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Tracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Recchio focuses especially the text's deployment in support of ideas related to nation and national identity on both sides of the Atlantic. Making extensive use of primary materials, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglocentric cultural project.
Literature publishing --- History. --- Gaskell, Elizabeth Cleghorn, --- Appreciation. --- Literary publishing --- Literature --- Publishing --- Author of Mary Barton, --- Gaskell, E. C. --- Gaskell, Elizabeth, --- Gaskell, Elizabeth Cleghorn Stevenson, --- Gaskell, --- Mills, Cotton Mather, --- Stevenson, Elizabeth, --- Gaskell, Isabel C., --- Stevenson, Elizabeth Cleghorn, --- Publishers and publishing --- 655.52 --- 820 "18" GASKELL, ELIZABETH CLEGHORN --- 82:655.5 --- 82:655.5 Literatuur en uitgeverij. Literatuur en boekhandel --- Literatuur en uitgeverij. Literatuur en boekhandel --- 820 "18" GASKELL, ELIZABETH CLEGHORN Engelse literatuur--19e eeuw. Periode 1800-1899--GASKELL, ELIZABETH CLEGHORN --- Engelse literatuur--19e eeuw. Periode 1800-1899--GASKELL, ELIZABETH CLEGHORN --- Relatie auteur-uitgever: royalties, contracten, rechten, vertaalrechten--z.o.{347.788} --- Illustrations. --- Adaptations.
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This book re-locates Elizabeth Gaskell's 'smaller stories' in the literary and cultural context of the nineteenth century. While Gaskell is recognised as one of the major novelists of her time, the short stories that make up a large proportion of her published work have not yet received the critical attention they deserve. This study re-claims them as an indispensable part of her literary output that enables us to better contextualize and assess her achievement holistically as a highly-skilled woman of letters. The periodicals in which Gaskell's shorter pieces were published offer a microcosm of nineteenth-century society, and Gaskell took full advantage of the medium to apply a consistent and barbed challenge to cultural and gendered constructs of roles and social behaviour. Although her eminently readable prose still flows easily in her short stories, it is less likely to elide the sharp corners of domestic violence, the disabling experiences of women, the pain of death and loss, and the complications of family life.
Gaskell, Elizabeth Cleghorn, --- Author of Mary Barton, --- Gaskell, E. C. --- Gaskell, Elizabeth, --- Gaskell, Elizabeth Cleghorn Stevenson, --- Gaskell, --- Mills, Cotton Mather, --- Stevenson, Elizabeth, --- Gaskell, Isabel C., --- Stevenson, Elizabeth Cleghorn, --- Criticism and interpretation.
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Film adaptations --- Stage adaptations --- Adaptations, Stage --- Drama --- Literature --- Authors and theater --- History and criticism. --- Technique --- Adaptations --- Gaskell, Elizabeth Cleghorn, --- Author of Mary Barton, --- Gaskell, E. C. --- Gaskell, Elizabeth, --- Gaskell, Elizabeth Cleghorn Stevenson, --- Gaskell, --- Mills, Cotton Mather, --- Stevenson, Elizabeth, --- Gaskell, Isabel C., --- Stevenson, Elizabeth Cleghorn,
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This book is the first full-length study to focus on the representation of masculinity in Elizabeth Gaskell’s novels. In examining Gaskell’s understanding of masculine identity as a social construct and considering how her writing engages with Victorian ideologies of gender, this book demonstrates that Gaskell defies an essentialist approach to gender and instead explores masculinity over time, genre, region, and class, making it clear that masculinity is not monolithic but relational, culturally constructed, and dependent on many contexts. It analyses Gaskell’s depiction of what it means to be a ‘man’ and a ‘gentleman’, exploring Mary Barton, North and South, Ruth, Cousin Phillis, Sylvia’s Lovers, and Wives and Daughters, as well as contemporary Victorian works and key contexts such as sympathy, historic change, and industrialism. The target audiences are academics, as well as undergraduate and postgraduate students and research specialists, and it will most appeal to Victorian Literature, Gender Studies, and Masculinity Studies disciplines. .
