Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The term 'record collecting' is shorthand for a variety of related practices. Foremost is the collection of sound recordings in various formats - although often with a marked preference for vinyl - by individuals, and it is this dimension of record collecting that is the focus of this book. Record collecting, and the public stereotypes associated with it, is frequently linked primarily with rock and pop music. Roy Shuker focuses on these broad styles, but also includes other genres and their collectors, notably jazz, blues, exotica and 'ethnic' music. Accordingly, the study examines the histor

Sound recordings --- Collectors and collecting --- Collectors and collecting. --- Social aspects. --- #SBIB:309H142 --- #SBIB:309H240 --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- Gramophiles --- Record collecting --- Record collectors --- Populaire muziek: functies, muziekgenres, historiek --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- Collectors and collecting -- Social aspects. --- Music. --- Sound recordings -- Collectors and collecting. --- Music Literature --- Recreation & Sports --- Music --- Social Sciences --- Music, Dance, Drama & Film --- Social aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Rap (Music) --- Hip-hop --- Hip-hop music --- Rap songs --- Rappin' (Music) --- Rapping (Music) --- African Americans --- Monologues with music --- Popular music --- Trip hop (Music) --- Social aspects. --- Political aspects. --- Influence. --- #SBIB:309H040 --- #SBIB:309H142 --- Influence --- Political aspects --- Social aspects --- Populaire cultuur algemeen --- Populaire muziek: functies, muziekgenres, historiek

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

'Counterculture' emerged as a term in the late 1960's and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage.

Music --- Sociology of culture --- Popular music --- Counterculture. --- Musique populaire --- Contre-culture --- Social aspects. --- Aspect social --- #SBIB:309H142 --- Counter culture --- Countercultures --- Culture --- Hippies --- Subculture --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Populaire muziek: functies, muziekgenres, historiek --- Popular music -- Social aspects. --- Counterculture --- Music, Dance, Drama & Film --- Music Philosophy --- Social aspects --- Contre-culture. --- Musique populaire.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Drawing on extensive ethnographic, netographic and documentary research, Technomad details the post-rave trajectory through various local sites and global scenes, with each chapter attending to unique developments in the techno counterculture: e.g. Spiral Tribe, teknivals, psytrance, Burning Man, Reclaim the Streets, Earthdream. The book offers an original, nuanced theory of resistance to assist understanding of these developments

Counterculture. --- Rave culture. --- Techno music --- Youth --- History and criticism. --- Social aspects. --- Attitudes. --- #SBIB:39A5 --- #SBIB:309H142 --- Detroit techno (Music) --- Acid House culture --- Counter culture --- Countercultures --- Kunst, habitat, materiële cultuur en ontspanning --- Populaire muziek: functies, muziekgenres, historiek --- Counterculture --- Rave culture --- Electronic dance music --- Subculture --- Culture --- Hippies --- History and criticism --- Social aspects --- Attitudes --- Anthropology of religion. --- Religion and culture. --- Politics and culture. --- Culture and globalization. --- Globalization and culture --- Globalization --- Culture and politics --- Culture and religion --- Religious anthropology --- Ethnology --- Political aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

1990's South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be "live" and "alive." Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of "liveness" in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how "what is live" becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call "live."

Popular music --- Concerts --- Music and technology --- #SBIB:39A8 --- #SBIB:39A5 --- #SBIB:39A75 --- #SBIB:309H142 --- K9765 --- K9372.80 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Technology and music --- Technology --- Recitals (Music) --- Amusements --- History and criticism --- Performances --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Azië --- Populaire muziek: functies, muziekgenres, historiek --- Korea: Performing and media arts -- music --- Korea: Culture, customs and folklore - cultural trends and movements -- popular culture --- Performance --- K-pop (Subculture) --- Subculture --- History and criticism.