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"David Bowie released an incredible 27 studio albums, beginning with his eponymous 1967 debut and ending with Blackstar, released just two days before his death in January 2016. Widely regarded as one of the most influential musicians and performers of the previous five decades, Bowie demolished what were thought to be the limitations of stagecraft in rock music, as well as proving it possible for an artist to constantly--and successfully--redefine himself. As a result, Bowie has been credited with inspiring genres as disparate as glam and punk rock. This sharply written and gorgeously designed retrospective follows Bowie's career from the folkie baroque rock of his debut, to his breakthrough single Space Oddity, and on to his flamboyant glam rock alter ego, Ziggy Stardust. Author Pat Gilbert continues through Bowie's soul phase, his electronic Berlin trilogy, his massive pop success in the 1980s, and his turn to electronica in the 1990s, as well as subsequent tours, notable performances, collaborations, and accolades. Nearly every page is illustrated with stunning concert and candid offstage photography, including gig posters, 7-inch picture sleeves, concert T-shirts, and more. The result is a fitting tribute to one of the most influential and admired stars in rock history."-- $c Provided by publisher.

Rock musicians --- Bowie, David. --- Jones, David Robert --- Jones, Davy, --- Stardust, Ziggy --- Ziggy Stardust --- Bowie, David

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"Provides a window into a moment when both phantasmatic and real relationships between straightness and queerness, between blackness and whiteness, and between utopia and dystopia, were in flux; Bowie in the mid-1970s both exemplified and had a hand in creating the complex and contradictory opening of possibilities now seen as the hallmark of that decade"--

Glam rock music --- Rock music --- History and criticism. --- History and criticism. --- Bowie, David. --- Bowie, David --- Criticism and interpretation.

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In Philosophizing Rock Performance: Dylan, Hendrix, Bowie, Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Ranci

Rock music --- History and criticism. --- Dylan, Bob, --- Hendrix, Jimi --- Bowie, David --- Alias, --- Blind Boy Grunt, --- Landy, Bob, --- Porterhouse, Tedham, --- Thomas, Robert Milkwood, --- Zimmerman, Robert, --- Jones, David Robert --- Jones, Davy, --- Stardust, Ziggy --- Ziggy Stardust --- Hendrix, James Marshall --- Hendrix, Jimmy --- Hendrix, Johnny Allen --- Hendrix, Jimmi --- Khendriks, Dzhimi --- Хендрикс, Джими --- Criticism and interpretation. --- Dylan, Bob --- Hendrix, Jimi,