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Vermeer est le seul peintre correspondant à l'idée que l'on se fait habituellement de la placidité hollandaise. Peut-être incarne-t-il un genre héroïque de placidité, car aucune de ses peintures ne laisse percer le moindre souffle d'inquiétude. Partout, nous avons l'impression que son coup de pinceau n'est qu'un lent effleurement, d'une assurance consommée, et qu'un reflet dans une bouteille, un rideau sur un mur, ou la texture d'un tapis ou d'une robe, l'intéressaient autant que les visages des hommes et des femmes. Ici, aucune virtuosité apparente, aucune prouesse du pinceau, rien de superfl

Painters --- Vermeer, Johannes, --- Vermeer, Johannes --- Van der Meer, Jan, --- Van der Meer van Delft, Jan, --- Vermeer, Jan, --- Vermeer van Delft, Jan, --- Meer, Jan van der, --- Der Meer, Jan van, --- Vermeer de Delft, Jan, --- Vermer Delftskiĭ, Ĭokhannes, --- Vermer, Ĭokhannes, --- Ferumēru, Yohanesu, --- フェルメール, ヨハネス,

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Nadat haar vader blind is geworden, wordt de 15-jarige Griet in 1664 dienstmeisje in het grote gezin van de Delftse schilder Johannes Vermeer, waardoor haar leven ingrijpend verandert.

English literature --- Historische romans --- Nederland --- 17e eeuw --- Delft --- Vermeer, Johannes --- Schilderkunst --- Tekenkunst --- Romans --- CHEV --- leeshoek --- Historische roman --- Vietnam --- Zuid-Afrika --- Kust --- Literatuur

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This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century.

Ekphrasis. --- Art in literature. --- Art in motion pictures. --- Painting and motion pictures. --- Motion pictures and painting --- Motion pictures --- Ecphrasis --- Art in literature --- Description (Rhetoric) --- Art in moving-pictures --- Goya, Francisco, --- Rembrandt Harmenszoon van Rijn, --- Vermeer, Johannes, --- Vermeer, Johannes --- Van der Meer, Jan, --- Van der Meer van Delft, Jan, --- Vermeer, Jan, --- Vermeer van Delft, Jan, --- Meer, Jan van der, --- Der Meer, Jan van, --- Vermeer de Delft, Jan, --- Vermer Delftskiĭ, Ĭokhannes, --- Vermer, Ĭokhannes, --- Ferumēru, Yohanesu, --- フェルメール, ヨハネス, --- Goya, Francisco --- de Goya y Lucientes, Francisco --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Ko-ya, --- Goya y Lucientes, Francisco José de, --- Goĭa, Fransisko Khose de, --- Goĭi︠a︡, Fransisko Khose de, --- Goja, Francisko, --- Goĭi︠a︡-i-Lusientes, Fransisko, --- De Goya, Francisco, --- Goya y Lucientes, Francisco, --- Goya, Louis-Philippe, --- Goya y Lucientes, Jose de, --- Lucientes, Jose de Goya y, --- Paula, José Goya y Lucientes, Francisco de, --- Criticism and interpretation. --- Rembrandt --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- גויה, פראנסיסקו, --- ゴヤ,

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How can we think of the “aura” of (sacred) contexts and (sacred) works? How to think of individual and collective (esthetic/religious) experiences? What to make of the manipulative dimension of (religious and esthetic) “auratic” experiences? Is the work of art still capable of mediating the experience of the “sacred,” and under what conditions? What is the significance of the “eschatological” dimension of both art and religion (the sense of “ending”)? Can theology offer a way to reaffirm the creative capacities of the human being as something that characterizes the very condition of being human? This Special Issue aspires to contribute to the growing literature on contemporary art and religion, and to explore the new ways of thinking of art and the sacred (in their esthetic, ideological, and institutional dimensions) in the context of contemporary culture.

aesthetic --- harmony --- n/a --- beauty --- Gerhard Richter --- haptic --- Cologne Cathedral window --- secularism --- iconography --- Strip --- aesthetic experience --- iconology --- retro-avant-garde --- photography --- Augustine --- concepts: image --- Franciscan theology --- faith --- post-secular --- intentionality --- aura --- theurgy --- freedom --- authorship --- Magdalene --- contemporary painting --- mysticism --- wonder --- belief --- sacred --- art --- Vermeer --- chance --- abstract painting --- sensory experience --- skepticism --- digital imagery --- reading/readers --- aesthetics --- rhythm --- book(s) --- culture --- sentience --- Jerome --- ratio --- Art and religion. --- Postsecularism. --- Post-secularism --- Post-secularity --- Philosophy, Modern --- Religion --- Secularism --- Art --- Arts in the church --- Religion and art --- Religious aspects

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De Britse schilder David Hockney (1937) speelt in dit boek de rol van detective. Ruim twee jaar lang bestudeerde hij de schildertechnieken van de Oude Meesters uit de kunstgeschiedenis van het Westen. Tijdens zijn zoektocht ontdekte hij dat, vermoedelijk al sinds 1430, gebruik werd gemaakt van optische technieken om zodoende het tekenen te vergemakkelijken. Hockney heeft dezelfde technieken uitvoerig uitgeprobeerd en er honderden portretten mee gemaakt. Daarnaast heeft hij uitvoerig gecorrespondeerd met wetenschappers en kunsthistorici over dit onderwerp. Naast het visuele gedeelte komt het schriftelijk bewijsmateriaal aan bod. Naast een verzameling van citaten en illustraties, gekozen uit vele documenten die zijn stelling onderbouwen, worden de camera obscura en de camera lucida uitvoerigbehandeld, met een aantal teksten over de geheimhouding van de toepassing in het verleden. David Hockney biedt met dit prachtig geïllustreerde boek (kleur, zwart-wit) een geheel nieuw inzicht in de schilderkunst van het Westen.

technieken --- Hockney, David --- Painting --- Aesthetics of art --- perspective [technique] --- perspectief --- schildertechnieken --- painting techniques --- Schilderkunst ; geschiedenis --- 7.02 --- 75.01 --- 75.02 --- 75.07 --- Hockney, David °1937 (°Bradford, Groot-Brittannië) --- Kunstbeschouwing ; technieken ; van de oude meesters --- Schilderkunst ; technieken ; optische instrumenten en projecties --- Campin Robert --- Caravaggio --- David Hockney ; vertaling Murk Salverda --- Frankrijk --- Giotto --- Ingres Jean-Auguste-Dominique --- Italië --- Nederlanden --- Pisanello --- Raphaël --- Spanje --- Van Eyck Jan --- Vermeer Johannes --- camera obscura --- kunst --- lenzen --- optica --- schetsen --- schilderkunst --- schildertechniek --- tekenkunst --- van Dyck Antoon --- vijftiende eeuw --- zestiende eeuw --- 667.6 --- verftechnieken --- 741 --- geschiedenis --- tekenen --- tekentechnieken --- Kunst ; technieken --- Schilderkunst ; theorie, filosofie, esthetica --- Schilderkunst ; technieken --- Schilderkunst ; schilders --- verfstoffen - verftechnieken --- praktijk van schilderen en tekenen, algemene handleiding en --- 75 --- Schilderkunst --- Geschiedenis --- Schildertechnieken --- Vlaamse Primitieven --- oude meesters --- Schildertechniek --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Tekenkunst --- Vlaamse primitieven --- Vlaamse primitieven. --- oude meesters. --- Hockney, David.