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Screening Gender, Framing Genre : Canadian Literature into Film
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Year: 2007 Publisher: Toronto [Ont.] : University of Toronto Press,

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"In Screening Gender, Framing Genre, Peter Dickinson examines the history and theory of films adapted from Canadian literature through the lens of gender studies. Unique in its discussion of a range of different adaptations, including films based on novels, plays, poetry, and Native orature, this study offers new and often provocative readings of works by such well-known Canadian authors as Margaret Atwood, Marie-Claire Blais, and Michael Ondaatije, and by such important Canadian filmmakers as Mireille Dansereau, Claude Jutra, Robert LePage, and Bruce McDonald."--Jacket.

Twentieth-century American fiction on screen
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ISBN: 9780521542302 0521542308 9780521834445 0521834449 9780511610950 0511274378 9780511274374 0511272758 9780511272752 0511273541 9780511273544 9780511271113 0511271115 9780511270888 0511270887 9780511275074 0511275072 0511610955 1280815310 9781280815317 9786610815319 6610815313 1107161061 9781107161061 0511321228 9780511321221 Year: 2007 Publisher: Cambridge : Cambridge University Press,

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The essays in this collection analyse major film adaptations of twentieth-century American fiction, from F. Scott Fitzgerald's The Last Tycoon to Toni Morrison's Beloved. During the century, films based on American literature came to play a central role in the history of the American cinema. Combining cinematic and literary approaches, this volume explores the adaptation process from conception through production and reception. The contributors explore the ways political and historical contexts have shaped the transfer from book to screen, and the new perspectives that films bring to literary works. In particular, they examine how the twentieth-century literary modes of realism, modernism, and postmodernism have influenced the forms of modern cinema. Written in a lively and accessible style, the book includes production stills and full filmographies. Together with its companion volume on nineteenth-century fiction, the volume offers a comprehensive account of the rich tradition of American literature on screen.

Creatures of darkness : Raymond Chandler, detective fiction, and film noir
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ISBN: 0813190428 0813147905 0813160014 9780813147901 0813121744 9780813121741 9780813190426 9780813127002 0813127009 9780813160016 Year: 2000 Publisher: Lexington, KY : University Press of Kentucky,

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More than any other writer, Raymond Chandler (1888-1959) is responsible for raising detective stories from the level of pulp fiction to literature. Chandler's hard-boiled private eye Philip Marlowe set the standard for rough, brooding heroes who managed to maintain a strong sense of moral conviction despite a cruel and indifferent world. Chandler's seven novels, including The Big Sleep (1939) and The Long Goodbye (1953), with their pessimism and grim realism, had a direct influence on the emergence of film noir. Chandler worked to give his crime novels the flavor of his adopted city, Los Angel

De l'écrit à l'écran : Les réécritures filmiques du roman africain francophone
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ISBN: 2760326942 2760315754 2760305805 Year: 2005 Publisher: Les Presses de l’Université d’Ottawa | University of Ottawa Press

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De l'écrit à l'écran est le premier ouvrage qui aborde la question de la réécriture filmique du roman africain francophone. Il se sert de la sémiologie de l'image, de la poétique et des théories post-coloniales pour définir les enjeux théoriques, idéologiques et sémantiques régissant le passage des textes littéraires au cinéma. Il identifie des paramètres importants dans la poétique de l'écriture et montre le rôle de l'acte créateur dans l'altérité du texte dérivé, filmique, par rapport au texte de départ, littéraire. De ce fait, il formule des propositions novatrices par rapport aux inte

Jane Austen in Hollywood
Authors: ---
ISBN: 0813137764 1283327562 9786613327567 0813171210 9780813171210 9780813137766 0813190061 9780813120843 9781283327565 6613327565 9780813190068 Year: 2001 Publisher: Lexington University Press of Kentucky

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"An excellent example of literary criticism, as each of the fourteen essays is well-researched and scholarly but with a touch of humor."--Film & History. "Few scholarly works excite sufficient demand to require a second edition within three yours of the first publication, but this collection of essays on Austen and Hollywood has attracted an audience far beyond academe."--Eighteenth Century Current Bibliography. "It is good to know that serious study of Austen's stature as a cultural icon for different reading publics is beginning."--Times Literary Supplement. "Such a book was sure to follow the Austen explosion and we welcome it."--Literature/Film Quarterly. "This book has something for both the Austen scholar and the Austen enthusiast."--Booklist. "[These articles] are engaging and sure to spark discussion"--Library Journal. In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced -- an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millennium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siecle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels. From Persuasion to Pride and Prejudice, from the three Emmas (including Clueless) to Sense and Sensibility, these films succeed because they flatter our intelligence and education. And they have as much to tell us about ourselves as they do about the world of Jane Austen. This second edition includes a new chapter on the recent film version of Mansfield Park.

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