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This book addresses the philosophical reception of early German Romanticism and offers the first in-depth study in English of the movement's most important philosopher, Friedrich Schlegel, presenting his philosophy against the background of the controversies that shaped its emergence. Elizabeth Millán-Zaibert begins by distinguishing early German Romanticism from classical German Idealism, under which it has all too often been subsumed, and then explores Schlegel's romantic philosophy (and his rejection of first principles) by showing how he responded to three central figures of the post-Kantian period in Germany—Jacobi, Reinhold, and Fichte—as well as to Kant himself. She concludes with a comprehensive critique of the aesthetic and epistemological consequences of Schlegel's thought, with special attention paid to his use of irony.
Romanticism --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- Romanticism - Germany. --- Schlegel, Friedrich von, - 1772-1829.
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Uses the concept of the poetic fragment to draw connections between romantic poetry and modern literature and literary theory.
European poetry --- Romanticism --- History and criticism. --- Schlegel, Friedrich von, --- Blanchot, Maurice. --- Knowledge --- Literature. --- European literature --- モーリス・ブランショ --- Бланшо, Морис, --- Blansho, Moris, --- Blanshoy, Moris, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Friedrich --- Schlegel, Federico --- Schlegel, Frederick von
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English fiction --- Fiction --- Femininity in literature. --- Aesthetics, German --- Sublime, The, in literature. --- Modernism (Literature) --- Romanticism --- Femininity (Psychology) in literature --- English literature --- Irish authors --- German influences. --- History and criticism --- Theory, etc. --- Joyce, James, --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- Joyce, James Augustine Aloysius --- Joyce, James --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジョイス --- ジェームスジョイス, --- Aesthetics.
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The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel. Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics' concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics-Novalis, Friedrich Schlegel, and Friedrich Schelling-Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself.
History of philosophy --- Novalis --- Schelling, von, Friedrich W.J. --- Schlegel, Friedrich --- Germany --- Absolute, The --- Philosophy, German --- German philosophy --- Metaphysics --- Ontology --- One (The One in philosophy) --- History --- Novalis, --- von Schelling, Friedrich Wilhelm Joseph --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- Schelling, Friedrich Wilhelm Joseph von --- Schelling, F. W. J. --- Schelling, Friedrich Wilhelm Joseph --- Schelling, Federico Guillermo José --- Novalis, Friedrich --- von Hardenberg, Friedrich Ludwig, --- Hardenberg, Friedrich, --- Hardenberg, Georg Friedrich Philipp, --- Hardenberg, Georg Philipp Friedrich von, --- Absolute, The. --- Schelling, Friedrich Wilhelm Joseph von, --- the absolute, germany, romanticism, philosophy, being, knowing, kant, hegel, epistemology, metaphysics, friedrich schelling, schlegel, novalis, subjectivity, self, hemsterhuis, whole, nature, idealism, ontology, transcendentalism, becoming, freedom, romantic novel, spinoza, fichte, art, identity, nonfiction, goethe, jacobi, von hardenberg, mind, spirit.
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The Disciplines of Interpretation: Lessing, Herder, Schlegel and Hermeneutics in Germany, 1750-1800 (European Cultures : Studies in Literature and a)
Criticism --- Semiotics and literature. --- Discourse analysis, Literary. --- Philology --- Literary discourse analysis --- Rhetoric --- Literary style --- Literature and semiotics --- Literature --- History --- Lessing, Gotthold Ephraim, --- Herder, Johann Gottfried, --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- von Herder, Johann Gottfried --- Von Herder, J. G. --- Lessing, Gotthold Ephraim --- Lai-hsin, --- Lai-hsin, Kao-tʻe-ho-tʻe Ai-fei-la-mu, --- Lessing, Gotkholʹd Ėfraim, --- Lessing, G. E., --- Lessing, Goṭhold Efrayim, --- לסינג, גוטהולד אפרים, --- לעססינג, אפרים ידידיה, --- לעססינג, א. ו., --- לעססינג, גאטהאלד אפרים, --- לעססינג, גאטטהאלד עפראים --- לעססינג, גאטטהלד עפרים, --- לעססינג, ג. ע., --- לעססינג, ידידיה אפרים --- לעססינג, ידידיה אפרים, --- 莱辛, --- Criticism and interpretation.
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The Romantic Irony of Semiotics: Friedrich Schlegel and the Crisis of Representation (Approaches to Semiotics [As])
Semiotics. --- Irony. --- Language and languages --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Sarcasm --- Cynicism --- Rhetoric --- Satire --- Tragic, The --- Understatement --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Philosophy. --- Psychology --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- Contributions in semiotics. --- 82:003 --- 830 "18" SCHLEGEL, FRIEDRICH --- 82:003 Semiotiek in de literatuur --- Semiotiek in de literatuur --- 830 "18" SCHLEGEL, FRIEDRICH Duitse literatuur--19e eeuw. Periode 1800-1899--SCHLEGEL, FRIEDRICH --- Duitse literatuur--19e eeuw. Periode 1800-1899--SCHLEGEL, FRIEDRICH --- Philosophy of language --- Literary semiotics --- Voorstelling. Geschiedenis (Leerstellige). 18e-19e eeuw. --- Semiologie [Taalwetenschap]. 18e-19e eeuw. --- Schlegel (Friedrich von). --- Taal. Filosofie (Duitse). 18e-19e eeuw. --- Esthetica (Duitse). 18e-19e eeuw. --- Ironie [Philosophie]. 18e-19e s. --- Représentation. Histoire doctrinale. 18e-19e s. --- Séméiologie [Linguistique]. 18e-19e s. --- Langage. Philosophie allemande. 18e-19e s. --- Esthétique allemande. 18e-19e s. --- Ironie [Wijsbegeerte]. 18e-19e eeuw. --- Radio broadcasting Aesthetics --- Aesthetics
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