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900.5 --- British Museum --- Daiei Hakubutsukan --- Matḥaf al-Barīṭānī --- Museo Británico --- Britské muzeum v Londýně --- Briṭish Muzeʼon --- Ta Ying po wu kuan --- Da Ying bo wu guan --- Museum Britannicum --- Great Britain. --- בריטיש מוזיאום --- מוזיאון הבריטי --- 大英博物館 --- British Library --- British Museum. --- Catalogs
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Laying the Foundations, which developed out of the British Museum's 'Iraq Scheme' archaeological training programme, covers the core components for putting together and running an archaeological field programme. The focus is on practicality. Individual chapters address background research, the use of remote sensing, approaches to surface collection, excavation methodologies, survey with total (and multi) stations, use of a dumpy level, context classification, on-site recording, databases and registration, environmental protocols, conservation, photography, illustration, post-excavation site curation and report writing. While the manual is oriented to the archaeology of Iraq, the approaches are no less applicable to the Middle East more widely, an aim hugely facilitated by the open-source distribution of translations into Arabic and Kurdish.
Archaeology. --- Excavations (Archaeology) --- British Museum. --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Archaeology --- Daiei Hakubutsukan --- Matḥaf al-Barīṭānī --- Museo Británico --- Britské muzeum v Londýně --- Briṭish Muzeʼon --- Ta Ying po wu kuan --- Da Ying bo wu guan --- Museum Britannicum --- Great Britain. --- בריטיש מוזיאום --- מוזיאון הבריטי --- 大英博物館 --- British Library
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Since the modern period, the field of biblical studies has relied upon libraries, museums, and archives for its evidentiary and credentialing needs. Yet, absent in biblical scholarship is a thorough and critical examination of the instrumentality of the discipline’s master archives for elite power structures. Addressing this gap in biblical scholarship lies central to this book. Interrogated here is a premier repository or master archive of the discipline: the British Museum. Using an assemblage of critical theories from archival discourse to postcolonial studies, space theory to governmentality studies, the focal point of this book is at the intersections of the Museum’s rise to scientific prominence, the British Empire, and the conferring of scientific authority to modern biblical critics in the nineteenth century. Gregory L. Cuéllar initiates a season of historicization of the master archives of biblical studies and archival criticism.
Bible-Theology. --- Imperialism. --- Ethnology-Europe. --- Biblical Studies. --- Imperialism and Colonialism. --- British Culture. --- Colonialism --- Empires --- Expansion (United States politics) --- Neocolonialism --- Political science --- Anti-imperialist movements --- Caesarism --- Chauvinism and jingoism --- Militarism --- Bible—Theology. --- Ethnology—Europe. --- Biblical scholars --- Museum techniques --- Bible and science --- Science and the Bible --- Science --- Museology --- Museums --- Bible scholars --- Biblicists --- Scholars, Biblical --- Scholars --- History --- Social aspects --- Technique --- British Museum --- Daiei Hakubutsukan --- Matḥaf al-Barīṭānī --- Museo Británico --- Britské muzeum v Londýně --- Briṭish Muzeʼon --- Ta Ying po wu kuan --- Da Ying bo wu guan --- Museum Britannicum --- Great Britain. --- בריטיש מוזיאום --- מוזיאון הבריטי --- 大英博物館 --- British Library --- Bible --- Criticism, interpretation, etc. --- Theology --- Applied museology --- Museography --- Museum practices --- Museum studies
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The corpus of Aramaic incantation bowls from Sasanian Mesopotamia is perhaps the most important source we have for studying the everyday beliefs and practices of the Jewish, Christian, Mandaean, Manichaean, Zoroastrian and Pagan communities on the eve of the Islamic conquests. In Jewish Aramaic Curse Texts from Late-Antique Mesopotamia , Dan Levene collects and analyses a selection of Jewish Babylonian Aramaic incantation bowls. While such texts are usually apotropaic or healing in purpose, those collected here are distinctive in that their purpose was to curse or return curses against human adversaries. This book presents new editions of thirty texts, of which fourteen are edited here for the first time, with an introduction, commentary, analysis and glossaries, as well as photographs. “In this valuable addition to the literature on the role of bowls with aggressive texts in magic practices in this period, Levene (Jewish history and culture, U. of Southampton, UK) presents a summary of newly edited and already published bowls with Aramaic transcription; English translation; its type (e.g., invocation of demons to attack a named person, counter-charm); publication source; formulaic parallels in other texts; and notes.' Reference andamp; Research Book News, 2013.
