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The experimental and diverse writing of John Milton's early career offers tanatalising evidence of a precocious and steadily ripening author. This book explores these writings, including 'Lycidas' and 'The Passion'.
Milton, John, --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Criticism and interpretation.
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Milton's poems invariably depict the decisive instant in a story, a moment of crisis that takes place just before the action undergoes a dramatic change of course. Such instants look backward to a past that is about to be superseded or repudiated and forward, at the same time, to a future that will immediately begin to unfold. Martin Evans identifies this moment of transition as ""the Miltonic Moment."" This provocative new study focuses primarily on three of Milton's best known early poems: ""On the Morning of Christ's Nativity,"" ""A Mask Presented at Ludlow Castle (Comus),"" and ""Lycidas."
Renaissance --- Milton, John, --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Criticism and interpretation.
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"John Milton holds an impressive place within the rich tradition of neo-Latin epistolography. His 'Epistolae Familiares' and uncollected letters paint an invigorating portrait of the artist as a young man, offering insight into his reading programme, his views on education, friendship, poetry, his relations with continental literati, his blindness, and his role as Latin Secretary. This edition presents a modernised Latin text and a facing English translation, complemented by a detailed introduction and a comprehensive commentary. Situating Milton's letters in relation to the classical, pedagogical, neo-Latin, and vernacular contexts at the heart of their composition, it presents fresh evidence in regard to Milton's relationships with the Italian philologist Benedetto Buonmattei, the Greek humanist Leonard Philaras, the radical pastor Jean de Labadie, and the German diplomat Peter Heimbach. It also announces several new discoveries, most notably a manuscript of Henry Oldenburg's transcription of 'Ep. Fam. 25'. This volume fills an important gap in Milton scholarship, and will prove of particular use to Milton scholars, students, philologists, neo-Latinists, and those interested in the humanist reinvention of the epistolographic tradition."
Classical Latin literature --- Milton, John --- anno 1600-1699 --- Neulatein. --- Milton, John, --- Neulatein --- Neulateinisch --- Latein --- Milton, Joannis --- Milton, Jan --- Milton, J. --- Mil'ton, Džon --- Milʹton, D. --- Milton --- Miltoni, Jon --- Miltonus Anglus, Johannes --- Miltonus, Johannes --- Miltonius, Johannes --- Miltonius, Joannes --- Polypragmaticus, Johannes --- French, Joseph Milton --- Milton, Johann --- Milton, Joannes --- Milton, Giovanni --- Miltonus, Joannis --- Miltonus, Joannes --- M., J. (John Milton) --- Milton, Gioanni --- J. M. (John Milton) --- Schriftsteller --- Philosoph --- London --- 1608-1674 --- 09.12.1608-10.11.1674 --- J. M. --- M., J. --- Milṭan, Jān, --- Milʹton, Dzhon, --- Milton, Gioanni, --- Milton, Giovanni, --- Milʹton, Īoann, --- Miltonus, Joannes, --- Miltūn, Zhūn, --- Милтон, Джон, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן
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Challenging the conventional view of John Milton as an iconoclast who spoke only to a 'fit audience though few', Daniel Shore argues that Milton was a far more pragmatic writer than previous scholarship has recognized. Summoning evidence from nearly all of his works - poetry and prose alike - Shore asserts that Milton distanced himself from the prescriptions of classical rhetoric to develop new means of persuasion suited to an age distrustful of traditional eloquence. Shore demonstrates that Milton's renunciation of agency, audience, purpose and effect in the prose tracts leads not to quietism or withdrawal, but rather to a reasserted investment in public debate. Shore reveals a writer who is committed to persuasion and yet profoundly critical of his own persuasive strategies. An innovative contribution to the field, this text will appeal to scholars of Milton, seventeenth-century literature, Renaissance literature and the history and theory of rhetoric.
Milton, John --- Literary criticism --- European --- English, Irish, Scottish, Welsh. --- Milton, John, --- Criticism and interpretation. --- Rhetoric --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- History --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Arts and Humanities --- Literature
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Stanley Fish, one of the foremost critics of literature working today, has spent much of his career writing and thinking about Milton. This book brings together his finest published work with brand new material on Milton and on other authors and topics in early modern literature. In his analyses of Renaissance texts, he meditates on the interpretive problems that confront readers and offers a sustained critique of historicist methods of interpretation. Intention, he argues, is key to understanding which pieces of historical data are relevant to literary criticism. Lucid, provocative, direct and inimitable, this new book from Stanley Fish is required reading for anyone teaching or studying Milton and early modern literary studies.
Milton, John --- Littérature anglaise --- English literature --- Histoire et critique --- History and criticism. --- Milton, John, --- Critique et interprétation --- Criticism and interpretation. --- Histoire et critique. --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Arts and Humanities --- Literature
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Milton, John, --- English Literature. --- Seventeenth Century Literature. --- Milṭan, Jān, --- Milʹton, Dzhon, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- Милтон, Джон, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן
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Providing a close examination of Milton's wide-ranging prose and poetry at each stage of his life, Barbara Lewalski reveals a rather different Milton from that in earlier accounts. Provides a close analysis of each of Milton's prose and poetry works. Reveals how Milton was the first writer to self consciously construct himself as an 'author'. Focuses on the development of Milton's ideas and his art.
Poètes anglais --- Poets, English --- Poètes anglais --- Biography --- Biographies --- Milton, John, --- Poets [English ] --- Early modern, 1500-1700 --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן
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This biography of Milton is based on 40 years of original research, and takes account of new thinking about 17th-century England. He is seen here as flawed, passionate, ruthless, and ambitious, as well as one of the most accomplished writers of the time and author of the most influential narrative poem in English.
Milton, John --- Poets, English --- Milton, John, --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Great Britain --- History
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Milton spoke of 'De Doctrina' as 'my best and most precious possession'. Through close reading of the Latin itself, John K. Hale assesses the work and its aim, its degrees of success and its by-products, as these reveal Milton at his 'personal best'. While to historians or methodologists of theology his best might not seem the very best ever, this work was unutterably precious to Milton, and close reading reveals the personal dimension of Milton's theology and the passion and energy of his mind in its acts of thought.
Milton, John --- Christian literature, English --- History and criticism. --- Milton, John, --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Religion. --- Antitrinitarianism. --- John Milton. --- Neo-Latin literature. --- Paradise Lost. --- Reformation Theology. --- heterodoxy.
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As an early pioneer in the now-well-established genre of creative nonfiction, author Anne Manning used the known facts of the lives of historical personages as the canvas upon which she created a compelling narrative. In these two works, Manning brings to life the remarkable existences first of Mary Powell, the wife of renowned poet John Milton, and then Deborah, one of the poet's daughters. These books will please Milton fans or any reader interested in the ins and outs of early modern life.
Milton, Mary Powell, --- Milton, John, --- Milton, --- Powell, Marie, --- Powell, Mary, --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן
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