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The clear structure of psalm groups in Psalms 107-150 can be interpreted as signaling a renewed hope in the royal/Davidic promises. Each psalm group of Book V is organized around a theme or key word that is related to the royal/Davidic hope in the earlier sections of the Psalter: Psalms 107-118; Psalm 119; Psalms 120-137; Psalms 138-145; Psalms 146-150. These words and themes figure prominently at the major seam psalms of the Psalter - Psalms 1-2 and 89. Thus, the content and subject matter at the end of the Psalter is integrally related to the content and subject matter at the beginning. The editorial-critical method used by Snearly is an extension of the method used by David M. Howard, Jr. in The Structure of Psalms 93-100. Snearly also draws from recent insights in the fields of poetics and text-linguistics in order to establish a linguistically based foundation for reading the Psalter as a unified text. The methodology emphasizes parallel features, with special focus on key-word links. This method advances editorial criticism by not only discerning links within a group but also showing that those links do not occur with the same frequency outside of the group

Messianic Psalms. --- Royal Psalms. --- Messiah --- 223.3 --- Psalms, Royal --- Messianic Psalms --- Psalms, Messianic --- Royal Psalms --- Prophecies. --- Psalmen --- Prophecies --- Bible. --- Criticism, interpretation, etc. --- Messiah - Prophecies.

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Elizabeth Hay Bechtel Psalms scroll. --- Dead Sea scrolls.

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Hebrew University Professor and Israel Prize recipient Emeritus Eliezer Schweid (1929-2022), widely recognized a one of the greatest historians of Jewish thought of our era, probes texts of the Jewish prayer book which process religious philosophical teaching into the language of prayer. With the addition of historical, philological, and literary contexts, the volume provides the reader with first-time access to the comprehensive meaning of prayer-filling a vacuum in the experience and scholarship of Jewish worship.

RELIGION / Prayer. --- Jewish Prayer Book. --- Jewish thought. --- Torah. --- prayer. --- prophecy. --- psalms. --- scriptural and rabbinic sources.

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In a major departure from previous scholarship, this volume argues that the illustrations in the famous and widely influential Utrecht Psalter manuscript were inspired by a late antique Hebrew version of Psalms, rather than a Latin, Christian version of the text.Produced during the early ninth century in a workshop near Reims, France, the Utrecht Psalter is illustrated with pen-and-ink drawings in a lively style reminiscent of Hellenistic art. The motifs are largely literal renditions of words and phrases found in the book of Psalms. However, more than three dozen motifs cannot be explained by either the Latin text that accompanies the imagery or the commentaries of the church fathers. Through a close reading of the Hebrew Psalms, Pamela Berger demonstrates that these motifs can be explained only by the Hebrew text, the Jewish commentary, or Jewish art. Drawing comparisons between the "Hellenistic" style of the Psalter images and the style of late antique Galilean mosaics and using evidence from recent archaeological discoveries, Berger argues that the model for those Psalter illustrations dependent on the Hebrew text was produced in the Galilee.Pioneering and highly persuasive, this book resolves outstanding issues surrounding the origins of one of the most extensively studied illuminated manuscripts. It will be mandatory reading for many historians of medieval art and literature and for those interested in the Hebrew text of the book of Psalms.

Utrecht psalter --- Bible. --- Illustrations. --- Hebrew Psalms. --- Late Antique Jewish Art. --- Manuscript Illustration. --- Utrecht Psalter.

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Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hill's level of musical expertise, reportorial reach, and calligraphic skill. Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song-transmitted via transatlantic music, lyrics, and sacred singing-shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Psalmody and its period. Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.

Hymns, English --- Tune-books --- Psalms (Music) --- Psalmody --- History and criticism. --- Hills, Durham, --- Cashaway psalmody. --- South Carolina --- Religion --- History