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A contemporary, critical reappraisal of Bataille's philosophy.
Bataille, Georges, --- Bataille, Georges --- Angélique, Pierre, --- Auch, --- Lord Auch, --- Bataiyu, Joruju, --- Bataiyu, G., --- בטאיי, ז׳ורז׳, --- Angélique, Pierre --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G.
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Philosophy & Religion --- Philosophy --- Bataille, Georges, --- Bataille, Georges --- Angélique, Pierre --- Auch, --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- בטאיי, ז׳ורז׳,
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Georges Bataille, la terreur et les lettres met en cause la vulgate critique qui, à la suite de Tel Quel, continue à donner la faveur à une lecture « terroriste » de l'œuvre bataillienne. On lit toujours Bataille pour le sublime de son abjection et la passion indicible de ses textes. On retient encore de son œuvre ce moment initial où la révolte contre le surréalisme contribue à proposer l'image durable d'une « écriture » antirhétorique, sacrificielle et pulsionnelle. Or, cette approche est aussi historiquement limitée qu'elle est textuellement problématique. Elle ne permet pas de prendre en compte l'ensemble d'une réflexion littéraire qui, dans les années quarante, revient sur ses textes et repense leur relation au sacrifice et à l'indicible. C'est donc à partir d'une relecture générale de l'œuvre et plus particulièrement de certains textes charnières des années quarante (le Coupable, L'expérience intérieure, L'impossible) que le présent ouvrage remet en question le « terrorisme » de Bataille. Il réévalue son approche littéraire dans le contexte critique des œuvres contemporaines pour montrer que l'appel paulhanien à un « retour à la rhétorique » trouve alors davantage d'échos dans l'écriture bataillienne que la terreur anti-poétique. L'expérience intérieure de Bataille, son « impossibilité », n'y perdent pas leur tension vers l'indicible. Elles y gagnent une conscience de leurs clichés et le savoir très sûr de leur littérarité.
Bataille, Georges, --- Criticism and interpretation. --- Bataille, Georges --- Angélique, Pierre --- Auch, --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- בטאיי, ז׳ורז׳, --- Literature (General) --- littérature contemporaine --- littérature française
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This book investigates what Bataille, in "The Pineal Eye," calls mythological representation: the mythological anthropology with which this unusual thinker wished to outflank and undo scientific (and philosophical) anthropology. Gasché probes that anthropology by situating Bataille's thought with respect to the quatrumvirate of Schelling, Hegel, Nietzsche, and Freud. He begins by showing what Bataille's understanding of the mythological owes to Schelling. Drawing on Hegel, Nietzsche, and Freud, he then explores the notion of image that constitutes the sort of representation that Bataille's innovative approach entails. Gasché concludes that Bataille's mythological anthropology takes on Hegel's phenomenology in a systematic fashion. By reading it backwards, he not only dismantles its architecture, he also ties each level to the preceding one, replacing the idealities of philosophy with the phantasmatic representations of what he dubs "low materialism." Phenomenology, Gasché argues, thus paves the way for a new "science" of phantasms.
Phenomenology. --- Philosophy, Modern --- Bataille, Georges, --- Bataille, Georges --- Angélique, Pierre --- Auch, --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- בטאיי, ז׳ורז׳, --- Philosophy.
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The essays in this collection were originally given at the international colloquium Cent Ans de Bataille: La Bataille de Cent Ans held at the Fondació Tàpies in Barcelona in September 1998. They are written from a variety of perspectives but are drawn together by the singular aim of addressing and interrogating Georges Bataille as our contemporary whose fascination with the rupture between mythical and experimental forms of discourse defines our own age as much as it did in Bataille's own time. More precisely, the essays in this collection range over Bataille's status as a novelist, a poet, an art critic, a philosopher and a prophet of post-modernity with this aim in mind. They not only seek to advance and clarify debate about Bataille's present status in the post-modern canon but also shed new light on the complex relation between Bataille and the present generation of readers who have come to him through the prism of post-modernist thought. It is of significance for each writer in this collection, most crucially, that the premonition of catastrophe which defined Bataille's fluid political positions is also located between tragedy and irony.
