Listing 1 - 7 of 7 |
Sort by
|
Choose an application
Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church's wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual.
Art, Early Christian --- Christian art and symbolism --- History, Ancient. --- Dura-Europos (Extinct city)
Choose an application
This treatise refutes the assumption that early Christians were opposed in principle to visual images and thus did not produce art. It shows that once Christians acquired legal status and were able to own property and places of worship, they started to produce art as decoration.
Art, Early Christian. --- Christian art and symbolism --- Christianity and culture --- Fathers of the church. --- God (Christianity) --- Christianity --- Trinity --- Church fathers --- Patristics --- Philosophy, Patristic --- Christians --- Early Christian art --- History --- Knowableness --- History of doctrines --- To 500 --- Primitive and early church, ca. 30-600 A.D. --- God --- Art [Early Christian ] --- Fathers of the church --- Christianity and culture - History - Early church, ca. 30-600. --- God - Knowableness - History of doctrines - Early church, ca. 30-600. --- Christian art and symbolism - To 500 --- Christianity and culture - History - Early church, ca 30-600 --- Art, Early Christian --- God - - History of doctrines - - Knowableness - - Early church, ca. 30-600 --- -Fathers of the church --- -Art, Early Christian.
Choose an application
Art, Medieval. --- Art, Byzantine. --- Art, Early Christian. --- Early Christian art --- Christian art and symbolism --- Byzantine art --- Art, Medieval --- Medieval art --- Art, Byzantine
Choose an application
The Apostles in Early Christian Art and Poetry presents the first in-depth analysis of the origins of the representation of the apostles (the twelve disciples and Paul) in verse and image in the late antique Greco-Roman world (250-400). Especially in the West, the apostles are omnipresent, in particular on sarcophagi and in Biblical and martyr poetry. They primarily function as witnesses of Christ’s stay on earth, but Peter and Paul are also popular saints of their own. Occasionally, the other apostles come to the fore as individual figures. Direct influence from art on poetry or vice versa appears to be difficult to trace, but principal developments of late antique society are reflected in the representation of the apostles in both media.
Apostles in art --- Apostles in literature --- Art, Early Christian --- Christian poetry, Early --- Themes, motives --- History and criticism --- 225-05 --- Personen in het Nieuwe Testament. Apostelen --- Apostles in art. --- Apostles in literature. --- Christian poetry, Early. --- Themes, motives. --- History and criticism. --- 225-05 Personen in het Nieuwe Testament. Apostelen --- Early Christian poetry --- Christian literature, Early --- Early Christian art --- Christian art and symbolism --- Art, Early Christian - Themes, motives --- Christian poetry, Early - History and criticism --- Apôtres --- Iconographie --- Poésie
Choose an application
In geen tijd wisten een handjevol eenvoudige lui dat Christus gevolgd was hun overtuiging en levenswijze te laten doordringen to in de verste uithoeken van de wereld. Een bijna geruisloze revolutie die het vooral moest hebben van mond - tot - mondreclame. Onze kennis over het begin van de christelijke cultuur is gebaseerd op geschreven bronnen. Een totaalvisie ontbreekt omdat de studie van de materiële cultuur, die ons rechtstreeks in contact brengt met het verleden, nog niet eerder te boek werd gesteld. De auteur neemt de lezer mee naar de wereld van het vroege christendom en schetst het cultureel - antropologisch kader aan de hand van illustraties. Hij maakt niet enkel kennis met het leven van elke dag, funeraire praktijken en beeldtaal, maar ook met de (vroeg) christelijke kunst. Bovendien gaat Provoost ook uitvoerig in op de expansie van het geloof: christenen bouwen eigen cultus gebouwen, Europa en Azië worden gechristianiseerd, kluizen en kloosters kennen een sterke groei en het proces van pelgrimstochten komt op gang