Incantations, Aramaic. --- Incantation bowls. --- Jewish magic --- Magic, Jewish --- Magic, Semitic --- Babylonian demon bowls --- Bowls, Incantation --- Magic bowls --- Ceremonial objects --- Aramaic incantations --- History. --- Pergamonmuseum (Berlin, Germany) --- British Museum --- British Library --- Daiei Hakubutsukan --- Matḥaf al-Barīṭānī --- Museo Británico --- Britské muzeum v Londýně --- Briṭish Muzeʼon --- Ta Ying po wu kuan --- Da Ying bo wu guan --- Museum Britannicum --- Great Britain. --- בריטיש מוזיאום --- מוזיאון הבריטי --- 大英博物館 --- Pergamon Museum (Berlin, Germany) --- Pergamum Museum (Berlin, Germany) --- Staatliche Museen zu Berlin--Preussischer Kulturbesitz. --- Staatliche Museen Preussischer Kulturbesitz. --- Archaeological collections. --- Staatliche Museen Preussischer Kulturbesitz. Pergamonmuseum
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Drawing on archival materials around this national library reading room, Roomscape is the first study that integrates documentary, theoretical, historical, and literary sources to examine the significance of this public interior space for women writers and their treatment of reading and writing spaces in literary texts. This book challenges an assessment of the Reading Room of the British Museum as a bastion of class and gender privilege, an image firmly established by Virginia Woolf's 1929 A Room of One's Own and the legions of feminist scholarship that uphold this spatial conceit. Susan David Bernstein argues not only that the British Museum Reading Room facilitated various practices of women's literary traditions, she also questions the overdetermined value of privacy and autonomy in constructions of female authorship, a principle generated from Woolf's feminist manifesto. Rather than viewing reading and writing as solitary, individual events, Roomscape considers the meaning of exteriority and the public and social and gendered dimensions of literary production.
English literature --- Women authors --- Reading rooms --- Authorship. --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Library buildings --- Rooms --- Authors, Women --- Female authors --- Women as authors --- Authors --- Women and literature --- History and cricitism. --- Societies, etc. --- History. --- British Museum. --- Daiei Hakubutsukan --- Matḥaf al-Barīṭānī --- Museo Británico --- Britské muzeum v Londýně --- Briṭish Muzeʼon --- Ta Ying po wu kuan --- Da Ying bo wu guan --- Museum Britannicum --- Great Britain. --- בריטיש מוזיאום --- מוזיאון הבריטי --- 大英博物館 --- British Library --- History and criticism.
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Robert Proctor will always be remembered among bibliographers for two things: for his rearrange¬ment of the incunabula in the British Museum in what has become known as 'Proctor order', based on the way in which printing spread in its early days; and for the mystery which continues to surround his death. Born in 1868, he was appointed to the British Museum in 1891, and in 1898 he published his Index to the Early Printed Books in the British Museum. In 1899 he started to keep a private diary, and this lasted until his death in 1903. One of the volumes is missing, but the remaining three are edited and published for the first time here.
Bibliographers -- England -- Diaries. --- British Museum -- Officials and employees -- Diaries. --- Incunabula -- Bibliography -- Methodology. --- Librarians -- England -- Diaries. --- Proctor, Robert, b. 1868 -- Diaries. --- Bibliographers --- Librarians --- Incunabula --- General --- Bibliography - General --- Early printed books --- Cradle books (Early printed books) --- Incunables --- Books --- Information scientists --- Library employees --- Libraries --- Methodology --- Bibliography --- 09 <092 PROCTOR, ROBERT> --- 09 <092 PROCTOR, ROBERT> Handschriften. Oude en merkwaardige drukken. Curiosa--Biografieën--PROCTOR, ROBERT --- Handschriften. Oude en merkwaardige drukken. Curiosa--Biografieën--PROCTOR, ROBERT --- Bibliography&delete& --- Handschriften. Oude en merkwaardige drukken. Curiosa--Biografieën--PROCTOR, ROBERT --- Proctor, Robert, --- British Museum --- Daiei Hakubutsukan --- Matḥaf al-Barīṭānī --- Museo Británico --- Britské muzeum v Londýně --- Briṭish Muzeʼon --- Ta Ying po wu kuan --- Da Ying bo wu guan --- Museum Britannicum --- Great Britain. --- בריטיש מוזיאום --- מוזיאון הבריטי --- 大英博物館 --- British Library --- Officials and employees --- Proctor, Robert George Collier, --- Proctor, R.
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