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'Horizontal Together' is an up-close look at the cultural and political power of the langourous queer body, combining historical research, queer theory and the analysis of bodily gestures. The book presents a dancerly story of 1960s art focusing on Andy Warhol, underground filmmaker Jack Smith and experimental dance star Fred Herko.

Homosexuality and the arts --- History --- Warhol, Andy, --- Smith, Jack, --- Herko, Fred. --- Arts --- Art

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"Rain machines; alarmed kosher pickle jars filled with gemstones; replica corn flakes boxes; 'disco decor'; time capsules; art bombs; birthday presents; perfume bottles and floating silver pillows that are clouds; paintings that are also films; museum interventions; collected and curated projects; expanded performance environments; holograms. This is a book about the vast array of sculptural work made by Andy Warhol between 1954 and 1987 - a period that begins long before the first Pop paintings and ends in the year of his death. In 3D Warhol, Thomas Morgan Evans argues that Warhol's engagement with sculpture, and traditional notions of sculpture, produced 'trespasses', his sculptural work bisected the expectations, allegiances and values within art historical, and ultimately social sites of investitute (or territories). This groundbreaking, original book brings to the forefront a major, but overlooked aspect of Warhol's oeuvre, providing an essential new perspective on the artist's legacy."--

Warhol, Andy, --- Warhola, Andrew, --- Warhol, Andrew, --- Varchola, Andrej, --- וורהול, אנדי, --- Criticism and interpretation. --- Pop art --- Precisionism --- Influence --- Sculpture --- sculpture [visual works] --- installations [visual works] --- Pop [fine arts styles] --- Warhol, Andy

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Although we know him best as a visual artist and filmmaker, Andy Warhol was also a publisher. Distributing his own books and magazines, as well as contributing to those of others, Warhol found publishing to be one of his greatest pleasures, largely because of its cooperative and social nature. Journeying from the 1950s, when Warhol was starting to make his way through the New York advertising world, through the height of his career in the 1960s, to the last years of his life in the 1980s, Andy Warhol, Publisher unearths fresh archival material that reveals Warhol’s publications as complex projects involving a tantalizing cast of collaborators, shifting technologies, and a wide array of fervent readers. Lucy Mulroney shows that whether Warhol was creating children’s books, his infamous “boy book” for gay readers, writing works for established houses like Grove Press and Random House, helping found Interview magazine, or compiling a compendium of photography that he worked on to his death, he readily used the elements of publishing to further and disseminate his art. Warhol not only highlighted the impressive variety in our printed culture but also demonstrated how publishing can cement an artistic legacy.

Publishers and publishing --- Arts --- Warhol, Andy, --- Andy Warhol. --- archive. --- coterie. --- counterculture. --- paperbacks. --- publics. --- publisher. --- readers. --- social practice. --- visibility.

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"We didn't think of our movies as underground or commercial or art or porn; they were a little of all of those, but ultimately they were just 'our kind of movie.'"--Andy Warhol

Andy Warhol was a remarkably prolific filmmaker, creating more than 100 movies and nearly 500 of the film portraits known as Screen Tests . And yet relatively little has been written about this body of work. Warhol withdrew his films from circulation in the early 1970s and it was only after his death in 1987 that they began to be restored and shown again. With Our Kind of Movie Douglas Crimp offers the first single-authored book about the full range of Andy Warhol's films in 40 years-- and the first since the films were put back into circulation.

In six essays, Crimp examines individual films, including Blow Job, Screen Test No. 2 and Warhol's cinematic masterpiece The Chelsea Girls (perhaps the most commercially successful avant-garde film of all time), as well as groups of films related thematically or otherwise-- films of seductions in confined places, films with scenarios by Ridiculous Theater playwright Ronald Tavel. Crimp argues that Warhol's films make visible new, queer forms of sociality. Crimp does not view these films as cinéma-vérité documents of Warhol's milieu, or as camera-abetted voyeurism, but rather as exemplifying Warhol's inventive cinema techniques, his collaborative working methods, and his superstars' unique capabilities. Thus, if Warhol makes visible new social relations, Crimp writes, that visibility is inextricable from his making a new kind of cinema. In Our Kind of Movie Crimp shows how Warhol's films allow us to see against the grain-- to see differently and to see a different world, a world of difference.

Motion pictures --- Warhol, Andy, --- Criticism and interpretation. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- History and criticism --- Warhola, Andrew, --- Warhol, Andrew, --- Varchola, Andrej, --- וורהול, אנדי, --- Audio-visual materials --- Mass media --- Performing arts --- ARTS/General --- ARTS/Photography & Film/General

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Anstatt die Verschränkung von Person und Werk, welche konsequent die künstlerische Arbeit von Andy Warhol prägt, im gängigen Kontext der Pop Art anzusiedeln, verortet Mélanie-Chantal Deiss sie im kulturellen Zusammenhang der Nachkriegszeit in Amerika. In Warhols Werk, das tendenziell als oberflächlich und ahistorisch eingestuft wird, zeichnen sich in dieser Perspektive unerwartet ernste Anliegen der 1950er und 1960er ab. Entlang von Warhols Bild-Serien entfalten sich aussagekräftige, teils ambivalente Erzählstränge zur Nachkriegszeit Amerikas, die ein konkreteres Bild als schriftliche Zeitdokumente vermitteln. Warhols visualisierte Narration kulminiert schließlich in einer Kulturkritik, die Amerika nicht nur als Schauplatz der Bilder behandelt, sondern auch als Ort des Nachdenkens, des kulturellen Imaginären, an welchem die Kunst kritisch produktiv interveniert.

Pop art --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- America. --- American Art. --- American Studies. --- Art. --- Cultural History. --- Fine Arts. --- Pop Art. --- Post-war. --- Visual Studies. --- Andy Warhol; Pop Art; Amerika; Nachkriegszeit; Kunst; Kulturgeschichte; Amerikanische Kunst; Amerikanistik; Bildwissenschaft; Kunstwissenschaft; America; Post-war; Art; Cultural History; American Art; American Studies; Visual Studies; Fine Arts --- Andy Warhol --- Amerika --- Nachkriegszeit --- Kulturgeschichte --- Kunst --- Warhol, Andy, --- Warhola, Andrew, --- Warhol, Andrew, --- Varchola, Andrej, --- וורהול, אנדי,