Bataille, Georges, --- Criticism and interpretation --- Bataille, Georges --- French literature --- Angélique, Pierre --- Auch, --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- בטאיי, ז׳ורז׳, --- Bataille, Georges, - 1897-1962 - Criticism and interpretation --- Bataille, Georges, - 1897-1962 --- French literature.
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Why did France spawn the radical poststructuralist rejection of the humanist concept of 'man' as a rational, knowing subject? In this innovative cultural history, Carolyn J. Dean sheds light on the origins of poststructuralist thought, paying particular attention to the reinterpretation of the self by Jacques Lacan, Georges Bataille, and other French thinkers. Arguing that the widely shared belief that the boundaries between self and other had disappeared during the Great War helps explain the genesis of the new concept of the self, Dean examines an array of evidence from medical texts and literary works alike. The Self and Its Pleasures offers a pathbreaking understanding of the boundaries between theory and history.
Philosophical anthropology --- History of civilization --- Bataille, Georges --- Lacan, Jacques --- Criminal psychology --- Masochism --- Self (Philosophy) --- Self --- Philosophy --- Psychic masochism --- Paraphilias --- Personality disorders --- Sadomasochism --- Suffering --- Criminal psychiatry --- Criminals --- Psychology, Criminal --- Criminal anthropology --- Psychology --- Psychology, Pathological --- Personal identity --- Consciousness --- Individuality --- Mind and body --- Personality --- Thought and thinking --- Will --- History --- Angélique, Pierre, --- Auch, --- Lord Auch, --- Bataiyu, Joruju, --- Bataiyu, G., --- בטאיי, ז׳ורז׳, --- France --- Intellectual life --- LITERARY CRITICISM / Semiotics & Theory. --- Angélique, Pierre --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- Psychoanalyse --- History. --- psychoanalytische theorie. --- Bataille, Georges, --- Lacan, Jacques,
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French literature --- Criticism --- French Literature --- Romance Literatures --- Languages & Literatures --- History and criticism --- Theory, etc. --- History --- Theory, etc --- Bataille, Georges, --- Blanchot, Maurice --- モーリス・ブランショ --- Бланшо, Морис, --- Blansho, Moris, --- Blanshoy, Moris, --- Bataille, Georges --- Angélique, Pierre --- Auch, --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- בטאיי, ז׳ורז׳, --- Criticism and interpretation. --- Knowledge --- Literature.
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This book examines the desire for, and intoxication with, destruction as it appears in cultural objects and representation, arguing that all cultural and aesthetic value is fundamentally predicated on its own fragility, as well as the living transience of those who make and encounter it. Beginning with a philosophy of expenditure after Georges Bataille, each chapter maps different operations of destruction in media and culture. These operations are expressed and located in representations of human extinction and explosive architecture, in the body and in sexuality, and in media and digital archives, which constitute a further destabilisation of the notion of destruction in the dynamic between aspirational immortality and material volatility embedded in the archival systems of digital cultures.
PHILOSOPHY / Movements / Deconstruction. --- Destruction, Media, Culture, Queer Theory, Posthumanism. --- Aesthetics. --- Mass media --- Philosophy. --- Bataille, Georges, --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Psychology --- Bataille, Georges --- Angélique, Pierre --- Auch, --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- בטאיי, ז׳ורז׳, --- Radio broadcasting Aesthetics --- Aesthetics --- Criticism and interpretation.
