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Claude Monet : 1840-1926
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ISBN: 3822809349 Year: 2001 Publisher: Keulen Taschen

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Schilderkunst van het Impressionisme : 1860-1920
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ISBN: 3822862460 Year: 2000 Publisher: Köln Taschen

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Paul Gauguin 1848-1903 : schilderijen van een verschoppeling
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ISBN: 3822868337 Year: 1999 Publisher: Keulen Taschen

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Pierre-Auguste Renoir 1841 - 1919 : een droom van harmonie.
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ISBN: 3822809500 Year: 2001 Publisher: Kerkdriel Taschen / Librero

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Claude Monet 1840 - 1926 : een feest voor het oog
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ISBN: 3822801437 Year: 1990 Publisher: Keulen Taschen


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Monet
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ISBN: 9002194595 Year: 1993 Volume: *2 Publisher: Antwerpen Standaard

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Moderne kunst van impressionisme tot postmodernisme
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ISBN: 9061137276 Year: 1994 Publisher: Alphen aan den Rijn Atrium

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l : Modern art impressionism to post-modernism


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Van realisme tot symbolisme. De Belgische avant-garde 1880-1900
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ISBN: 9055440590 Year: 1995 Publisher: Brugge Ludion

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Keywords

Art --- anno 1800-1899 --- Belgium --- Beeldhouwkunst --- Catalogues d'expositions --- Kunst --- Peinture --- Schilderkunst --- Sculpture --- Tentoonstellingscatalogi --- realisme --- symbolisme --- impressionisme --- neo-impressionisme --- luminisme --- Les Vingt --- La Libre Esthétique (Brussel) --- 1880 - 1880 --- 1900 - 1880 --- 19de eeuw --- 20ste eeuw --- België --- Kunst ; schilderkunst ; België ; Realisme tot Symbolisme ; 1880-1900 --- Les Vingt (Les XX) --- Impressionisme ; Luminisme --- La Libre Esthétique --- 7.036 --- avant-garde --- (069) --- (493) --- 7.036 <493> --- 19e eeuw --- C3 --- schilderkunst --- kunstgeschiedenis --- 7.036(493) --- C6 --- kunstwetenschap --- België [land - BE] --- avant-garde (x) --- KADOC (x) --- iconografisch materiaal --- Kunstgeschiedenis ; Realisme. Impressionisme. Naturalisme ; 19de eeuw --- (Musea. Collecties) --- (België) --- Moderne kunststijlen--België --- Kunst en cultuur --- kunstgeschiedenis België - expressionistische en impressionistische richtingen, functionalisme, naturalisme, realisme en moderne stromingen 2e helft 19e-vroege 20e eeuw --- Opvoeding, onderwijs, wetenschap --- Exhibitions --- 7.036 <493> Moderne kunststijlen--België --- Les Vingt (1883-1893) --- La Libre Esthétique (1894-1914) --- Art [Modern ] --- 19th century --- Art [Belgian ] --- 700 --- België 19de eeuw --- Symbolisme --- kunst algemeen --- art généralités --- realism [artistic form of expression] --- Symbolist --- 1880 - 1880. --- 1900 - 1880. --- 19de eeuw. --- 20ste eeuw. --- België.


Book
The practice of her profession : Florence Carlyle, Canadian painter in the age of impressionism
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ISBN: 1282865803 9786612865800 0773575251 9780773575257 9780773578487 077357848X 9780773535091 0773535098 Year: 2009 Publisher: Kingston, Ont. : McGill-Queen's University Press,

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In The Practice of Her Profession, Susan Butlin draws on unpublished letters and family memoirs to recount Carlyle's personal and professional life. She explores Carlyle's artistic influences, her relationships with artist colleagues and encounters with the cultural worlds of Paris, New York, and early twentieth-century Canada, and provides a detailed examination of Carlyle's paintings. Butlin's vivid description of the artistic life of women of this era, from access to art training to the important role of women's art societies, introduces readers to Carlyle's many accomplished contemporaries - Helen McNicoll, Mary Reid, Laura Muntz, Sarah Holden, Sydney Tully, Elizabeth McGillivray Knowles, and others.

Conrad and impressionism
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ISBN: 1107121655 0521033004 1280154802 051104688X 0511304021 0511485247 051111902X 0511155948 0511018843 9780511018848 9780511046889 9780511119026 9780521791731 0521791731 9780511485244 9781280154805 9781107121652 9780521033008 9780511304026 9780511155949 Year: 2001 Publisher: Cambridge : Cambridge University Press,

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In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.

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