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The International Review of the Aesthetics and Sociology of Music features original scholarly articles on music aesthetics, the sociology of music, the social history of music, and the history of ideas in music. The journal has been published since 1970, with articles written in English, French, and German. In addition to articles, it features reviews, announcements and reports on conferences.

Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Philosophy and aesthetics

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Music --- Muziek. --- Muziekwetenschap. --- Musique --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)

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Music --- Performance --- Performance. --- Musical performance --- Performance of music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)

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This book is about the tiny sounds of the world, and listening to them, the minute signals that are clues to who and where we are. A very small sound, given the context of its history, becomes hugely significant, and even an imagined sound in a picture becomes almost a voice. By speaking a name, we give a person back to the world, and a breath, a sigh, a laugh or a cry need no language. A phoneme is the start of all stories, and were we able to tune ourselves to the subtleties of the natural world, we might share the super-sensitivity of members of the bird and animal kingdom to sense the message in the apparent silence. Mind hears sound when it perceives an image; the book will appeal to sonic and radio practitioners, students of sound, those working in the visual arts, and creative writers.

Technology—Sociological aspects. --- Music. --- Science and Technology Studies. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)

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This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity.

Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- Indic influences.