Bouwkunst--VINGBOONS, PHILIPS --- Architecture, Primitive --- Architecture - Netherlands - 17th century.

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Une présentation innovante de l'œuvre et fortune du Philibert De l'Orme, plus grand architecte français de la Renaissance. Entre Pierre Lescot et Jean Bullant, Jean Goujon et Jacques Androuet du Cerceau, Philibert De l?Orme est l?étoile majeure d?une constellation d?architectes qui, à l?instar de la Pléiade des poètes, a donné au XVIe siècle français une aura comparable à celle de l?Italie. Au service du cardinal Jean du Bellay, de Diane de Poitiers, de Henri II et de Catherine de Médicis, constructeur et théoricien, il laisse une œuvre aussi passionnante que problématique. Héritier du Moyen-Âge et grand connaisseur de l?antiquité romaine, praticien expert doublé d?un humaniste savant, il réalise une synthèse fascinante des tendances diverses mais convergentes de la Renaissance, qui lui fait incarner le renouveau artistique de la France de son temps. Quoique sa fortune ait souffert des vicissitudes de l?histoire, de l?évolution du goût et sans doute aussi du caractère protéiforme de son génie, sa puissance créatrice, égale à celle d?un Rabelais ou d?un Ronsard, en fait le Michel-Ange français. À l?occasion du cinq-centième anniversaire de sa naissance, le LVIIe colloque international d?études humanistes du Centre d?études supérieures de la Renaissance à Tours, organisé par Frédérique Lemerle, directrice de recherche au Cnrs (Tours, CESR, UMR 7323) et Yves Pauwels professeur des universités (Tours, CESR/Université François-Rabelais) a rendu hommage à celui qui fut l?un des plus grands artistes de la Renaissance. Les essais réunis s?attachent à explorer quelques zones d?ombre laissées encore obscures par les monographies précédemment consacrées à l?architecte en inscrivant la problématique dans la perspective pluridisciplinaire qui est celle du CESR.

Architects --- Architecture --- Architectes --- Biography --- History --- Biographies --- Histoire --- L'Orme, Philibert de, --- Orme, de l', Philibert --- Architecture, Renaissance --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Renaissance architecture --- Renaissance revival (Architecture) --- Design and construction --- Delorme, Philibert, --- De L'Orme, Philibert, --- Orme, Philibert de L', --- Criticism and interpretation --- 72.03 <44 PARIS> --- 72.03 <44 PARIS> Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden--Frankrijk--PARIS --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden--Frankrijk--PARIS --- History. --- Architecture, Primitive