Literature, Modern—19th century. --- British literature. --- Culture. --- Gender. --- Nineteenth-Century Literature. --- British and Irish Literature. --- Culture and Gender. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Masculinity in literature. --- Gaskell, Elizabeth Cleghorn, --- Criticism and interpretation. --- Masculinity (Psychology) in literature --- Author of Mary Barton, --- Gaskell, E. C. --- Gaskell, Elizabeth, --- Gaskell, Elizabeth Cleghorn Stevenson, --- Gaskell, --- Mills, Cotton Mather, --- Stevenson, Elizabeth, --- Gaskell, Isabel C., --- Stevenson, Elizabeth Cleghorn,
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Writing during periods of dramatic social change, Maria Edgeworth and Elizabeth Gaskell were both attracted to the idea of radical societal transformation at the same time that their writings express nostalgia for a traditional, paternalistic ruling class. Julie Nash shows how this tension is played out especially through the characters of servants in short fiction and novels such as Edgeworth's Castle Rackrent, Belinda, and Helen and Gaskell's North and South and Cranford, among others.
Household employees in literature. --- Social change in literature. --- Domestics in literature --- Edgeworth, Maria, --- Gaskell, Elizabeth Cleghorn, --- Author of Mary Barton, --- Gaskell, E. C. --- Gaskell, Elizabeth, --- Gaskell, Elizabeth Cleghorn Stevenson, --- Gaskell, --- Mills, Cotton Mather, --- Stevenson, Elizabeth, --- Gaskell, Isabel C., --- Stevenson, Elizabeth Cleghorn, --- Edgeworth, --- Author of Practical education, --- Practical education, Author of, --- Author of Letters for literary ladies, --- Letters for literary ladies, Author of, --- Edgeworth, Eliza, --- Criticism and interpretation.
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This pioneering study, described as 'a model of feminist criticism' (The Year's Work in English Studies) on first publication, revealed Gaskell as an important social analyst who deliberately challenged the Victorian disjunction between public and private ethical values, who maintained a steady resistance to aggressive authority, advocating female friendship, rational motherhood and the power of speech as forces for social change.Since 1987, Gaskell's work has risen from minor to major status. This new edition presents the original text (except for bibliographical updating) together with a new
Literature --- Literary Studies: Fiction, Novelists & Prose Writers --- LITERARY CRITICISM / Women Authors --- Literary studies: fiction, novelists & prose writers --- Gaskell, Elizabeth Cleghorn, --- Author of Mary Barton, --- Gaskell, E. C. --- Gaskell, Elizabeth, --- Gaskell, Elizabeth Cleghorn Stevenson, --- Gaskell, --- Mills, Cotton Mather, --- Stevenson, Elizabeth, --- Gaskell, Isabel C., --- Stevenson, Elizabeth Cleghorn, --- Criticism and interpretation. --- Elizabeth Gaskell. --- authority. --- ethical values. --- female friendship. --- motherhood. --- political analysis. --- power of speech. --- rational motherhood. --- social analyst. --- social change.
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An intimate insight into Charlotte Brontë's life at Haworth Parsonage, her experiences in a Belgian school, and her passionate attraction to Constantin Heger, husband of the school's directress. We learn of the astonishing success of Jane Eyre, Charlotte's agony over the early death of her brother Branwell and of Emily and Anne, and her secret correspondence with and tragically brief happy marriage to Arthur Nicholls, cut short by her death in1855.
Novelists, English --- Brontë, Charlotte, --- Brontë, Charlotte --- Bolangte, Xialuodi, --- Bronte, Karlotta, --- Bronte, Sharlotta, --- Brontëová, Charlotte, --- Bŭrontʻe, Syarŭllotʻŭ, --- Douro, --- Pirāṇṭē, Cārlaṭṭi, --- Po-lang-tʻe, Hsia-lo-ti, --- Pŭrontʻe, Syarŭllotʻŭ, --- Tree, --- Бронте, Ш., --- Бронте, Шарлотта, --- Bellová, C., --- Bell, Currer, --- Wellesley, Charles Albert Florian, --- Gaskell, Elizabeth Cleghorn, --- Bronte, Charlotte,
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We think of economic theory as a scientific speciality accessible only to experts, but Victorian writers commented on economic subjects with great interest. Gordon Bigelow focuses on novelists Charles Dickens and Elizabeth Gaskell and compares their work with commentaries on the Irish famine (1845-1852). Bigelow argues that at this moment of crisis the rise of economics depended substantially on concepts developed in literature. These works all criticized the systematized approach to economic life that the prevailing political economy proposed. Gradually the romantic views of human subjectivity, described in the novels, provided the foundation for a new theory of capitalism based on the desires of the individual consumer. Bigelow's argument stands out by showing how the discussion of capitalism in these works had significant influence not just on public opinion, but on the rise of economic theory itself.
