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Der Blaue Reiter --- Marc, Franz --- Schilderkunst --- Duitsland --- Tekenkunst --- Franz Marc --- 737.7
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This volume presents research on the histories and legacies of the German Expressionist group Blaue Reiter, the founding force behind modernist abstraction. It offers a perspective on familiar aspects of expressionism and abstraction, taking seriously the inheritance of modernism for the twenty-first century.
Blaue Reiter (Group of artists) --- Expressionism (Art) --- Art, German --- August Macke. --- Expressionism. --- Franz Marc. --- Gabriele Münter. --- Germany. --- Paul Klee. --- Wassily Kandinsky. --- abstraction. --- art. --- modern art.
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Paul Klee --- schilderkunst --- schilders --- 75.071 --- Painting --- art [fine art] --- kunst --- painting [image-making] --- Klee, Paul --- anno 1900-1999 --- Klee, Paul ( 1879-1940 ). --- 737.8 --- Kunst ; geschiedenis --- Klee, Paul 1879-1940 (°Münchenbuchsee, Bern, Zwitserland) --- Schilderkunst ; 1ste h. 20ste eeuw ; Paul Klee --- Schilderkunst ; Duits Expressionisme ; Der Blaue Reiter --- Schilderkunst ; Bauhaus --- Schilderkunst ; Surrealisme --- 75.07 --- Eu-duit 737.8 --- Schilderkunst ; schilders --- art [discipline]
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Das Bauhaus war eine der bedeutsamsten und folgenreichstenkulturellen Erscheinungen des 20. Jahrhunderts. Es wurde alseine Hochschule für Kunst und Gestaltung 1919 in Weimarvon Walter Gropius gegründet. Seine Wirkungsstätten warenWeimar 1919-1925, Dessau 1925-1932 und Berlin 1932/1933.Ihre Gestaltungslehren finden bis heute Beachtung inrenommierten Architektur- und Kunstausbildungsstätten aberauch im allgemeinbildenden Kunsterziehungsunterricht.Produkte des Bauhauses - so die berühmten Stahlrohrmöbelvon Marcel Breuer - avancierten zu wohlfeil angebotenenDesignklassikern. Bauten des Bauhauses h
Art, German --- Art, Modern --- ABR-Stuttgart (Group of artists) --- Bewegung Nurr (Group of artists) --- Blaue Reiter (Group of artists) --- Blaue Vier (Group of artists) --- Die Sieben (Group of artists) --- Ellipse (Group of artists) --- Gruppe Kranich (Group of artists) --- Künstlergruppe Chemnitz --- Neben E1N Ander (Group of artists) --- Pathetiker (Group of artists) --- Bauhaus --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- History.
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The Bauhaus movement (meaning the "house of building") developed in three German cities - it began in Weimar between 1919 and 1925, then continued in Dessau, from 1925 to 1932, and finally ended in 1932-1933 in Berlin. Three leaders presided over the growth of the movement: Walter Gropius, from 1919 to 1928, Hannes Meyer, from 1928 to 1930, and Ludwig Mies van der Rohe, from 1930 to 1933. Founded by Gropius in the rather conservative city of Weimar, the new capital of Germany, which had just been defeated by the other European nations in the First World War, the movement became a flamboyant re
Art, German --- Design --- Art, Modern --- ABR-Stuttgart (Group of artists) --- Bewegung Nurr (Group of artists) --- Blaue Reiter (Group of artists) --- Blaue Vier (Group of artists) --- Die Sieben (Group of artists) --- Ellipse (Group of artists) --- Gruppe Kranich (Group of artists) --- Künstlergruppe Chemnitz --- Neben E1N Ander (Group of artists) --- Pathetiker (Group of artists) --- History --- Bauhaus. --- Bauhaus --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- History.
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Kandinsky, Vasili Vassileevich --- Kandinsky, Wassily --- Criticism and interpretation --- Painting [Abstract ] --- Painting --- Russia --- History --- 19th century --- 20th century --- 737.8 --- Wassily Kandinsky --- 20e eeuw --- Blaue Vier --- abstracte kunst --- schilderkunst --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- 75.071 KANDINSKY --- Bauhaus --- Hajo Düchting --- Kandinsky Wassily --- abstracte schilderkunst --- abstractie --- kunst --- negentiende eeuw --- twintigste eeuw --- 19e eeuw --- 20ste eeuw --- Rusland --- Schilderkunst --- Kunst --- 737.8 Schilder- en tekenkunst ; 20e eeuw --- Kandinsky, Vassily --- Der Blaue Reiter --- Tekenkunst
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No composer was more responsible for changes in the landscape of twentieth-century music than Arnold Schoenberg (1874-1951) and no other composer's music inspired a commensurate quantity and quality of technical description in the second half of the twentieth century. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas and scholars without understanding of the formidable musical technique are ill-equipped to understand the music with any profundity of thought. Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer and their impact on his ever-changing compositional style over the course of his remarkable career.
