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Peter Paul Rubens (1577& 1640) was a prodigious artist whose works were prized by the rulers of the royal courts across Europe. He was also an international diplomat, shrewd businessman, linguist, and intellectual. This extraordinary book traces the fascinating flowering and early evolution of his genius. Handsomely designed and lavishly illustrated, this volume traces Rubens's development from ambitious beginnings to his triumphant return to Antwerp in 1609& after an eight-year Italian sojourn. In Italy, Rubens studied classical sculpture, the Renaissance paintings of Michelangelo and Raphael, and the revolutionary work of Caravaggio. Once back in his native country, he integrated these influences into a style uniquely his own. The most comprehensive examination available of the artist's early years, 'Rubens: A Master in the Making 'documents the remarkable burst of creative energy that resulted in some of the most dynamic and exciting bravura paintings ever produced.
Art --- Rubens, Peter Paul --- kunst --- zestiende eeuw --- zeventiende eeuw --- 75.071 RUBENS --- schilderkunst --- barok --- Rubens Peter Paul --- Exhibitions --- Painting [Flemish ] --- 17th century
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Hoe geven de kunstenaars beweging weer? Hoe gaan ze om met afstand en detail? Met schaal en diepte? Wat is het belang van het verhalende element? Van kalligrafie en iconografie? Hoe zit het met de weergave van schaduw, van naakt? Twee continenten, vijf eeuwen kunst, bekeken op twee manieren van beelddenken. Luc Tuymans, de internationaal gerenommeerde Belgische kunstenaar, en Yu Hui, de curator van het Palace Museum in de Verboden Stad in Beijing, brengen een dialoog op gang tussen kunst uit de Zuidelijke Nederlanden en kunst uit China. Tekeningen en schilderijen van onder anderen Van Eyck, Brueghel, Rubens, Van Dyck, Jordaens, Ensor, Mellery, Spilliaert en Magritte gaan een verhelderende confrontatie aan met werken op papier en zijde uit de Ming- en Qingdynastie en het begin van de Chinese Republiek. Ter verbreding van de context zijn ook verluchte handschriften, boekdrukwerken, drukken en cartografie opgenomen. Het Verboden Rijk reactiveert de oude meesters en brengt niet alleen ons roemrijk én berucht verleden tot leven, maar slaat ook een brug naar de hedendaagse kunst. Luc Tuymans: De begrippen waardigheid en waarachtigheid kunnen worden gezien als sleutels die de deur openen naar het begrip van Chinese kunst. De toeschouwer wordt verzocht verder te kijken dan het beeld zelf om de betekenis te achterhalen. Het beeld is een schets van het begrip van een idee.
Painting --- China --- Flanders --- Cognitie en cultuur --- Cognition and culture --- Cognition et culture --- kunst --- België --- Nederland --- zestiende eeuw --- zeventiende eeuw --- achttiende eeuw --- negentiende eeuw --- twintigste eeuw --- schilderkunst --- 7.03 --- Exhibitions --- Art [Chinese ] --- Art [Flemish ] --- Catalogs --- Chinese painting styles --- cultuurgeschiedenis --- Vlaamse school
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Italië --- renaissance --- interieurvormgeving --- vijftiende eeuw --- zestiende eeuw --- meubelkunst --- naslagwerk --- 747.034 --- Applied arts. Arts and crafts --- History --- furniture making --- interior views --- interior decoration --- Renaissance --- anno 1500-1599 --- Italiaanse school
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Deze rijkelijk geïllustreerde publiekscatalogus schetst een volledig beeld van de reis die Albrecht Dürer maakte (1471-1528) door de Nederlanden. Omdat de kunstenaar nauwgezet een dagboek bijhield, is deze tocht uitvoerig gedocumenteerd. Deze publicatie bevat meer dan 140 schilderijen, prenten, tekeningen en beelden, zowel van Dürer als van de kunstenaars die hij op zijn tocht ontmoette, die hem inspireerden en die door hem werden beïnvloed.
Dürer, Albrecht --- kunst --- 75.071 DUERER --- 75.034 --- 75.033/034 --- 7.033/034 --- 7.034 --- Dürer Albrecht --- middeleeuwen --- renaissance --- zestiende eeuw --- vijftiende eeuw --- Exhibitions --- reisimpressies --- 16de eeuw --- Nederlanden --- Art --- reisimpressies. --- Dürer, Albrecht. --- 16de eeuw. --- Nederlanden. --- kunstgeschiedenis, Nederlanden
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A ground-breaking artist of her time, late sixteenth-century Bolognese artist Fontana is widely considered to be the first woman artist to achieve professional success beyond the confines of a court or a convent. Fontana was the first woman to manage her own workshop, and the first woman to paint public altarpieces and female nudes. She maintained an active career, painting for many illustrious patrons, while also taking on the role of wife and mother. Exploring Fontana's extraordinary life through her paintings and drawings, the exhibition will offer insight into the cultural climate that enabled her to flourish as a female artist of the period. This will be the first monographic exhibition to examine Fontana's work in over two decades, and the first to focus on her portraits. It will bring together a selection of her most highly regarded works from international public and private collections, alongside the artist's celebrated The Visit of the Queen of Sheba to King Solomon, from the Gallery's own collection.
