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"Intermedial Studies provides a concise, hands-on introduction to the analysis of a broad array of texts from a variety of media - including literature, film, music, performance, news, and videogames, addressing fiction and non-fiction, mass media and social media. The detailed introduction offers a short history of the field and outlines the main theoretical approaches to the field. Part one explains the approach, examining and exemplifying the dimensions that construct every media product. The following sections offer practical examples and case studies using many examples, which will be familiar to students, from Sherlock Holmes and football, to news, vlogs and videogames. This book is the only textbook taking both a theoretical and practical approach to Intermedial Studies. The book will be of use to students from a variety of disciplines looking at any form of adaptation, from comparative literature to film adaptations, fan fictions, and spoken performances. The book equips students with the language and understanding to confidently and competently apply their own intermedial analysis to any text"-- Provided by publisher.
Intermediality. --- Semiotics --- Influence (Literary, artistic, etc.)
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Die Reihe Andere Ästhetik - Koordinaten (AÄK) des Sonderforschungsbereichs 1391 setzt sich aus Publikationen zusammen, die interdisziplinär und transkulturell Leitaspekte einer vormodernen Ästhetik in programmatischer Weise fokussieren.
PHILOSOPHY / Aesthetics. --- Intermateriality. --- Intermediality. --- Material. --- Medium.
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The essays in this collection, which were written by European and North American specialists, position intermediality as a praxis of interpretative analysis in order to show how intermediality challenges our notion of art. The writers examine the various intermedial relations between the arts, which may take the form of reference to another form of art, a combination of two or more forms of art or a generic transformation from one form of art to another. In such cases, an intermedial approach...
Arts --- Intermediality. --- Semiotics --- Influence (Literary, artistic, etc.) --- Philosophy.
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Psychic trauma in literature. --- Psychic trauma in art. --- Intermediality.
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Located at the link between man and the nature that surrounds him, food overlaps in the cycle of production, preparation, consumption and excretion of biological necessity, cultural technique and cultural transformation. Against the background of cultural-scientific contexts, food is examined as an "art material", as a material and motif of art, and the material "metabolism" that can be grasped in it between cultural valuations and processes of decay. The anthology brings together questions, discussions and perspectives from the two-day conference "Metabolisms. Food in Art" at the Warburg House and the Dieter Roth Museum Hamburg in November 2017.
Decay --- Transience --- Food --- Eat art --- Object art --- Intermediality --- Cultural technique
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"This volume explores various approaches to study vernacular books and reading practices across Europe in the 15th-16th centuries. Through a shared focus on the material book as an interface between producers and users, the contributors investigate how book producers conceived of their target audiences and how these vernacular books were designed and used. Three sections highlight connections between vernacularity and materiality from distinct perspectives: real and imagined readers, mobility of texts and images, and intermediality. The volume brings contributions on different regions, languages, and book types into dialogue. Contributors include Heather Bamford, Tillmann Taape, Stefan Matter, Suzan Folkerts, Karolina Mroziewicz, Martha W. Driver, Alexa Sand, Elisabeth de Bruijn, Katell Lave´ant, Margriet Hoogvliet, and Walter S. Melion"--
Books and reading --- Books --- Printing --- Intermediality --- History --- Origin and antecedents
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Strange as it may seem, Cervantes’s novel Don Quixote, Marc Forster’s film Stranger than Fiction, Shakespeare’s play A Midsummer Night’s Dream, Pere Borrell del Caso’s painting “Escaping Criticism” reproduced on the cover of the present volume and Mozart’s sextet “A Musical Joke” all share one common feature: they include a meta-dimension. Metaization – the movement from a first cognitive, referential or communicative level to a higher one on which first-level phenomena self-reflexively become objects of reflection, reference and communication in their own right – is in fact a common feature not only of human thought and language but also of the arts and media in general. However, research into this issue has so far predominantly focussed on literature, where a highly differentiated, albeit strictly monomedial critical toolbox exists. Metareference across Media remedies this onesidedness and closes the gap between literature and other media by providing a transmedial framework for analysing metaphenomena. The essays transcend the current notion of metafiction, pinpoint examples of metareference in hitherto neglected areas, discuss the capacity for metaization of individual media or genres from a media-comparative perspective, and explore major (historical) forms and functions as well aspects of the development of metaization in cultural history. Stemming from diverse disciplinary and methodological backgrounds, the contributors propose new and refined concepts and models and cover a broad range of media including fiction, drama, poetry, comics, photography, film, computer games, classical as well as popular music, painting, and architecture. This collection of essays, which also contains a detailed theoretical introduction, will be relevant to students and scholars from a wide variety of fields: intermediality studies, semiotics, literary theory and criticism, musicology, art history, and film studies.
Intermediality --- Media literacy --- Intertextuality --- Mass media literacy --- Information literacy --- Semiotics --- Influence (Literary, artistic, etc.) --- E-books --- Intermediality. --- Intertextuality. --- Media literacy. --- Criticism
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The cooperation and collaboration between media, art forms, and cultural studies
Intermediality. --- Mass media and the arts. --- Semiotics --- Influence (Literary, artistic, etc.) --- Arts and mass media --- Arts --- Mass media and the arts --- Intermediality
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intermediations --- identities --- social anthropology --- cultural studies --- media studies --- Intermediality --- Identity (Philosophical concept) --- Identity --- Philosophy --- Comparison (Philosophy) --- Resemblance (Philosophy) --- Semiotics --- Influence (Literary, artistic, etc.) --- Intermediality.
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Dieser Band greift erstmals das Thema ,Intermedialität', das seit einigen Jahren zu einem Leitbegriff der Kulturwissenschaften geworden ist, aus Sicht der Sprachwissenschaft auf. Er zeigt auf, wie tief medienspezifische Gegebenheiten und intermediale Bezüge die Gebrauchsformen von Sprache prägen. Sprache wird in den Beiträgen des Bandes als Spannungsphänomen theoretisiert, für das sowohl die Materialität seiner Erscheinungsformen wie seine medialen und kommunikativen Bezüge auf Nichtsprachliches konstitutiv sind. Zusammenhänge und Konkurrenzen, Eigenart und Austauschbarkeit dieser Formen und Bezüge werden in drei Themenkomplexen diskutiert: - Die Materialität von Sprache als Stimme und Schrift- Intermediale Relationen zwischen Text, Bild und Ton in Druckmedien, Film und Internet- Multimodale und leibvermittelte Kommunikation im Raum.Die Beiträge des Bandes führen grundlegend in die verschiedenen Facetten der Intermedialität von Sprache ein, diskutieren deren sprachtheoretische Implikationen und präsentieren neueste Forschungsergebnisse.
Communication. --- Intermediality. --- Semiotics. --- German philology --- Study and teaching. --- Germanic philology --- Voice. --- Writing.
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