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Parthenon (Art museum : Nashville --- Tenn.) --- Parthenon (Athens --- Greece)
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Only thirty-nine when he took over the National Gallery in 1955, Jarvis already had an extraordinary record of achievement and social mobility at home and in England: he had trained with Canada's greatest artists, won a Rhodes scholarship, lunched at the Algonquin Round Table in New York, managed an aircraft factory, written a bestseller, produced films, run a slum settlement, and moved in a London social circle that included Noël Coward and Vivien Leigh. As head of the National Gallery, Jarvis was a provocative public educator, advocating his idea of "a museum without walls" in countless public appearances. Instrumental in bringing modern art to the National Gallery, he shook artists and the art-minded public out of a period of national complacency. This first detailed account of the controversy surrounding his time at the gallery provides an important context for the ongoing and contested role of publicly supported arts and art institutions in this country.
Art museum directors --- Jarvis, Alan, --- National Gallery of Canada --- History.
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"From Darkness to Light explores from a variety of angles the subject of museum lighting in exhibition spaces in America, Japan, and Western Europe throughout the nineteenth and twentieth centuries. Written by an array of international experts, these collected essays gather perspectives from a diverse range of cultural sensibilities. From sensitive discussions of Tintoretto's unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum lighting as part of Japanese artistic self-fashioning, via the story of an epic American painting on tour, museum illumination in the work of Henry James, and lighting alterations at Chatsworth (to name only a few topics) this book is a treasure trove of illuminating contributions. The collection is at once a refreshing insight for the enthusiastic museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to proceed in their academic or curatorial work with a more enlightened sense of the lighted space."--Publisher's website.
Art --- Art museum visitors. --- Museum visitors. --- Exhibition techniques.
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Poets, American --- Art critics --- Art museum curators --- Berkson, Bill. --- Berkson, Bill --- Friends and associates. --- Art curators --- Curators, Art museum --- Art museums --- Museum curators --- Employees
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The museum and heritage sector has been shaken by debates over how to address colonialism, migration, Islamophobia, LGBTI+ and multiple other forms of difference. This major multi-researcher ethnography of museums and heritage in Berlin provides new insight into how ›diversity‹ is understood and put into action in museums and heritage. Exploring new initiatives and approaches, the book shows how these work - or do not - in practice. By doing so, it highlights ways forward - for research and action - for the future. The fieldwork locations on which this book is based include the Humboldt Forum, the Museum of Islamic Art, the Museum für Naturkunde, and the Memorial to the Murdered Jews of Europe, as well as Berlin streets and protests.
ART / Museum Studies. --- Anthropology. --- Cultural Management. --- Ethnography. --- Heritage. --- Memory Culture. --- Museum Management. --- Museum. --- Museums. --- Postcolonialism.
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The prehistoric site of Ban Chiang in northeast Thailand challenges the narrative of Thai origins, while at the same time appealing to the public’s vision of Thailand as an early centre of civilization. Ban Chiang demonstrates the complexity of constructing national heritage in modern Thailand, where the Thai national narrative begins and ends with Buddhism and the monarchy. Designs on Pots. Ban Chiang and the Politics of Heritage in Thailand contributes to the literature on cultural preservation, repatriation, fake antiquities as souvenirs, and the ethics of collecting and demonstrates how heritage tourism intersects with the antiquities market in Asia. Ban Chiang itself is important for rethinking the model of indigenous development in Southeast Asian prehistory and provides informed speculation about the borders between prehistory, proto-history, and history in the region, challenging current and past models of Indianization that shape the Thai state’s heritage narrative.
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Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications of artificial intelligence in museums, and provides an overview of the current state of the debate.
ART / Museum Studies. --- Artificial Intelligence. --- Culture. --- Digital Media. --- Digitality. --- Digitalization. --- Museology. --- Science. --- Technology.
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Museology --- Architecture --- Art museum architecture --- Kunstmusea -- Architectuur --- Musées d'art -- Architecture --- 727.7 --- Museumarchitectuur ; 19de tot 21ste eeuw --- museumarchitectuur --- Museumarchitectuur. Kunstmusea --- Gebouwen voor opleiding en wetenschap ; kunstmusea, kunstgalerijen --- gebouwen voor musea, kunstgalerijen - museumarchitectuur --- Art museum architecture. --- Museum architecture
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Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art.
Art, African. --- Artists --- Art museum curators --- Art historians --- Anthropologists --- Scientists --- Historians --- Art curators --- Curators, Art museum --- Art museums --- Museum curators --- African art --- Art, Sub-Saharan African --- Sub-Saharan African art --- Employees --- 2000-2099 --- Africa. --- Afrika. --- Afrika --- Afrikaner --- Eastern Hemisphere
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