Listing 1 - 10 of 21 | << page >> |
Sort by
|
Choose an application
Epistolary poetry, Latin --- History and criticism. --- Horace --- Horace. --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Horacij Flakk, Kvint --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Criticism and interpretation.
Choose an application
Starting from some central texts of Horace's late poetry this book tries to offer a general picture of Horace's poetry, his political poetry and his relationship with his patrons in particular. It offers a large variety of comparative material from modern literature and is aimed not only at classicists, but at students of literature and history in general. All quotations from Greek and Latin texts are translated.
Horace --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Orazio --- Horacij Flakk, Kvint --- Criticism and interpretation. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס
Choose an application
This volume centres on a detailed analysis of the whole corpus of Horace’s work by Edward Courtney ( Satires ), Elaine Fantham ( Epistles I and Odes IV), Hans-Christian Günther ( Epodes , Odes I – III, Carmen Saeculare and Epistles II) and Tobias Reinhardt ( Ars Poetica ). The latter is preceeded by a detailed account of Horace’s life and work in general by H.-C. Günther. Two appendices on the transmission of the text (E. Courtney) and style and metre (Peter Knox) conclude the volume. It is aimed at students and scholars of classical and modern literature who seek comprehensive orientation on all aspects of Horace’s work. All quotations from Latin and Greek are translated.
Horace --- Criticism and interpretation --- Criticism and interpretation. --- Horace. --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Horacij Flakk, Kvint --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Gorat͡sī --- Gorat͡siĭ Flakk, Kvint --- Khorat͡si --- Khorat͡siĭ Flak, Kvint --- Horace - Criticism and interpretation
Choose an application
"Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This v. is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details. "-- Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This volume is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details
Horace --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Orazio --- Horacij Flakk, Kvint --- Criticism and interpretation. --- Witches --- Witchcraft --- Magic, Roman. --- Witches in literature. --- Roman magic --- Black art (Witchcraft) --- Sorcery --- Occultism --- Wicca --- Occultists --- Warlocks --- Wiccans --- Canidia --- In literature. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Canidia (Fictitious character)
Choose an application
The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of Jonson's classicism that emerges is one founded not upon static imitation, but rather a lively dialogue between competing models - an allusive mode that extends into the seventeenth-century reception of Jonson himself as a latter-day 'Horace'. In the course of this analysis, the book provides fresh readings of many of Jonson's best known poems - including 'Inviting a Friend to Dinner' and 'To Penshurst' - as well as a new perspective on many lesser known pieces, and a range of unpublished manuscript material.
Comparative literature --- Jonson, Benjamin --- Horace --- Classicism --- English poetry --- History --- Roman influences. --- Jonson, Ben, --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Orazio --- Horacij Flakk, Kvint --- Dzhonson, Ben, --- Джонсон, Бен, --- B. J. --- J., B. --- Iohnson, Ben, --- Johnson, Ben, --- Jonson, Benjamin, --- דזשאָנסאָנ, בענ --- Criticism and interpretation. --- Knowledge --- Rome. --- Latin Literature. --- Influence. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Knowledge. --- Arts and Humanities --- Literature
Choose an application
David Porter's approach to Horace's most important lyric collection is through a close sequential reading of the eighty-eight poems in Odes 1-3. Taking into account the way an ancient book was read or recited, this view of the work as a continuously unfolding creation reveals a strong sense of forward movement and of thematic development, at times almost a narrative flow.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Horace --- Laudatory poetry, Latin --- -Odes --- -Rome in literature --- Lyric poetry --- Poetry --- Latin laudatory poetry --- Latin poetry --- History and criticism --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horatius Flaccus, Quintus --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Odes --- Odes, Latin --- Rome in literature. --- History and criticism. --- Horace. --- Horacij Flakk, Kvint --- Rome --- In literature. --- Horace. Odes I-III. --- Horatius. Oden I-III.
Choose an application
To date the positive value of Horace’s iambic criticism has been underestimated, and overall Horace has been tamed too much. By examining the relationship of the iambic tradition with ritual, this book studies how Horace’s Epodes are more than partisan (consolidating Octavian’s victory by projecting hostilities onto powerless others) but meta-partisan (forming fractured entities into a diversified unity). As Horace moves through his iambics to lyrics ( Epodes to Odes ), he stages acts of aggression and retaliation along with attempts at resistance and reconciliation so that this shifting back and forth creates a correspondence between perspectives. Unity develops from diversity, polyeideia . This is the point at which Horace socializes literary criticism ( Ars Poetica ): societas becomes the telos of his poetics.
Iambic pentameter --- Iambic poetry, Classical --- Pentamètre iambique --- Poésie iambique ancienne --- History and criticism --- Histoire et critique --- Horace --- Horace. --- Criticism and interpretation --- Iambic pentameter. --- Criticism and interpretation. --- Pentamètre iambique --- Poésie iambique ancienne --- Pentameter, Iambic --- Versification --- Orazio --- Horacij Flakk, Kvint --- Horatius Flaccus, Quintus --- Horatius Flaccus, Q. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Horace - Criticism and interpretation
Choose an application
Laudatory poetry, Latin --- Verse satire, Latin --- Odes, Latin --- Poésie élogieuse latine --- Poésie satirique latine --- Odes latines --- Translations into English. --- History and criticism. --- Traductions anglaises --- Histoire et critique --- Horace --- Criticism and interpretation. --- Rome --- Poetry. --- Poésie --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Orazio --- Horacij Flakk, Kvint --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס
Choose an application
Epistolary poetry, Latin --- Literature --- Didactic poetry, Latin --- Aesthetics, Ancient --- Criticism --- Poetics --- Criticism. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- Latin epistolary poetry --- Latin poetry --- History and criticism. --- History and criticism --- Theory, etc. --- Theory, etc --- Poetry --- Technique --- Evaluation --- Horace. --- Horace --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Orazio --- Horacij Flakk, Kvint --- Influence. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Literature History and criticism
Choose an application
Francis Cairns has made well-known contributions to the study of Roman Epic and Elegy. Papers on Catullus and Horace assembles his substantial body of work on Roman Lyric - about 30 papers published between 1969 and 2010 in many European and American periodicals, themed volumes and Festschriften, along with some new papers. Many aspects of the lyric poetry of Catullus and Horace are treated in this collection. Particular emphasis is given to the political and religious interests of both poets, to their interactions with their contemporaries, to the ‛learning’ which informs their poetry, and to their generic practices. Philological problems of text and interpretation are treated pari passu, as are relevant aesthetic questions. The volume is fully indexed and contains a composite bibliography and addenda and corrigenda.Papers on Catullus and Horace will make access to this body of important scholarly material easier and more convenient for scholars and students of Latin poetry.
Catull. --- Catullus. --- Horace. --- Horaz. --- Roman Lyric. --- Römische Lyrik. --- LITERARY CRITICISM / Ancient & Classical. --- Catullus, Gaius Valerius --- Horace --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Orazio --- Horacij Flakk, Kvint --- Catullus, Caius Valerius --- Catullo, Gaio Valerio --- Catul --- Catull --- Catulle --- Catulli, C. Valerii --- Catullus, C. Valerius --- Catullus, Gajus Valerius --- Catulo --- Katull, Gaǐ Valeriǐ --- Katullus, Kaius Valerius --- Valerio Cátulo, Cayo --- Катулл --- Criticism and interpretation. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס
Listing 1 - 10 of 21 | << page >> |
Sort by
|