Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Salsa is one of the most popular types of music listened to and danced to in the United States. Until now, the single comprehensive history of the music--and the industry that grew up around it, including musicians, performances, styles, movements, and production--was available only in Spanish. This lively translation provides for English-reading and music-loving fans the chance to enjoy César Miguel Rondón's celebrated El libro de la salsa . For this first English-language edition, Rondón has added a new chapter to bring the story of salsa up to the present.

Salsa (Music) --- Salsa musicians --- Musicians --- History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A social history of salsa in Colombia.

Salsa (Dance) --- Salsa (Music) --- History and criticism. --- Social aspects --- Cali (Colombia) --- Social life and customs.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Portrays the complex politics of gender, sex, class, and race in Puerto Rican salsa music.

Salsa (Music) --- Feminism and music --- Music History & Criticism, Popular - Jazz, Rock, etc. --- Music --- Music, Dance, Drama & Film --- Music and feminism --- Salsa --- Popular music --- History and criticism --- Sociology of culture --- Sociology of the family. Sociology of sexuality --- Puerto Rico

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians' substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research

Latin jazz --- Blacks --- Afro-Cuban jazz --- Jazz --- Negroes --- Ethnology --- History and criticism. --- Music --- Black persons --- Black people --- Blacks -- Cuba -- Music -- History and criticism.. --- Latin jazz -- History and criticism. --- aesthetics. --- african diaspora. --- afro cuban music. --- black music. --- caribbean music. --- cuba. --- cuban dance music. --- cultural history. --- ethnomusicologists. --- ethnomusicology. --- famous musicians. --- historical perspective. --- interviews. --- latin jazz. --- latin music. --- music analysis. --- music and culture. --- music historians. --- music history. --- music students. --- music terminology. --- musical biographies. --- musical foundations. --- musicology. --- nonfiction. --- rhythms. --- salsa music. --- song forms.