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In this work drawn from lectures delivered in 1994 a founding figure of cultural studies reflects on the divisive, deadly consequences of our politics of identification. Stuart Hall untangles the power relations that permeate race, ethnicity, and nationhood and shows how oppressed groups broke apart old hierarchies of difference in Western culture.

Ethnocentrism.

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The relation of anthropology to colonialism and imperialism became a burning issue for anthropologists in the mid-1960s. As European colonies in Asia and Africa became independent nations, as the United States engaged in war in Southeast Asia and in covert operations in South America, anthropologists questioned their interactions with their subjects and worried about the political consequences of government-supported research. By 1970, some spoke of anthropology as "the child of Western imperialism" and as "scientific colonialism." Ironically, as the link between anthropology and colonialism became more widely accepted within the discipline, serious interest in examining the history of anthropology in colonial contexts diminished. This volume is an effort to initiate a critical historical consideration of the varying "colonial situations" in which (and out of which) ethnographic knowledge essential to anthropology has been produced. The essays comment on ethnographic work from the middle of the nineteenth century to nearly the end of the twentieth, in regions from Oceania through southeast Asia, the Andaman Islands, and southern Africa to North and South America. The "colonial situations" also cover a broad range, from first contact through the establishment of colonial power, from District Officer administrations through white settler regimes, from internal colonialism to international mandates, from early "pacification" to wars of colonial liberation, from the expropriation of land to the defense of ecology. The motivations and responses of the anthropologists discussed are equally varied: the romantic resistance of Maclay and the complicity of Kubary in early colonialism; Malinowski's salesmanship of academic anthropology; Speck's advocacy of Indian land rights; Schneider's grappling with the ambiguities of rapport; and Turner's facilitation of Kaiapo cinematic activism.

Ethnology --- Ethnocentrism --- Imperialism --- History. --- Philosophy. --- History

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This book argues that Malaysia's electoral politics have historically been premised on a hybridized model of communalism and consociationalism. Beyond this it posits a newer idea of power sharing based on the dynamic and transformative practice of mediated communalism through six decades (1952_2016) of electoral politics. The strategy of mediating communalism is critically explored throughout the book, serving to test its saliency as a distinct approach to power sharing in a social formation which is ethnically, religiously and regionally divided, yet has remained remarkably and tenuously integrated throughout Malaysia's electoral history. The book delves into this question by narrating and theorizing the complexity of communal politics leading to the emergence of new politics which have attempted to put Malaysia on the track of further democratization. It is further implied that new politics has to work in tandem with mediated communalism to transcend the most deleterious effects of an ethnically divided society.

Elections --- Communalism --- Ethnic relations --- Ethnocentrism --- Malaysia --- Politics and government.

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The book examines the creative industries of Cameroon and Africa and makes bold the cultural triumphant assertion that Africa is home to some of the most diverse cultural patrimony and the most versatile creative professionals. It also discusses indigenous development models and questions the rationale for Eurocentric democratic paradigms which have partly contributed to the demise of a concrete democratic development entitlement in most African countries. Ngwane weaves both the cultural and political strands into a search for a homegrown development web which he calls 'glocalisation'. Ngwane'

Afrocentrism. --- Democracy --- Afrocentricity --- Civilization, Western --- Ethnocentrism --- African influences --- Africa --- Social conditions --- Politics and government

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"In Probing Arts and Emergent Forms of Life Michael M. J. Fischer calls for a new anthropology of the arts that attends to the materialities and technologies of the world as it exists today. Fischer examines the work of key Southeast and East Asian artists within the crucibles of unequal access, geopolitics, the reverberations of past traumas, and emergent new socialities. He outlines how artist-theorists including Entang Wiharso, Sally Smart, Charles Lim, Zai Kuning, and Kiran Kumar speculate on how the world is changing in ways that are attuned to cultivating, repairing, and rethinking the world in the Anthropocene. Their artistic vocabulary not only undoes Western art models and categories; it probes the unfolding future, addresses past trauma, and creates contested, vibrant, and flourishing spaces. Throughout Indonesia, Korea, Singapore, Thailand, and Vietnam, and from Kumar's experimental dance to Kuning's rattan and beeswax ghost ships to Lim's videography of Singapore from the sea, Fischer argues that these artists' theoretical discourses should be privileged over those of the curators, historians, critics, and other gatekeepers who protect and claim art worlds for themselves"-- Provided by publisher.

Anthropology and the arts. --- Arts and society --- Arts, Asian. --- Ethnocentrism in art.