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Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters show how the Second World culture of the USSR gave rise to a new visibility for photography during the dissolution of the Soviet Union around 1989. Welchman examines how genres of ethnography, documentary and travel are crossed with fic

Art, Modern --- Appropriation (Art)

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An illustrated examination of a work--a Warhol that isn't by Warhol--that embodies a shift in attitudes about artistic authorship and originality.

Originality in art. --- Appropriation (Art) --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Sturtevant, --- Sturtevant, Elaine, --- Criticism and interpretation. --- Originality in art --- Sturtevant, - 1924-2014

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"Recent decades have seen an upsurge in visitation to rock art sites, as well as an increase in commercial reproduction of rock art and attempts to understand the meaning and function of that art within the indigenous cultures that produced it. What motivates this growing interest and what do these interpretations and appropriations of Native American petroglyphs and pictographs reveal about contemporary cultural dynamics? Focusing on the southwestern U.S., this book critically examines the contemporary implications of the interpretation, appropriation, commodification, and management of indigenous rock art. Neither archaeological interpretations nor commercial reproductions of rock art operate in a cultural vacuum. Both the motivation to seek out rock art and the specific meanings attached to it are deeply embedded in narratives about Native Americans already created by anthropologists, archaeologists, photographers, novelists, film and television producers, the tourism industry, and New Age discourse. For those interested in rock art as a window into indigenous cultures of the past, our contemporary projections of meanings are of great concern. Applying the tools of critical/cultural studies to both academic and popular discourse, Rogers explores the implications of such projections for rock art studies, contemporary gender dynamics, and the neocolonial relationship between Euro-Americans and Native Americans"--Provided by publisher.

Indians of North America --- Kokopelli (Pueblo deity) --- Culture and tourism. --- Commodification. --- Appropriation (Art) --- Petroglyphs --- Rock paintings --- Paintings, Rock --- Pictured rocks --- Rock drawings --- Archaeology --- Art, Prehistoric --- Painting, Prehistoric --- Picture-writing --- Carvings, Rock --- Engravings, Rock --- Rock carvings --- Rock engravings --- Rock inscriptions --- Stone inscriptions --- Inscriptions --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Commoditization --- Commerce --- Ethnotourism --- Tourism and culture --- Tourism --- Kokopele (Pueblo deity) --- Pueblo gods --- Antiquities.

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The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts.Choosing a representative work from each of four modern genres-painting, film, photography, and animation-Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey-Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following.

Creation (Literary, artistic, etc.) --- Imitation in art. --- Art --- Pictures --- Appropriation (Art) --- Mimesis in art --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Reproduction --- Copying --- Kishida, Ryūsei, --- Kurosawa, Akira, --- Araki, Nobuyoshi, --- Miyazaki, Hayao, --- 宮崎駿, --- 荒木経惟, --- 荒木經惟, --- 荒木経帷, --- Heize, Ming, --- Kurosava, Akira, --- Kurōcāvā, Akirā, --- Kūrūsāvā, Ākīrā, --- کوروساوا، آکيرا, --- 黑沢明 --- 黑澤明, --- 黒沢明, --- 黒澤明, --- Ryūsei, Kishida, --- 岸田劉生, --- Criticism and interpretation. --- 宮崎, 駿 --- Akira, Kurosawa --- Heize, Ming --- Kurosava, Akira --- Kurōcāvā, Akirā --- Kūrūsāvā, Ākīrā

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Art --- Art, Chinese. --- Chinese art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Political aspects --- China --- Kings and rulers --- Art collections. --- History --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Rois et souverains --- Aspect politique --- Collections d'art --- Art, Primitive --- Architecture --- Arts décoratifs --- Dessin --- Gravure sur bois --- Peinture --- Sculpture --- Dynastes --- Monarques --- Princes (monarques) --- Radjahs --- Rajahs --- Rajas --- Rois --- Royauté --- Souverains --- Attouchement du roi --- Châteaux royaux --- Chefs --- Couples royaux --- Cour et courtisans --- Couronnements --- Faux rois et souverains --- Insignes royaux --- Liste civile --- Maisons des rois, souverains, etc. --- Maisons royales --- Mariages royaux et nobles --- Monarchie --- Philosophes-rois --- Pouvoir royal --- Reines --- Califes --- Émirs --- Empereurs --- Pharaons --- Régents --- Rois et souverains artistes --- Rois et souverains poètes --- Sultans --- Vice-rois --- Chefs d'État --- Arts plastiques --- Arts visuels --- Beaux-arts --- Et l'art --- Oeuvres d'art --- Archéologie --- Archéologie et art --- Art-thérapie --- Art et anthropologie --- Art et camouflage --- Art et cinéma --- Art et danse --- Art et design --- Art et diplomatie --- Art et ésotérisme --- Art et exil --- Art et géographie --- Art et handicapés --- Art et histoire --- Art et industrie --- Art et mondialisation --- Art et musique --- Art et photographie --- Art et politique --- Art et publicité --- Art et sciences --- Art et technologie --- Artothèques --- Bibliothèques d'art --- Carrière --- Centres d'art --- Communication visuelle et art --- Critique d'art --- Dans l'art --- Droit et art --- Expertise --- Féminisme et art --- Homosexualité et art --- Iconographie --- Iconophagie --- Idéologie et art --- Liberté et art --- Marchands d'oeuvres d'art --- Matériel d'artistes --- Médias et art --- Mode et art --- Modèles --- Philosophie et art --- Photographie d'oeuvres d'art --- Psychanalyse et art --- Psychologie de l'art --- Reproduction --- Rôle selon le sexe dans l'art --- Sémiotique et art --- Sociologie de l'art --- Transidentité et art --- Vie artistique --- Allégorie (art) --- Appropriation (art) --- Art animalier --- Art anonyme --- Art brut --- Art colonial --- Art d'amateurs --- Art dans la rue --- Art dissident --- Art en décoration intérieure --- Art enfantin --- Art érotique --- Art fantastique --- Art figuratif --- Art monumental --- Art naïf --- Art narratif --- Art olfactif --- Art pariétal --- Art populaire --- Art primitif --- Art public --- Art religieux --- Arts graphiques --- Caprices (art) --- Chefs-d'oeuvre (art) --- Création collective (art) --- Détails (art) --- Empreinte (art) --- Esquisses (art) --- Fantasy (art) --- Formalisme (art) --- Fragments (art) --- Imitation (art) --- Influence littéraire, artistique, etc. --- Ligne (art) --- Mouvements artistiques --- Multiples (art) --- Oeuvres d'art disparues --- Oeuvres d'art inachevées --- Orientalisme (art) --- Paléoart --- Parodie (art) --- Personnification (art) --- Photographie --- Point (art) --- Primitivisme (art) --- Reflets (art) --- Séries (art) --- Sublime (art) --- Titres d'oeuvres d'art --- Transparence (art) --- Abdication --- Collections d'armes --- Exil --- Mort --- Statut juridique --- Tombes --- Aspect social --- Assurance --- Attribution --- Catalogage --- Conservation et restauration --- Édition --- Étude et enseignement --- Faux --- Histoire --- Location et prêt --- Matériaux --- Mutilation, dégradation, etc. --- Philosophie --- Politique publique --- Provenance --- Publics --- Technique --- Thèmes, motifs --- Vol (droit) --- art --- [Localisations géographiques] --- Remakes --- Styles --- Accession au trône --- Collections d'armes royales --- Art et société --- Religion --- Prêt et location entre musées --- Réitérations (art) --- Style