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Kane, Helen --- Boop, Betty --- Betty Boop --- Schroeder, Helen --- Schroder, Helen

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"In The Girl from God's Country, Kay Armatage reintroduces film studies scholars to Nell Shipman, a pioneer in both Canadian and American film, and one of proportionately numerous women from Hollywood's silent era who wrote, directed, produced, and acted in motion pictures. Born and raised in British Columbia, Shipman became a contract actress for Vitagraph Studios, starring in God's Country and the Woman (1915) and Back to God's Country (1919), among other films. These action-packed adventure melodramas, in which the heroine is called upon to rescue her husband and defeat the villain, were immensely successful. Later, Shipman started up her own production company to make films centred on her screen persona, 'the girl from God's country.' By the mid-1920s, however, the formation of the large Hollywood studios and vertical integration closed down the independents, Shipman among them. Nevertheless, she continued writing until her death in 1970"--Jacket

BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts. --- Shipman, Nell, --- Shipman, Helen Barham, --- Barham, Helen Foster-, --- Foster-Barham, Helen, --- Criticism and interpretation.

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"This would be the first comprehensive intellectual history of Burroughs and a compendium of her most important and influential work. As a force in the civil rights movement of the early 20th century, Burroughs and her work has largely been relegated to inclusion in larger narratives of those events. Rarely has her life and work been considered on its own, and as Graves demonstrates, Burroughs was quite prescient on many issues confronting the African American community today."

African American Baptists --- Burroughs, Nannie Helen, --- Political and social views.

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First published in 1849, this is an account of the public and private lives of the Sierra Leoneans at that time.

Melville, Elizabeth Helen --- Sierra Leone --- Description and travel.

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Shifting from early institutional and architectural critique to personal, poetic installations, photography projects and sculptures, British artist Helen Chadwick (1953-1996) produced a wide-ranging body of work in an assortment of media. In this book, Stephen Walker looks beyond the apparent variety of this work and identifies a consistent range of issues and enduring interests. Critical of the impact that limiting political, philosophical and scientific constructions have on identity, Chadwick's art can offer insights into a number of major, enduring questions: the relationship between body.

Art and architecture. --- Chadwick, Helen --- Criticism and interpretation.