Painting --- Bologna, school van --- Fontana, Lavinia --- kunst --- schilderkunst --- renaissance --- Italië --- 75.071 FONTANA --- Fontana Lavinia --- zestiende eeuw --- zeventiende eeuw --- portretschilderkunst --- portretten --- religieuze schilderkunst --- kunst en religie --- honden --- dieren --- Fontana, Lavinia, --- Women painters
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Art --- Holbein, Hans [Younger] --- Drawing --- Painting --- anno 1400-1499 --- anno 1500-1599 --- Painting, German --- Portrait painting, German --- Peinture allemande --- Peinture de portraits allemande --- Holbein, Hans, --- Holbein, Hans de Jonge --- Holbein, Hans --- 75.041.2 --- kunst --- Duitsland --- zestiende eeuw --- Holbein de Jonge Hans --- portretschilderkunst --- portret --- 75.071 HOLBEIN --- schilderkunst --- Portretschilderkunst --- Exhibitions --- 75.041.2 Portretschilderkunst --- Painters --- Germany --- Biography --- Гольбейн, Ганс --- Golʹbeĭn, Gans --- הולביין, האנס,
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450 years ago, anecdotes that we would now relate via social media were shared in churches, then the most important places for meeting up with others. In 2016, Museum Mayer van den Bergh is presenting for the first time a selection of church interiors that speak to us about daily life in that period.As well as being places of liturgy, churches were where people celebrated, grieved, paraded, begged, gossiped and even played. Everyday life played out within. And this can be seen in paintings on the subject made in such great quantity in Antwerp in the 16th and 17th centuries. These church interiors are not only masterpieces of perspective, but also present fascinating scenes of existing or lost churches replete with splendid indoor vistas, every corner revealing to us daily life. Museum Mayer van den Bergh is bringing together a number of these church interiors for the first time. This beautifully illustrated catalogue introduces the reader to locations that were the places to meet in the 16th and 17th centuries.
Religious architecture --- Art --- anno 1600-1699 --- anno 1500-1599 --- Églises --- Dans l'art --- 726 "16" --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--17e eeuw. Periode 1600-1699 --- 726 "16" Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--17e eeuw. Periode 1600-1699 --- 726.5 --- 75 --- 72.034.7 --- 72.034.5 --- Kerken (architectuur) --- Schilderkunst --- 17de eeuw (architectuur) --- Zeventiende eeuw (architectuur) --- 16de eeuw (architectuur) --- Zestiende eeuw (architectuur) --- Architecture
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History of civilization --- mythologie --- Drawing --- Painting --- Baroque --- barokkunst --- Iconography --- Mannerist [Renaissance-Baroque style] --- Art styles --- mythology [literary genre] --- maniërisme --- Epical, mythological and fictitious figures --- anno 1600-1699 --- anno 1500-1599 --- Belgium --- Netherlands --- Dessins (genres) --- Flandre --- Mythologie --- Nederland --- Pays-Bas --- Peinture --- Schilderkunst --- Tekenen --- Vlaanderen --- Art. --- kunst --- mythologische voorstellingen --- iconologie --- zestiende eeuw --- zeventiende eeuw --- schilderkunst --- tekenkunst --- 7.046 --- Maniérisme (Art) --- Manierisme (Kunst) --- Kunstliefhebbers --- Nederlandse school
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Painting --- Baroque --- schilderkunst --- barokkunst --- painting [image-making] --- anno 1600-1699 --- anno 1500-1599 --- Belgium --- Netherlands --- #C9201 --- kunst --- renaissance --- 75.034 --- zeegezichten --- landschapsschilderkunst --- landschap --- architectuur --- stillevens --- dieren --- genreschilderkunst --- historieschilderkunst --- portretschilderkunst --- portret --- België --- Nederland --- zestiende eeuw --- zeventiende eeuw --- barok --- gouden eeuw (Holland) --- godsdienstige emigratie --- Hollandse school --- Vlaamse school
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Drawing --- Painting --- Graphic arts --- Goltzius, Hendrick --- 76 GOLTZIUS, HENDRICK --- kunst --- Nederland --- burijngravure --- barok --- maniërisme --- 76.071 GOLTZIUS --- 75.071 GOLTZIUS --- 741.071 GOLTZIUS --- 7.071 GOLTZIUS --- tekenkunst --- grafiek --- schilderkunst --- Goltzius Hendrick --- zeventiende eeuw --- zestiende eeuw --- Grafische kunsten. Grafiek. Prentkunst--GOLTZIUS, HENDRICK --- Exhibitions --- 76 GOLTZIUS, HENDRICK Grafische kunsten. Grafiek. Prentkunst--GOLTZIUS, HENDRICK --- Goltzius, Hendrick.
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