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The Akkadian Gilgamesh Epic, perhaps the most famous of Mesopotamian literature, has been considered the artistry of one author inspired by Sumerian tales. Specialists have assumed that all the earliest evidence (ca. 1800-1700 BCE) reflects this creative unity. Deep contrasts in characterization and narrative logic, however, distinguish the central adventure to defeat the monster Huwawa from what precedes and follows it. The Huwawa narrative stands on its own, so that the epic must have been composed from this prior Akkadian composition. Recognition of the tale embedded in the epic allows each block of material to be understood on its own terms. Such literary-historical investigation from contemporary texts is new to Assyriology and may produce important results when applied to other Mesopotamian writing. 'The book is well written and tightly argued...This makes it a first point of reference for anyone interested in the OB evidence for the Gilgamesh Epic.' Scott C. Jones, Covenant College
Assyriology --- Epic poetry, Assyro-Babylonian --- History. --- History and criticism. --- Gilgamesh. --- History and criticism --- History --- Gilgamesh --- Assyro-Babylonian epic poetry --- Assyro-Babylonian poetry --- Assyro-Babylonian studies --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura
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The world's oldest work of literature, the Epic of Gilgamesh recounts the adventures of the semimythical Sumerian king of Uruk and his ultimately futile quest for immortality after the death of his friend and companion, Enkidu, a wildman sent by the gods. Gilgamesh was deified by the Sumerians around 2500 BCE, and his tale as we know it today was codified in cuneiform tablets around 1750 BCE and continued to influence ancient cultures-whether in specific incidents like a world-consuming flood or in its quest structure-into Roman times. The epic was, however, largely forgotten, until the cuneiform tablets were rediscovered in 1872 in the British Museum's collection of recently unearthed Mesopotamian artifacts. In the decades that followed its translation into modern languages, the Epic of Gilgamesh has become a point of reference throughout Western culture.In Gilgamesh among Us, Theodore Ziolkowski explores the surprising legacy of the poem and its hero, as well as the epic's continuing influence in modern letters and arts. This influence extends from Carl Gustav Jung and Rainer Maria Rilke's early embrace of the epic's significance-"Gilgamesh is tremendous!" Rilke wrote to his publisher's wife after reading it-to its appropriation since World War II in contexts as disparate as operas and paintings, the poetry of Charles Olson and Louis Zukofsky, novels by John Gardner and Philip Roth, and episodes of Star Trek: The Next Generation and Xena: Warrior Princess.Ziolkowski sees fascination with Gilgamesh as a reflection of eternal spiritual values-love, friendship, courage, and the fear and acceptance of death. Noted writers, musicians, and artists from Sweden to Spain, from the United States to Australia, have adapted the story in ways that meet the social and artistic trends of the times. The spirit of this capacious hero has absorbed the losses felt in the immediate postwar period and been infused with the excitement and optimism of movements for gay rights, feminism, and environmental consciousness. Gilgamesh is at once a seismograph of shifts in Western history and culture and a testament to the verities and values of the ancient epic.
Assyro-Babylonian literature. --- Ancient History & Classical Studies. --- LITERARY CRITICISM / Ancient & Classical. --- Akkadian literature --- Babylonian literature --- Gilgamesh --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Influence. --- Adaptations.
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Alhena Gadotti offers a much needed new edition of the Sumerian composition Gilgamesh, Enkidu, and the Netherworld, last published by Aaron Shaffer in his 1963 doctoral dissertation. Since then, several new manuscripts have come to light, prompting not only a new edition of the text, but also a re-examination of the composition. In this book, Gadotti argues that Gilgamesh, Enkidu, and the Netherworld was the first, not the last of the Sumerian stories about Gilgamesh. She also suggests that a Sumerian Gilgamesh Cycle, currently only attested in old Babylonian manuscripts (ca. 18th century BCE), was in fact developed during the Ur III period (ca. 2100-2000 BCE). Providing a new way to look at the Sumerian Gilgamesh stories, this book is relevant not only to scholars of the ancient Near East, but also to anyone interested in epic and epic cycle.
Epic poetry, Assyro-Babylonian --- Epic poetry, Sumerian --- Sumerian epic poetry --- Sumerian poetry --- Assyro-Babylonian epic poetry --- Assyro-Babylonian poetry --- History and criticism. --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Ancient Near Eastern epic. --- Mesopotamian literature. --- Sumerian literature.
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Details the discovery of The epic of Gilgamesh, and explores the broader tensions concerning history and time that it highlighted in Victorian culture
Epic poetry, Assyro-Babylonian --- Assyro-Babylonian epic poetry --- Assyro-Babylonian poetry --- History and criticism. --- Smith, George, --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Literature and society --- Literature --- Social & Cultural History --- HISTORY / Social History --- Literary studies: c 1800 to c 1900 --- History --- Assyro-Babylonian literature --- George Smith. --- Victorian geology. --- narrative. --- sublime. --- time.
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Exploring the hero's journey as a metaphor for spiritual evolution, this work offers a close reading of three major works of epic poetry: the ""Epic of Gilgamesh"", Homer's ""Iliad"" and Virgil's ""Aeneid"". It serves as an introduction to the central themes and historical development of the epic form.
Epic poetry, Classical --- Split self in literature. --- Heroes in literature. --- Travel in literature. --- Voyages and travels in literature --- Doubles in literature --- History and criticism. --- Virgil. --- Homer. --- Aeneas --- Achilles --- Achìe --- Achilas --- Achille --- Achilleus --- Achilli --- Ahil --- Ahile --- Ahilej --- Ahillejs --- Aĥilo --- Aichill --- Akhilles --- Akhilleus --- Akhilleusz --- Akiles --- Akili --- Akille --- Akilles --- Akkilles --- Aquiles --- Aquilles --- Axill --- Axilles --- Ἀχιλλεύς --- آخيل --- アキレウス --- Akireusu --- 아킬레우스 --- 阿喀琉斯 --- Ахіл --- Ахил --- Ахилл --- Akhill --- Ахіллес --- אכילס --- Akhiles --- Αἰνείας --- Aineias --- Enéas --- Эней --- Ėneĭ --- Еней --- Eneja --- Enees --- Eneo --- Énée --- Aeinéas --- Enea --- Enejs --- Enėjas --- Aineiasz --- アイネイアース --- Aineiāsu --- Eneasz --- Ajnejas --- Eneias --- Енеја --- Aeneis --- 埃涅阿斯 --- Ainieasi --- Homer --- In literature. --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Aeneas (Legendary character) in literature. --- Achilles (Greek mythology) in literature. --- Achilles (Greek mythology) --- Achilles (Mythological character)
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