Church history --- Archeology --- Christian church history --- anno 1-499 --- Art [Early Christian ] --- Christian antiquities --- antropologie --- C1 --- christendom --- geschiedenis --- 233.2 --- Eerste christenen --- kerkgeschiedenis --- Academic collection --- #GGSB: Christendom --- #gsdb8 --- 27 "00/04" --- 7.033.1 --- Apostolic Church --- Christianity --- Church, Apostolic --- Early Christianity --- Early church --- Primitive and early church --- Primitive Christianity --- Fathers of the church --- Great Apostasy (Mormon doctrine) --- 7.033.1 Vroegchristelijke kunst --- Vroegchristelijke kunst --- Kerken en religie --- christendom - geschiedenis tot c. 600 --- Kerkgeschiedenis--?"00/04" --- Early Christian --- 922 --- geschiedenis - oudheid, Oosterse oudheid --- Christendom --- Romeinse Rijk --- Godsdienst --- Ethiek --- Kunst --- Symboliek --- Sport --- Duurzaamheid --- Filosofie --- Psychologie --- Sociologie --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Man --- Erfelijkheidsleer --- Stadssamenleving --- Voeding --- Maatschappij --- Verpleegkunde --- Drank --- Gezondheid --- Volwassene --- Geschiedenis --- Voorlichting
Choose an application
The distinctions and similarities among Roman, Jewish, and Christian burials can provide evidence of social networks, family life, and, perhaps, religious sensibilities. Is the Roman development from columbaria to catacombs the result of evolving religious identities or simply a matter of a change in burial fashions? Do the material remains from Jewish burials evidence an adherence to ancient customs, or the adaptation of rituals from surrounding cultures? What Greco-Roman funerary images were taken over and "baptized" as Christian ones? The answers to these and other questions require that the material culture be viewed, whenever possible, in situ, through multiple disciplinary lenses and in light of ancient texts. Roman historians (John Bodel, Richard Saller, Andrew Wallace-Hadrill), archaeologists (Susan Stevens, Amy Hirschfeld), scholars of rabbinic period Judaism (Deborah Green), Christian history (Robin M. Jensen), and the New Testament (David Balch, Laurie Brink, O.P., Margaret M. Mitchell, Carolyn Osiek, R.S.C.J.) engaged in a research trip to Rome and Tunisia to investigate imperial period burials first hand. Commemorting the Dead is the result of a three year scholarly conversation on their findings.
Burial. --- Funeral rites and ceremonies, Ancient --- Funeral rites and ceremonies --- Jewish funeral rites and ceremonies --- Funeral service --- Sépulture --- Funérailles --- Service funèbre --- History --- Rites et cérémonies --- Histoire --- Rites et cérémonies juifs --- Funeral rites and ceremonies, Jewish. --- Jewish funeral rites and ceremonies. --- Funeral service. --- Burial service --- Service, Funeral --- Funeral rites and ceremonies, Jewish --- Funeral rites and ceremonies, Roman --- Funeral customs and rites --- Burial --- Jews --- Judaism --- Liturgies --- Worship programs --- Funerals --- Mortuary ceremonies --- Obsequies --- Manners and customs --- Rites and ceremonies --- Cremation --- Dead --- Mourning customs --- Burial customs --- Burying-grounds --- Graves --- Interment --- Archaeology --- Public health --- Coffins --- Grave digging --- Customs and practices --- Funeral rites and ceremonies. --- Cryomation --- Art (Early Christian, Jewish).
Choose an application
This monograph engages in a close reading of the traditio legis, highlighting its novelty and complexity to early Christian viewers. The image is analyzed as a conflation of two distinct forms of representation, each constructed of unusual and potentially multivalent elements.
Jesus Christ --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Iconography. --- Art paléochrétien --- Art, Early Christian --- Christian art and symbolism --- Thèmes, motifs. --- Themes, motives --- Paul --- Paul, --- Dans l'art. --- In Art.
Listing 1 - 7 of 7 |
Sort by
|