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This book dives into the heart of how to design distributed control architectures for heterogeneous teams of humans, robots, and automated systems, enabling them to achieve greater cooperation and autonomy through the use of network technologiesReaders can envision a realistic view of what can be expected from a networked human robot cooperative environment in the next decade.

Technology in art. --- Telecommunication in art.

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First published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer's bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920. Why did so many artists choose to portray bridges? In this lavishly illustrated and intriguing book, John Sweetman seeks to answer this question. He traces the history of the bridge in painting and printmaking through a vast range of work, some as familiar as William Etty's The Bridge of Sighs and Claude Monet's The Railway Bridge at Argenteuil and others less well known such as Wassily Kandinsky's Composition IV and C.R.W. Nevinson's Looking Through the Brooklyn Bridge. Distinctive characteristics emerge revealing the complex role of the bridge as both symbol and metaphor, and as a place of vantage, meeting and separation.

Bridges in art. --- Symbolism in art.

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The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous angels of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news site without reading about impending financial orclimate-change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know muc

Apocalypse in art. --- Bible. --- In art.

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Dirigido a qualquer pessoa interessada nas relações entre arte, gênero e sexualidade, o livro explica como grandes museus espanhóis foram ocupados por uma série de obras e exposições que tratam das dissidências sexuais e de gênero. O autor analisa a vontade de expor, classificar e pensar essas dissidências nas artes e oferece uma rica narrativa sobre o processo de construção da pesquisa, que leva o pesquisador a ser afetado por uma série de obras, situações e encontros dentro e fora dos museus. É um exercício etnocartográfico processual que resulta em críticas e pessoas artistas, curadoras, pesquisadoras e uma instigante proposta analítica. A obra foi produzida durante o período (2019-2020) em que o autor foi professor visitante na Universidade de Sevilha.

Sex in art. --- Sexual minorities in art.

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« C'est le Diable qui tient les fils qui nous remuent ! » (Charles Beaudelaire, Les Fleurs du Mal, 1857)Satan, Belzébuth, Lucifer... Le Diable possède de multiples noms et visages qui, toujours, furent une grande source d'inspiration pour les artistes. Longtemps commanditées par les instances religieuses, pour en faire, selon les civilisations, un objet de crainte ou de vénération, les representations du monde des ténèbres eurent souvent vocation à instruire les croyants et à les guider dans le droit chemin. Pour d'autres artistes, tel Hieronymus Bosch, elles étaient un moyen de dénoncer la dégr

Devil in art. --- Devil