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À partir d'une approche contrastive de l'œuvre de Georges Bataille, La fascination du Commandeur montre que la pensée française, tout au long du XXe siècle, a tergiversé entre deux expériences du sacré : l'une immédiate, à même le corps, l'autre symbolisée, passant par l'écriture. Dans le contexte d'une Troisième République faisant du sacré un moyen de recentrement national, Bataille reste tributaire de Durkheim et de Mauss par les difficultés qu'il rencontre à reconnaître au sacré une dimension langagière. Ses principaux interlocuteurs - Breton, Caillois, Leiris, Paulhan, Blanchot, Lacan - ne manquent pas d'ailleurs de l'interpeller sur ce point, même si certains d'entre eux se montreront à leur tour indécis sur la question. D'autres, tel Sartre, évacuent ostensiblement l'écriture mais sans en accomplir le deuil. En somme, il y va à chaque fois du credo esthétique de Proust qui tôt ou tard apparaîtra pour chacun comme une véritable figure de Commandeur. Après la mort de Bataille, le débat demeure d'actualité : l'expérience langagière du sacré animera des débats en psychanalyse (Lacan, Lyotard, Deleuze et Guattari), en philosophie (Derrida, Nancy, Lacoue-Labarthe), en littérature (Blanchot), tout comme elle déterminera l'avant-gardisme d'après-guerre, notamment avec le groupe Tel Quel.
Philosophy --- Depth psychology --- Bataille, Georges --- 82.09 --- 1 BATAILLE, GEORGES --- 82.09 Literaire kritiek --- Literaire kritiek --- 1 BATAILLE, GEORGES Filosofie. Psychologie--BATAILLE, GEORGES --- Filosofie. Psychologie--BATAILLE, GEORGES --- French literature --- History and criticism --- Bataille, Georges, --- Criticism and interpretation --- History and criticism. --- Angélique, Pierre --- Auch, --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- בטאיי, ז׳ורז׳, --- Criticism and interpretation. --- French literature - 20th century - History and criticism --- Bataille, Georges, - 1897-1962 - Criticism and interpretation --- French literature. --- Bataille, Georges, - 1897-1962
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Although often considered an esoteric figure occupying the dark fringes of twentieth-century thought, Georges Bataille was a pivotal precursor to a generation of poststructuralist and postmodern thinkers—including Baudrillard, Derrida, Foucault, Lacan, and Lyotard. The Sunday of the Negative provides the most extensive English-language investigation of Bataille's critical treatment of the thought of Hegel, focusing on the notions of subjectivity, desire, self-consciousness, knowledge, and the experience of the divine. The book spans all of Bataille's writings, patiently navigating even the most obscure texts. The author explains how Bataille's notion of self-consciousness both derives from, and is an alternative to, that of Hegel. Disclosing the origins of Bataille's most influential concepts, the book moves across philosophy proper to include reflections on anthropology, economics, cultural criticism, poetry, eroticism, mysticism, and religion.
Hegel, Georg Wilhelm Friedrich, --- Bataille, Georges, --- Hegel, Giorgio Guglielmo Frederico --- Hegel, Georg Wilhelm Friedrich --- Bataille, Georges --- Angélique, Pierre --- Auch, --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- בטאיי, ז׳ורז׳, --- Influence. --- Philosophy, French --- Hēgeru, --- Hei-ko-erh, --- Gegelʹ, Georg, --- Hījil, --- Khegel, --- Hegel, G. W. F. --- Hegel, --- Hei Ge Er, --- Chenkel, --- Hīghil, --- הגל, --- הגל, גאורג וילהלם פרידריך, --- הגל, גיאורג וילהלם פרידריך, --- הגל, ג.ו.פ, --- היגל, גורג ווילהלם פרדריך, --- היגל, גיורג וילהלם פרידריך, --- 黑格尔, --- Hegel, Guillermo Federico, --- Hegel, Jorge Guillermo Federico, --- Heyel, Georg Wilhelm Friedrich, --- Higil, Gʼūrg Vīlhim Frīdrīsh, --- هگل, --- هگل، گئورگ ويلهم فريدريش, --- Hegel, Georg W.F.
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