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beeldcultuur --- reproductions [derivative objects] --- Rubens, Peter Paul --- anno 1800-1999
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Sociology of culture --- Didactics of the arts --- didactic art --- beeldcultuur --- Landesmuseum [Hannover]
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Christian religion --- Iconography --- Roman Catholicism --- martyrs --- idols --- religieuze propaganda --- beeldcultuur --- Counter-Reformation --- anno 1500-1799
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In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. The contributors provide a materialist account of images on the move - ranging from wired photography to postcards to streaming media.
Mass communications --- media [information storage] --- movement [historical concept] --- Digital images --- Digital media --- Social media --- Visual communication --- beeldcultuur
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Schilderkunst [Vlaamse ] --- 16e eeuw --- 17e eeuw --- Painting --- Phoebus Foundation [Antwerp] --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Flanders --- Iconography --- fine arts [discipline] --- Vlaamse school --- beeldcultuur --- paintings [visual works]
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One hundred breathtaking masterpieces from the collection of The Phoebus Foundation, by Hans Memling, Quinten Metsys, Peter Paul Rubens and Antoon Van Dyck, will take the reader through a world full of foolishness and sin, fascination and ambition. They tell about rich citizens and poor saints, about artists and wine cellars, and about Antwerp as Hollywood on the Scheldt.0This book is a compelling story about the image and its meaning, and about the bond between culture and society. Because above all this is about us and who we are today - as people.00Exhibition: Kadriorg Art Museum, Tallinn, Estonia (11.04.-13.09.2020) / followed by MAS, Antwerp, Belgium.
Painting [Flemish ] --- Exhibitions --- Iconography --- Painting --- Phoebus Foundation [Antwerp] --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Flanders --- iconography --- easel paintings [paintings by form] --- Painting, Flemish --- Peinture flamande --- Painting, Flemish. --- Memling, Hans, --- Rubens, Peter Paul, --- 1400-1699 --- Vlaamse school --- beeldcultuur --- Memling, Hans, 1430?-1494 --- Rubens, Peter Paul, 1577-1640
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L'image n'est pas réductible aux splendeurs exposées dans les châteaux, les églises et les musées. Dès la Renaissance, où se développe le concept de beauté idéale, l'image envahit le quotidien : elle est un enjeu politique, un instrument de propagande, un support de la dévotion, un objet de distinction et, de plus en plus, un objet de délectation. Car la vue est bien le sens le plus célébré à l'époque moderne.Ce manuel, introduction à l'approche socio-historique de l'image, étudie la place croissante qu'occupe l'image dans l'espace quotidien des sociétés européennes du 15e au 18e siècle. Il entame sa réflexion sur les nouveautés techniques, représentatives et artistiques introduites par la Renaissance et s'achève sur l'apparition du système moderne de l'image au 18e siècle - et jusqu'à la Révolution -, avec salons, critique d'art et musées. Entre ces deux chapitres, des études thématiques abordent chronologiquement les aspects sociaux et idéologiques de la production et de l'utilisation des images : les artistes - hommes et femmes -, les clients et mécènes, l'image religieuse, le langage allégorique et le naturalisme, la fonction morale et cognitive de l'image, son rôle dans la distinction sociale et ses rapports avec le pouvoir politique.
Art and society --- Artists and patrons --- Pictures --- Art et société --- Artistes et mécènes --- Illustrations, images, etc. --- History --- Histoire --- Artistes et mecenes --- Art et societe --- Art --- Art de la Renaissance --- Art europeen --- Aspect social --- Aspect politique --- Histoire. --- Art et société --- Artistes et mécènes --- History. --- anno 1500-1799 --- Europe --- Illustrations, images, etc. - Aspect social - Europe - Histoire --- Artistes et mecenes - Europe - Histoire --- Art et societe - Europe - Histoire --- Art - Aspect politique - Europe - Histoire --- Art de la Renaissance - Histoire --- Art europeen - 17e siecle - Histoire --- Art europeen - 18e siecle - Histoire --- Art, Modern --- Philosophy --- Political aspects --- beeldcultuur
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Bibliotheek François Vercammen
Esthétique --- --Occident --- --Art --- Art --- Image (Philosophy) --- Semiotics and the arts --- Image --- --Représentant de commerce --- --Spectacle --- --Sémiologie de l'image --- Philosophy --- History --- Régis Debray --- kunsttheorie --- esthetica --- waarnemingspsychologie --- waarneming --- technologie --- fotografie --- fotografietheorie --- televisie --- videokunst --- nieuwe media --- 7.01 --- Picture interpretation --- Sémiotique et arts --- Illustrations, images, etc. --- Philosophie --- Interprétation --- beeldcultuur --- Communication visuelle --- Sémiotique et art --- Symbolisme --- Imaginaire (philosophie) --- Interprétation --- Aspect psychologique --- Communication visuelle. --- Sémiotique et art. --- Interprétation. --- Aspect psychologique. --- Illustrations --- Aesthetics of art --- philosophy of art --- 110 --- 0 --- esthétique --- mythologie --- médias --- histoire culturelle --- wijsbegeerte overige werken --- philosophie autres ouvrages --- Art - Philosophy --- Art - History --- Représentant de commerce --- Spectacle --- Sémiologie de l'image --- Occident
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aesthetics --- Art --- anno 2000-2099 --- anno 1800-1999 --- anno 1500-1799 --- Antwerp --- beeldhouwwerken --- schilderijen --- oude meesters --- Vlaamse Primitieven --- cartografie --- kunsthandel --- geschiedenis --- literatuur --- hedendaagse kunst --- zeevaart --- Dürer, Albrecht --- Rubens, Peter Paul --- More, Thomas --- Tersas, Toon --- Geys, Jef --- Ruusbroec, Jan van --- Panamarenko --- Antwerpen --- kunst --- middeleeuwen --- renaissance --- barok --- classicisme --- negentiende eeuw --- twintigste eeuw --- België --- numismatiek --- Hadewijch --- Jan van Ruusborec --- Geys Jef --- Tersas Toon --- Moderne Devotie --- schilderkunst --- ars nova --- Vlaamse primitieven --- More Thomas --- Dürer Albrecht --- Wunderkammer --- landschapsschilderkunst --- landschap --- Bijns Anna --- Rubens Peter Paul --- allegorieën --- stillevens --- kunstmarkt --- 7.03 --- Kunst --- Schilderkunst --- 7.049 --- 7.01 --- 7(493) --- Beeldende kunst ; Antwerpen ; beelddenken en beeldindustrie --- Tentoonstellingscatalogi ; Antwerpen ; Museum aan de Stroom (MAS) --- Beeldcultuur ; België ; 15de tot 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- Kunst ; België --- Exhibitions --- België --- Dürer Albrecht --- allegorieën --- Beeldcultuur ; België ; 15de tot 21ste eeuw --- Kunst ; België --- Ruusbroeck, Jan van --- sculpturen --- Art, Belgian --- sculpturen. --- schilderijen. --- oude meesters. --- Vlaamse primitieven. --- cartografie. --- kunsthandel. --- geschiedenis. --- literatuur. --- hedendaagse kunst. --- zeevaart. --- Dürer, Albrecht. --- Rubens, Peter Paul. --- More, Thomas. --- Tersas, Toon. --- Geys, Jef. --- Ruusbroeck, Jan van. --- Panamarenko. --- Antwerpen.
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