Economics in literature --- Economics --- English fiction --- History --- History and criticism --- Dickens, Charles, --- Gaskell, Elizabeth Cleghorn, --- Dickens, Charles --- Boz --- Dickens, Charles John Huffam --- Author of Mary Barton, --- Gaskell, E. C. --- Gaskell, Elizabeth, --- Gaskell, Elizabeth Cleghorn Stevenson, --- Gaskell, --- Mills, Cotton Mather, --- Stevenson, Elizabeth, --- Gaskell, Isabel C., --- Stevenson, Elizabeth Cleghorn, --- Knowledge --- Economics. --- Ireland --- Irish Free State --- Historiography. --- Dikensi, Čʻarlz, --- Dickens, Karol, --- Dikens, Charlz, --- Ti-keng-ssu, --- Digengsi, --- Dikkens, Charlz, --- Dikensas, Čarlzas, --- Ṭikkan̲s, Cārls, --- Ṭikkan̲cu, Cārlacu, --- Ṭikkan̲s, Cārlas, --- Диккенс, Чарлз, --- דיקינס, צ׳רלס, --- דיקנס, ַ צ׳רלז --- דיקנס, טשרלס --- דיקנס, צ׳רלז, --- דיקנס, צ׳רלס --- דיקנס, צ׳רלס, --- דיקענס, טש --- דיקענס, טשארלז --- דיקענס, טשארלז, --- דיקענס, טש., --- דיקקענס, טשארלז --- טשרלס, דיקנס --- チャールズ.ディケンズ, --- 狄更斯查尔斯, --- Boz, --- Sparks, Timothy, --- Arts and Humanities --- Literature --- Economics in literature. --- History and criticism.
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Ever since its publication in 1847 Jane Eyre – one of the most popular English novels of all time – has fascinated scholars and a wide reading public alike and has proved a source of inspiration to successive generations of creative writers and artists. There is hardly any other hypotext that has been re-worked in so many adaptations for stage and screen, has inspired so many painters and musicians, and has been so often imitated, re-written, parodied or extended by prequels and sequels. New versions in turn refer to and revise older rewritings or take up suggestions from Brontë scholarship, creating a dense intertextual web. The essays collected in this volume do justice to the variety of media involved in the Jane Eyre reworkings, by covering narrative, visual and stage adaptations, including an adaptor’s perspective. Contributions review a diverse range of works, from postcolonial revision to postmodern fantasy, from imaginary after-lives to science fiction, from plays and Hollywood movies to opera, from lithographs and illustrated editions to comics and graphic novels. The volume thus offers a comprehensive collection of reworkings that also takes into account recent novels, plays and works of art that were published after Patsy Stoneman’s seminal 1996 study on Brontë Transformations .
English fiction --- Women and literature --- English literature --- Appreciation --- History --- Brontë, Charlotte, --- Literature, Victorian --- Victorian literature --- Brontë, Charlotte --- Intertextualité --- Brontë, Charlotte --- Bolangte, Xialuodi, --- Bronte, Karlotta, --- Bronte, Sharlotta, --- Brontëová, Charlotte, --- Bŭrontʻe, Syarŭllotʻŭ, --- Douro, --- Pirāṇṭē, Cārlaṭṭi, --- Po-lang-tʻe, Hsia-lo-ti, --- Pŭrontʻe, Syarŭllotʻŭ, --- Tree, --- Бронте, Ш., --- Бронте, Шарлотта, --- Bellová, C., --- Bell, Currer, --- Wellesley, Charles Albert Florian, --- Gaskell, Elizabeth Cleghorn, --- Bronte, Charlotte,
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