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Cette correspondance entre Noëlle Renaude et Barbara Métais-Chastanier, qui devait n’être au départ qu’un bref entretien, a pris la tournure d’un ouvrage plus conséquent qui s’est inventé pendant plus d’une année. Devenant essai à deux voix, débordant la question initiale de l’accident, de l’imprévu et du hasard, il explore au fil du dialogue, de manière poétique, critique et digressive, le processus d’une écriture liée à l’énigme de la scène. Organisé en séquences journalières, le balancement des questions, des réponses et des réflexions, auquel se sont livrées librement les deux interlocutrices, a fini par produire, comme un accident, ce que Robert Cantarella appelle un « manuel de dérangement », et à cette occasion un traité sur le théâtre. This epistolary conversation between Noëlle Renaude and Barbara Métais-Chastanier was initially meant to be a short interview, yet it turned into a more substantial piece of work that they invented together for over a year. Moving beyond the realm of the original topics of the accident, the unexpected, and chance, it became a two-voice essay which, over the course of the dialogue, explores a writing process, linked to the enigma of the stage, in a poetic, critical, and digressive way. In daily sequences, the two correspondents freely engaged in a seesaw of questions, answers, and reflections, which finally produced, as if by accident, what Robert Cantarella calls a “Guide to Disruption” and, on this occasion, a treatise on theater.

Literature --- Theater --- accident --- dramaturgie --- processus de création --- théâtre --- recherche / création --- dramaturgy --- creation process --- theater --- research/creation

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Ecotheology --- Creation --- Preaching.

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Creation (Literary --- artistic --- etc.)

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"In this volume an inquiry into the nature of the creative process is attempted by paying close attention to the lives of various artists, poets, novelists and playwrights, and selected works of each in order to demonstrate an essential relationship between the two, and that it is most difficult to delineate the nuances of the creative act by treating them as separate entitites. Emphasis is placed upon the effect of early trauma, such as object loss and various forms of deprivation, as a powerful unconscious motivating factor and upon the dream and transitional object as facilitators of the creative effort."--Provided by publisher.

Creation (Literary, artistic, etc.)

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Small business --- Job creation