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Lehrbeauftragter am Stern'schen Konservatorium
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Neue Sachlichkeit is thought by many to have too many diverse elements to be a unified movement. Originally divided by G.F. Hartlaub into two 'wings', Neue Sachlichkeit has since been broken down by critics into more groups, sometimes with opposing styles or regional influences. However, the importance of these divisions has rarely been explored in depth. Unlike previous surveys, which accept Neue Sachlichkeit as a divided entity, this book shows for the first time that in spite of its divisions, it may still be regarded as a unified, coherent movement. While different artists may have sought to express different specific concerns, what they all had in common was that they were uncomfortable with the world as it stood, and it is the way that this was expressed, making use of the object, that gave Neue Sachlichkeit its unity. This was just as true of the literature and photography of Neue Sachlichkeit , where the same themes as those found in the painting were frequently used. The fact that these are shared themes across different cultural media demonstrates that Neue Sachlichkeit reflected a mood of its time, and this book explores the ways in which this mood was expressed.
Art, German --- Neue Sachlichkeit (Art) --- Art, Modern --- ABR-Stuttgart (Group of artists) --- Bewegung Nurr (Group of artists) --- Blaue Reiter (Group of artists) --- Blaue Vier (Group of artists) --- Die Sieben (Group of artists) --- Ellipse (Group of artists) --- Gruppe Kranich (Group of artists) --- Künstlergruppe Chemnitz --- Neben E1N Ander (Group of artists) --- Pathetiker (Group of artists) --- 82:7 --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Nieuwe Zakelijkheid --- nationaal-socialisme --- Wereldoorlog I --- geschiedenis --- 1918 - 1933 --- 20ste eeuw --- Duitsland --- Nieuwe Zakelijkheid. --- nationaal-socialisme. --- Wereldoorlog I. --- geschiedenis. --- 1918 - 1933. --- 20ste eeuw. --- Duitsland.
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Een onopgemaakt bed, een opblaasvarken of het urinoir van Marchel Duchamp: wat maakt die dingen kunst? Een antwoord op die vraag vereist volgens Gompertz kennis van de evolutie van kunst. Hij schreef daarom een chronologie van de moderne kunst, van het impressionisme tot het heden.
kunstgeschiedenis --- Aesthetics of art --- philosophy of art --- art [fine art] --- esthetica --- aesthetics --- moderne kunst --- anno 1900-1999 --- anno 1800-1899 --- Modern [style or period] --- Art styles --- 7.01 --- Kunsttheorie ; Will Gompertz over moderne kunst --- Beeldende kunst ; 20ste en 21ste eeuw --- Kunst --- kunst --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- realisme --- impressionisme --- postimpressionisme --- Cézanne Paul --- primitivisme --- fauvisme --- kubisme --- Kandinsky Wassily --- orfisme --- Der blaue Reiter --- suprematisme --- constructivisme --- De Stijl --- Bauhaus --- dadaïsme --- surrealisme --- abstract expressionisme --- pop art --- concept art --- conceptuele kunst --- minimalisme --- minimal art --- postmodernisme --- kunstmarkt --- 7.036/039 --- Kunst ; theorie, filosofie, esthetica --- 705.8 --- kunstgeschiedenis, 20e eeuw --- Moderne Kunst --- Kunst; 19de eeuw --- Kunst; 20ste eeuw --- MAD-faculty 12 --- hedendaagse kunst --- kunstkritiek --- Kunstfilosofie --- Actuele kunst --- 20e eeuw --- 21e eeuw --- 700.6 --- modernisme --- theorie --- filosofie --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- 456.7 --- kunstbeschouwing --- kunsteducatie --- didactiek algemeen - expressievakken, lichamelijke opvoeding --- art [discipline]
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Music --- Modernist --- music [discipline] --- painting [image-making] --- Painting --- anno 1800-1999 --- schilderkunst --- muziek --- modernisme --- briefwisseling --- Wagner, Richard --- Signac, Paul --- Kandinsky, Wassily --- Cage, John --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- kunst --- kunst en muziek --- schilderkunst en muziek --- negentiende eeuw --- twintigste eeuw --- Wagner Richard --- Kupka Frantisek --- Ciurlionis Mikalojus Konstantinas --- Musorgsky Modeste --- Klee Paul --- Neugeboren Henrik --- Whistler James Abbott McNeill --- Debussy Claude --- Liszt Franz --- abstract expressionisme --- Appia Adolphe --- scenografie --- Bach Johann Sebastian --- Balla Giacomo --- futurisme --- Ballets russes --- Baudelaire Charles --- Bauhaus --- van Beethoven Ludwig --- Berlioz Hector --- Blaue Reiter --- Boccioni Umberto --- Brahms Johannes --- Braque Georges --- Cage John --- kleur --- kleurenleer --- impressionisme --- Chopin Frédéric --- Delacroix Uegène --- Delaunay Robert --- Denis Maurice --- Duchamp Marcel --- Fantin-Latour Henri --- Feininger Lyonel --- Gauguin Paul --- Kandinsky Wassily --- Hartley Marsden --- Klinger Max --- Matiushin Mikhail --- Mondriaan Piet --- Picabia Francis --- Picasso Pablo --- Satie Erik --- Schoenberg Arnold --- Seurat Georges --- Signac Paul --- Stella Joseph --- Sitte Camillo --- Wyzewa Teodor de --- Russolo Luigi --- Mahler Gustav --- 7.036 --- Kunstgeschiedenis --- Muziekgeschiedenis --- music [performing arts] --- Art and music --- Modernism (Art) --- Modernism (Music) --- Modernism in music --- Modernist music --- Musical modernism --- Style, Musical --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Music and art --- schilderkunst. --- muziek. --- modernisme. --- briefwisseling. --- Wagner, Richard. --- Signac, Paul. --- Kandinsky, Wassily. --- Cage, John. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- music [performing arts genre]
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