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The private non-rational pattern, the personal myth of an artist 'is in fact ... the source of the coherence of his argument.' (Northrop Frye) The critic must recognize that myth, or fail to understand fully the artist's statement and method. This is the basic premise of Mr. McPherson's study. He formulates the idea that Hawthorne's work rises out of a personal mythology, a hidden life in which his deepest interests and conflicts are transformed into images and characters. As Hawthorne himself said: '[An author's] external habits, his abode, his casual associates and other matters entirely on the surface ... These things hide the man, instead of displaying him. You must make quite another kind of inquest, and look through the whole range of his fictitious characters, good and evil, in order to detect any of his essential traits.' -- Preface to The Snow Image. Mr. McPherson largely ignores the externals to allow the character types, image patterns, and narrative configurations of Hawthorne's art to speak for themselves. He begins by reconstructing Hawthorne's personal legend as it is revealed in his writing and subsequent scholarship. He then turns to Hawthorne's idealized reinterpretations of Greek myth, and in part III he discusses the sombre tales of experience and Hawthorne's New England myth, and suggests that the so-called 'Gothic trappings' are essential parts of his statement. The author's research in this section produces surprising illuminations of many chapters and incidents that have long puzzled critics and readers. The image of Hawthorne that emerges from this excellent study is a radical departure from current Freudian, Christian, and New Critical views of his work. Hawthorne thought of himself as 'Oberon' (his college nickname). Mr. McPherson is the first critic who has entertained this idea seriously.

Myth in literature. --- Hawthorne, Nathaniel, --- Criticism and interpretation.

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Three major conventional figures dominated Hawthorne's romances: the noble Founding Father, the "narrow Puritan," and the rebellious daughter. Daniel Bell examines the ways in which Hawthorne used these and other conventional characters to formulate his own sense of New England history.Originally published in 1971.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Romanticism --- Historical fiction, American --- History and criticism. --- Hawthorne, Nathaniel, --- Criticism and interpretation. --- New England --- In literature.

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As the author of The Scarlet Letter, Nathaniel Hawthorne has been established as a major writer of the nineteenth century and the most prominent chronicler of New England and its colonial history. This introductory book for students coming to Hawthorne for the first time outlines his life and writings in a clear and accessible style. Leland S. Person also explains some of the significant cultural and social movements that influenced Hawthorne's most important writings: Puritanism, Transcendentalism and Feminism. The major works, including The Scarlet Letter, The House of the Seven Gables and The Blithedale Romance, as well as Hawthorne's important short stories and non-fiction, are analysed in detail. The book also includes a brief history and survey of Hawthorne scholarship, with special emphasis on recent studies. Students of nineteenth-century American literature will find this a rewarding and engaging introduction to this remarkable writer.

Hawthorne, Nathaniel --- Romanförfattare --- Förenta staterna --- Hawthorne, Nathaniel, --- Hawthorne, Nathaniel. --- Criticism and interpretation. --- Novelists, American --- American novelists --- Gotorn, Nataniėlʹ --- Hotorn, Natanijel --- Huo-sang --- Huo-sang, Na-sa-ni-erh --- Hothorna, Netheniyala --- Готорн, Натаниэль --- האטארן, נאטאניעל, --- Huosang --- Huosang, Nasa'nier --- Nasa'nier Huosang --- 霍桑, --- 霍桑, 纳撒尼尔, --- 纳撒尼尔 霍桑, --- Hās̲ūran, Nātānīl --- Hās̲ūrn, Nātānīl --- هاثورن، ناتانيل --- Arts and Humanities --- Literature

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At his death, Nathaniel Hawthorne (1804-1864) was universally acknowledged in America and England as ""the Great Romancer."" Novels such as The Scarlet Letter and The House of the Seven Gables and stories published in such collections as Twice-Told Tales continue to capture the minds and imaginations of readers and critics to this day. Harder to capture, however, were the character and personality of the man himself. So few of the essays that appeared in the two years after his death offered new insights into his life, art, and reputation that Hawthorne seemed fated to premature obscurity or,

Authors, American --- Hawthorne, Nathaniel, --- Hawthorne, Nathaniel --- Gotorn, Nataniėlʹ --- Hotorn, Natanijel --- Huo-sang --- Huo-sang, Na-sa-ni-erh --- Hothorna, Netheniyala --- Готорн, Натаниэль --- האטארן, נאטאניעל, --- Huosang --- Huosang, Nasa'nier --- Nasa'nier Huosang --- 霍桑, --- 霍桑, 纳撒尼尔, --- 纳撒尼尔 霍桑, --- Hās̲ūran, Nātānīl --- Hās̲ūrn, Nātānīl --- هاثورن، ناتانيل

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Discusses portrayals of domestic violence in six major works of mid-nineteenth-century literature.

Human body in literature. --- Domestic fiction, English --- Family violence in literature. --- English fiction --- Body, Human, in literature --- Human figure in literature --- History and criticism. --- Hawthorne, Nathaniel, --- Browning, Elizabeth Barrett,