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God deserves obedience simply because he's God-or does he? Inspired by a passion for biblical as well as constitutional scholarship, in this bold exploration Yale Law Professor Robert A. Burt conceptualizes the political theory of the Hebrew and Christian Bibles. God's authority as expressed in these accounts is not a given. It is no less inherently problematic and in need of justification than the legitimacy of secular government. In recounting the rich narratives of key biblical figures-from Adam and Eve to Noah, Cain, Abraham, Moses, Job, and Jesus-In the Whirlwind paints a surprising picture of the ambivalent, mutually dependent relationship between God and his peoples. Taking the Hebrew and Christian Bibles as a unified whole, Burt traces God's relationship with humanity as it evolves from complete harmony at the outset to continual struggle. In almost every case, God insists on unconditional obedience, while humanity withholds submission and holds God accountable for his promises.Contemporary political theory aims for perfect justice. The Bible, Burt shows, does not make this assumption. Justice in the biblical account is an imperfect process grounded in human-and divine-limitation. Burt suggests that we consider the lessons of this tension as we try to negotiate the power struggles within secular governments, and also the conflicts roiling our public and private lives.
God --- Justice of God --- Righteousness --- Omnipotence of God --- Goodness of God --- Goodness. --- Omnipotence. --- Righteousness. --- Justice --- Attributes --- Goodness --- Omnipotence
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Deborah Sawyer discusses this crucial yet unresolved question in the context of contemporary and postmodern ideas about gender and power, based on fresh examination of a number of texts from Hebrew and Christian scripture. Such texts offer striking parallels to contemporary gender theories (particularly those of Luce Irigaray and Judith Butler), which have unravelled given notions of power and constructed identity. Through the study of gender in terms of its application by biblical writers as a theological strategy, we can observe how these writers use female characters to undermine human masc
Sex role --- God --- Bible --- Biblical teaching. --- Omnipotence --- Criticism, interpretation, etc. --- Metaphysics --- Misotheism --- Theism --- Sex role - Biblical teaching. --- God - Omnipotence - Biblical teaching. --- Bible - Criticism, interpretation, etc.
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"Provides an assessment of the roots, methods, claims, and significance of Open Theism in North American evangelicalism, in conversation with contemporary German theology"--
Free will and determinism --- God (Christianity) --- God (Christianity) --- Religious aspects --- Christianity. --- Omnipotence. --- Omniscience.
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Why do bad things happen, even to good people? If there is a God, why aren't God's existence and God's will for humans more apparent? And if God really does miracles for some people, why not for others? This book examines these three problems of evil - suffering, divine hiddenness, and unfairness if miracles happen as believers claim - to explore how different ideas of God's power relate to the problem of evil.
Theodicy. --- Good and evil --- God (Christianity) --- Process theology. --- Theology, Process --- Theology, Doctrinal --- Omnipotence of God --- Evil, Problem of (Theology) --- God --- Permissive will of God --- Problem of evil (Theology) --- Religious aspects --- Christianity. --- Omnipotence. --- Attributes --- Permissive will --- Will, Permissive --- Process theology --- Theodicy --- Evil --- Wickedness --- Ethics --- Philosophy --- Polarity --- Religious thought --- Omnipotence --- Religious aspects&delete& --- Christianity
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Creation --- God (Christianity) --- Biblical cosmogony --- Cosmogony --- Natural theology --- Teleology --- Beginning --- Biblical cosmology --- Creation windows --- Creationism --- Evolution --- Christianity --- Trinity --- History of doctrines --- Omnipotence
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In the famous Correspondence with Clarke, which took place during the last year of Leibniz's life, Leibniz advanced several arguments purporting to refute the absolute theory of space and time that was held by Newton and his followers. The main aim of this book is to reassess Leibniz's attack on the Newtonian theory in so far as he relied on the principle of the identity of indiscernibles. The theological side of the controversy is not ignored but isolated and discussed in the last three chapters, which deal with problems connected with the notions of omnipotence and omniscience.
Space and time. --- God --- Knowledge of God (Omniscience of God) --- Omniscience (Theory of knowledge) --- Omnipotence of God --- Space of more than three dimensions --- Space-time --- Space-time continuum --- Space-times --- Spacetime --- Time and space --- Fourth dimension --- Infinite --- Metaphysics --- Philosophy --- Space sciences --- Time --- Beginning --- Hyperspace --- Relativity (Physics) --- Omnipotence. --- Omniscience. --- Knowledge (Omniscience) --- Attributes --- Leibniz, Gottfried Wilhelm, --- Newton, Isaac, --- Newton, Izaak, --- Niu-tun, --- Nʹi︠u︡ton, Isaak, --- Niutun, Yisake, --- Niyu̇ton, Isak, --- Nyuṭon, Ayzaḳ, --- Nyuṭon, Ayziḳ, --- ניוטאן, אייזאק, --- ניוטון, אייזק --- ניוטון, אייזיק --- 牛頓, --- 牛頓, 伊萨克, --- Leibnitz, Gottfried Wilhelm --- Leibniz, Gottfried Wilhelm --- Adversaries.
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Exhuming the long-buried religious roots of our ostensibly godless age, Michael Allen Gillespie reveals in this landmark study that modernity is much less secular than conventional wisdom suggests. Taking as his starting point the collapse of the medieval world, Gillespie argues that from the very beginning moderns sought not to eliminate religion but to support a new view of religion and its place in human life—and that they did so not out of hostility but in order to sustain certain religious beliefs. He goes on to explore the ideas of such figures as William of Ockham, Petrarch, Erasmus, Lu
Philosophy, Modern. --- Philosophy and religion. --- Christianity and philosophy --- Religion and philosophy --- Religion --- Modern philosophy --- modernity, secularism, religion, faith, metaphysics, theology, hobbes, descartes, luther, erasmus, petrarch, william of ockham, omnipotence, freedom, independence, agency, philosophy, spirituality, nominalism, individuality, humanism, truth, wisdom, enlightenment, nonfiction, ontology, individual rights, society, community, humanity, modern life.
