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"The story of Orpheus's tragic quest into the underworld to rescue his true love Eurydice back from the dead is one that has haunted the western imagination for over 2,000 years through many tellings, re-tellings, appropriations and adaptations. A unique coming together of poetry, art and criticism, Orpheus and Eurydice explores the myth's impact through a graphic-poetic reconstruction of the story. Including critical reflections from leading thinkers, writers and critics, this is a compelling exploration of the enduring power of this tale."--Bloomsbury Publishing.

Eurydice (Greek mythological character) --- Orpheus

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Artistic research in music is now at a generational stage of development. How should it deal with its own maturing? From a kaleidoscope of individual pursuits, ethos and methodologies have emerged to encompass more distributed approaches. This transformation has taken place in parallel with changes in the dynamics and structures of culture, its institutions and constituencies. Artistic research maintains a productive dialectic between its potential status as discipline or as practice. It has developed topoi, tropes, and its own canon of cases, texts, and figures. How does it negotiate relationships with institutions, disciplines and bodies of theory while retaining the critical perspective of the artist? Twenty years ago the Orpheus Institute was founded in Ghent to pursue research through the practice of musicians; thus the Orpheus Institute is of the same generation as the field it was established to explore. This festive volume in honor of twenty years of the Orpheus Institute reviews the initial trajectory and looks ahead to the institute's new position.

muziektheorie --- research --- Music --- Orpheus Instituut [Ghent] --- Muziek --- Orpheus Instituut [Gent] --- Musicology. --- Musikwissenschaft. --- Orpheus Instituut --- Orpheus Instituut. --- Arts --- Aesthetics --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Study and teaching. --- Research. --- Psychology --- Orpheus Institute --- Arts, Primitive --- Radio broadcasting Aesthetics --- Artistiek onderzoek --- Onderzoek --- België --- 21e eeuw

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Arts, Modern --- Fine Arts - General --- Art, Architecture & Applied Arts --- Orpheus --- Ορφεύς --- Арфей --- Arfeĭ --- Орфей --- Orfeĭ --- Orfej --- Orfeüs --- Orfeu --- Ορφέας --- Orpheas --- Orfeo --- Orphée --- 오르페우스 --- Orŭp'eusŭ --- אורפאוס --- Orfėjas --- Orpheusz --- Орфеј --- オルペウス --- Orfeusz --- Orfe --- 俄耳甫斯 --- Eerfusi --- Art. --- Art --- Arts, Modern. --- Kunst. --- Orpheus (Greek mythology) --- Orpheus (Greek mythology). --- Orphée, --- Orpheus. --- Dans l'art. --- 1900-1999. --- Geschichte 1900-1985. --- Geschichte 1900-1990.

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What is a woman? What is a man? How do they—and how should they—relate to each other? Does our yearning for "wholeness" refer to something real, and if there is a Whole, what is it, and why do we feel so estranged from it? For centuries now, art and literature have increasingly valorized uniqueness and self-sufficiency. The theoreticians who loom so large within contemporary thought also privilege difference over similarity. Silverman reminds us that this is but half the story, and a dangerous half at that, for if we are all individuals, we are doomed to be rivals and enemies. A much older story, one that prevailed through the early modern era, held that likeness or resemblance was what organized the universe, and that everything emerges out of the same flesh. Silverman shows that analogy, so discredited by much of twentieth-century thought, offers a much more promising view of human relations. In the West, the emblematic story of turning away is that of Orpheus and Eurydice, and the heroes of Silverman's sweeping new reading of nineteenth- and twentieth-century culture, the modern heirs to the old, analogical view of the world, also gravitate to this myth. They embrace the correspondences that bind Orpheus to Eurydice and acknowledge their kinship with others past and present. The first half of this book assembles a cast of characters not usually brought together: Friedrich Nietzsche, Sigmund Freud, Marcel Proust, Lou-Andréas Salomé, Romain Rolland, Rainer Maria Rilke, Wilhelm Jensen, and Paula Modersohn-Becker. The second half is devoted to three contemporary artists, whose works we see in a moving new light:Terrence Malick, James Coleman, and Gerhard Richter.

Analogy in literature. --- Resemblance (Philosophy) in literature. --- Ontology in literature. --- Art, Modern --- Philosophy. --- Orpheus --- In literature.

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An accomplished poet's first and only sonnet sequence.

Orpheus --- Ορφεύς --- Арфей --- Arfeĭ --- Орфей --- Orfeĭ --- Orfej --- Orfeüs --- Orfeu --- Ορφέας --- Orpheas --- Orfeo --- Orphée --- 오르페우스 --- Orŭp'eusŭ --- אורפאוס --- Orfėjas --- Orpheusz --- Орфеј --- オルペウス --- Orfeusz --- Orfe --- 俄耳甫斯 --- Eerfusi --- Orpheus (Greek mythology)