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Raphaels influence on western art is unique. He is a defining artist of the modern age, together with Leonardo da Vinci, Michelangelo and Dürer. This book, published to coincide with an exhibition of a selection of his drawings at the Städel Museum in Frankfurt, includes extensive documentation and outstanding reproductions. Raphael (14831520) was one of the protagonists of the Italian Renaissance. His Vatican frescos and, above all, his paintings of the Virgin Mary defined entire epochs of European art history, not only as an inspiration but also as undisputed ideals. The collection of drawings by Raphael in the Städel Museum is unique in Germany. Together with exquisite loans from other museums that add to our insight into the artists ingenious and technically versatile oeuvre, they make up the Frankfurt exhibition. Cooperation with private collections such as those in The Queens Gallery, London and museums in Paris, Oxford, London, Florence and New York have enabled this sensational combination of world-class works.

Drawing --- Raphael --- tekeningen --- techniek --- Raphaël --- tekeningen. --- techniek. --- Rafaël. --- Rafaël

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What is a fake and why are fakes made? Did the forgers of the Turin Shroud and Piltdown Man have the same motives? Does a famous Vermeer cease to be beautiful when it turns out to be a Van Meegeren? Is the Piranesi Vase an eighteenth-century masterpiece or a faked-up antique? Fakes, argue the contributors to this volume, have always been unjustly neglected, especially given the unparalleled evidence they provide of the values and perceptions of both those who make them and those who commission them. Included in this major survey of fakes and forgeries from ancient Babylonia to the present day are more than 600 objects from the British Museum and other outstanding collections. There are spectacular fakes once hailed as masterpieces of ancient and modern art. There are musical instruments and manuscripts, Chinese bronzes and Chelsea porcelain. There are literary and documentary frauds and political forgeries that have changed the course of history.Both the methods of making fakes and the recent scientific advances in their detection are described, but many puzzles remain. The book concludes with a discussion of intriguing cases like the Vinland Map, the "Aztec" rock-crystal skull, and the mysterious discoveries at Glozel, which continue to perplex curator, historian, and scientist alike. What is a fake and why are fakes made? Did the forgers of the Turin Shroud and Piltdown Man have the same motives? Does a famous Vermeer cease to be beautiful when it turns out to be a Van Meegeren? Is the Piranesi Vase an eighteenth-century masterpiece or a faked-up antique? Fakes, argue the contributors to this volume, have always been unjustly neglected, especially given the unparalleled evidence they provide of the values and perceptions of both those who make them and those who commission them.Included in this major survey of fakes and forgeries from ancient Babylonia to the present day are more than 600 objects from the British Museum and other outstanding collections. There are spectacular fakes once hailed as masterpieces of ancient and modern art. There are musical instruments and manuscripts, Chinese bronzes and Chelsea porcelain. There are literary and documentary frauds and political forgeries that have changed the course of history.Both the methods of making fakes and the recent scientific advances in their detection are described, but many puzzles remain. The book concludes with a discussion of intriguing cases like the Vinland Map, the "Aztec" rock-crystal skull, and the mysterious discoveries at Glozel, which continue to perplex curator, historian, and scientist alike.

Art --- forgeries [derivative objects] --- Forgeries --- Exhibitions --- Faux --- Expositions --- vervalsingen --- techniek --- wetenschappelijk onderzoek --- Faux et supercheries artistiques --- Exhibitions. --- Histoire --- Histoire. --- Expositions. --- vervalsingen. --- techniek. --- wetenschappelijk onderzoek.

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Sculpture --- bronze [metal] --- Rijksmuseum [Amsterdam] --- anno 1500-1799 --- anno 1400-1499 --- Rijksmuseum Amsterdam --- bronzen --- techniek --- beeldhouwkunst --- Rijksmuseum Amsterdam. --- bronzen. --- techniek. --- sculptuur. --- sculptuur

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painting [image-making] --- Paolo Veneziano --- religieuze kunst --- techniek --- Veneziano, Paolo --- 14de eeuw --- Venetië --- religieuze kunst. --- techniek. --- Veneziano, Paolo. --- 14de eeuw. --- Venetië. --- kunst en godsdienst --- Venetiaanse school

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pottenbakken --- Applied arts. Arts and crafts --- kunst --- keramiek --- techniek --- handboek --- handleiding --- 738