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An examination of Israel's changing views of divine power through an interpretation of plot and character in the Exodus story. It is stressed that the exercise of divine power in holy war is one open to critical evaluation and dynamic reformulation.
Power (Social sciences) --- War --- Empowerment (Social sciences) --- Political power --- Exchange theory (Sociology) --- Political science --- Social sciences --- Sociology --- Consensus (Social sciences) --- Biblical teaching. --- Bible. --- Chʻuraegŭpki (Book of the Old Testament) --- Exodus (Book of the Old Testament) --- Khurūj --- Kitāb-i Shimūt (Book of the Old Testament) --- Shemot --- Sifr al-Khurūj (Book of the Old Testament) --- Criticism, interpretation, etc. --- 222.3 --- Biblical teaching --- Exodus. Leviticus. Numeri --- Shemos --- God --- Exodus, The. --- Omnipotence.
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Inspired by a critical reconsideration of current monolithic approaches to the study of Greek religion, this book argues that ancient Greeks displayed a disquieting capacity to validate two (or more) dissonant, if not contradictory, representations of the divine world in a complementary rather than mutually exclusive manner. From this perspective the six chapters explore problems inherent in: order vs. variety/chaos in polytheism, arbitrariness vs. justice in theodicy, the peaceful co-existence of mono- and polytheistic theologies, human traits in divine imagery, divine omnipotence vs. limitation of power, and ruler cult. Based on an intimate knowledge of ancient realia and literary testimonia the book stands out for its extensive application of relevant perceptions drawn from cultural anthropology, theology, cognitive science, psychology, and linguistics.
Comparative religion --- Ancient history --- Greece --- Religion. --- Grèce --- Religion --- 292.08 --- Religion Classical Greek --- Greece. --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology --- al-Yūnān --- Ancient Greece --- Ellada --- Ellas --- Ellēnikē Dēmokratia --- Elliniki Dimokratia --- Grčija --- Grecia --- Gret͡sii͡ --- Griechenland --- Hellada --- Hellas --- Hellenic Republic --- Hellēnikē Dēmokratia --- Kingdom of Greece --- République hellénique --- Royaume de Grèce --- Vasileion tēs Hellados --- Xila --- Yaṿan --- Yūnān --- omnipotence --- veelgoderij --- theodicy --- cultus --- divine --- voorspellen --- leider --- ruler --- almacht --- religie --- cult --- theodicee --- religion --- polytheism --- Greeks --- Hermes --- Zeus
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An original and beautifully written book on changing perspectives in the art of theater. Through a study of nine plays-Oedipus Rex, Bérénice, Tristan und Isolde, Hamlet, Ghosts, The Cherry Orchard, Six Characters in Search of an Author, Noah, Murder in the Cathedral-the author shows how all playwrights seek to "hold the mirror up to nature" and how in this respect the art of drama is always the same, varying only with the philosophical and aesthetic concepts of each age. The Idea of a Theater will delight both readers with a special interest in drama and those who read drama as a source of insight into man's nature and man's changing ideas of himself. Originally published in 1949.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Drama --- Criticism --- History and criticism. --- Acting. --- Anagoge. --- Anecdote. --- Aristotelianism. --- Awareness. --- Before the Revolution. --- Brothel. --- Caricature. --- City Of. --- Classicism. --- Cyclorama (theater). --- Dithyramb. --- Dolce Stil Novo. --- Drama. --- Dramatization. --- Dramaturgy. --- Drawing room. --- Episode. --- Escapism. --- Farce. --- Fine art. --- Fortinbras. --- Genre. --- Gilbert Murray. --- Gilbert and Sullivan. --- Good and evil. --- Hamlet's Father. --- Hamlet. --- Harold Clurman. --- Heartbreak House. --- High Spirits (musical). --- Hubris. --- Illustration. --- Imagery. --- Improvisation. --- In Society. --- In This World. --- In the Life. --- Infatuation. --- Irony. --- Jacques Copeau. --- Jean Cocteau. --- Jeux. --- Kilroy was here. --- Laertes (Hamlet). --- Life Itself. --- Literature. --- Louis Jouvet. --- Luigi Pirandello. --- Macduff (Macbeth). --- Major Barbara. --- Melodrama. --- Metaphysical poets. --- Mimesis. --- Modernity. --- Molière. --- Murder in the Cathedral. --- Narrative thread. --- Narrative. --- Of Human Action. --- Omnipotence. --- Oscar Wilde. --- Parody. --- Plautus. --- Play (theatre). --- Playwright. --- Poetic realism. --- Poetry. --- Polonius. --- Primitivism. --- Purgatorio. --- Realism (arts). --- Reductio ad absurdum. --- Restoration comedy. --- Revenge play. --- Rhetorical device. --- Rosencrantz and Guildenstern (play). --- Rosencrantz and Guildenstern. --- Scaramouche. --- Sensibility. --- Shakespearean tragedy. --- Six Characters in Search of an Author. --- Sophistication. --- Sophocles. --- Sound effect. --- Struggle (TV series). --- Suspension of disbelief. --- Terence. --- The Comic. --- The Infernal Machine (play). --- The Realist. --- The Spirit of the Age. --- The Various. --- The Very Idea. --- Theatre. --- Theatricality. --- Tragedy. --- Valet. --- Ventriloquism. --- William Shakespeare.
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