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A comprehensive handbook of all the crucial information interior designers need to know on a daily basis.
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Tombs --- Decoration
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What is a collision? An unexpected meeting with an effect. And what is creativity? Generating something new. And what is a creative office? It is an environment which provides support for something new. And what sounds so simple really is that simple. There are certain places in the office where creative work can really happen. These are not places like office desks or meeting rooms, no matter where they might be. Nor are these just around the coffee machines or the table-tennis tables in offices. Above all, creative places are the corridors, the lifts, the stairways, the entrance halls. In offices that have been planned with innovation in mind, it is the spaces in between that make collisions possible: chance meetings that stimulate our intuitive system and, in doing so, provide for generating something new. For intuition is a human system that enables fast decision-making and provides the means for dealing with unintended meetings that are full of risk. Coincidences are the source of the creative impulse that is needed for something new. For an idea, developing that idea, an innovation. Such locations have to be designed to support innovated exchange. Only then is an office creative. And only then will a creative meeting make an impact. Do we have such places for collisions in our offices? They are surprisingly rare.
Offices --- Office buildings --- Office decoration --- Interior decoration --- Decoration --- E-books
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Late Bronze Age Painted Pottery Traditions at the Margins of the Hittite Stateis the result of a workshop organized by the editors at the 11th ICAANE held in Munich in 2018 with additional contributions presented by renowned scholars working on this topic. The Late Bronze Age in the Ancient Near East is generally marked by a massive decline in the occurrence of painted pottery and a clear dominance of plain ceramics. This is especially evident when looking at Anatolia. Here, the presence of simple undecorated ceramics is considered as the main distinguishing trait of the dominance of the Hittite State and its material culture. Nevertheless, at the margins of the empire, especially in Southern and South-Eastern as well as Northern Anatolia, painted ceramics are frequently attested and, during recent years, new findings have come to light from a number of excavations. However, a comprehensive analysis of this material has not yet been accomplished. The intent of this volume is to break through the boundaries usually imposed by the study of 2nd millennium BC pottery production in Anatolia and to reconstruct a comprehensive scenario concerning the appearance, evolution, and related historical meanings of these painted pottery traditions. To this end, 12 papers of leading specialists working on relevant material have been collected in this book offering, for the first time, the possibility of a deeper understanding of the phenomenon of painted pottery in the 2nd millennium BC.
Decoration And Ornament --- Design --- Decoration and ornament
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Das Buch untersucht das Zusammenspiel von alten und neuen Decor-Elementen auf der Insula IX 5 in Pompeji in der letzten Phase der Stadt zwischen 62-79 n. Chr. Dabei wird für die Häuser erstmals der Versuch unternommen, Bau- und Ausstattungsphasen zu greifen. Die Ausstattung wird jedoch nicht nur chronologisch eingeordnet, sondern sowohl hinsichtlich der für sie getroffenen Decor-Entscheidungen als auch der Wirkung des Decors analysiert.
Interior decoration --- Mural painting and decoration, Roman.
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This book explores the manner in which architectural settings and action contexts influenced the perception of decoration in the Roman world. Crucial to the relationship between ancient viewers and media was the concept of decor, a term employed by Vitruvius and other Roman authors to describe the appropriateness of particular decorative elements to the environment in which they were located. The papers in this volume examine a diverse range of decorated spaces, from press rooms to synagogues, through the lens of decor. In doing so, they shed new light on the decorative principles employed across Roman Italy and beyond.
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Refinement and enrichment of surfaces in stone, wood and plaster is a fundamental aspect of early modern architecture which has been marginalised by architectural history. Enriching Architecture aims to retrieve and rehabilitate surface achievement as a vital element of early modern buildings in Britain and Ireland. Rejected by modernism, demeaned by the conceptual 'turn' and too often reduced to its representative or social functions, we argue for the historical legitimacy of creative craft skill as a primary agent in architectural production. However, in contrast to the connoisseurial and developmental perspectives of the past, this book is concerned with how surfaces were designed, achieved and experienced. The contributors draw upon the major rethinking of craft and materials within the wider cultural sphere in recent years to deconstruct traditional, oppositional ways of thinking about architectural production. This is not a craft for craft's sake argument but an effort to embed the tangible findings of conservation and curatorial research within an evidence-led architectural history that illuminates the processes of early modern craftsmanship. The book explores broad themes of surface treatment such as wainscot, rustication, plasterwork, and staircase embellishment together with chapters focused on virtuoso buildings and set pieces which illuminate these themes.
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Aimed at prospective and new students, this book gives a comprehensive introduction to the nature and practice of interior design as well as invaluable information about education and careers and gives a balanced inside view of the business today. Its broad, up-to-date approach unites history, theory, and practice. Subjects covered include how to develop a program with a client; presentations and sample boards; choosing materials and designs; project planning and management. For the new edition, many of the examples of interiors have been updated and there is additional information on sustaina
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