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"Printmaking is a practical and comprehensive guide to printmaking techniques. This fully updated edition includes expanded chapters on digital and mixed media processes, and a brand new 'Print & Make' chapter, which explores the opportunities for creative expression within the many processes available to print makers. The more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed with the addition of new images showing a broader range of subject matter, including more contemporary prints and international artists. A new section on the traditions and techniques of Japanese woodblock printing completes the update. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Clear step-by-step illustrations, interviews with contemporary printmakers and a wide range of images showing the best of cutting-edge printmaking today offer an inspirational resource. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up-to-date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike."--Wheelers.co.nz.

Graphic artists. --- Designers, Graphic --- Graphic designers --- Artists --- Prints --- Print making --- Printmaking --- Technique. --- prints [visual works] --- prentkunst

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Featuring a global showcase of 100 of the craft's most exciting and influential practitioners, Low-Tech Print is an exploration of hand-made printmaking techniques and how they are used in contemporary design and illustration. It examines the huge recent resurgence in the popularity of printmaking, with chapters on screenprinting, letterpress, relief printing, and other printing methods. The book shows how practitioners develop a love affair with these hand-made techniques and use them to create beautiful contemporary designs, explaining the process behind each technique and its historical con

Prints --- Technique. --- Technique --- prints [visual works] --- Graphic arts --- printing techniques --- prentkunst --- druktechnieken --- kunst --- grafiek --- eenentwintigste eeuw --- zeefdruk --- vlakdruk --- hoogdruk --- drukpers --- fotopolymeerdruk --- houtsnede --- linosnede --- 76.039 --- 754.39 --- 76.039(493) --- grafische vormgeving, volgens vorm, overige --- Grafische kunst ; 2000 - 2050 --- Artistieke druktechnieken --- Hoogdruk --- Letterpress --- Print making --- Printmaking --- Artistieke druktechniek --- Prints - Technique --- Impression, technique

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The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking's significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Europe and consideration of the impact of this broader movement of printed objects. Within a decade of the invention of the printing press, European prints began to move globally. Over the course of the fifteenth to the eighteenth centuries, numerous prints produced in Europe traveled to areas as varied as Turkey, India, Persia, Ethiopia, China, Japan and the Americas, where they were taken by missionaries, artists, travelers, merchants and diplomats. This collection of essays explores the transmission of knowledge, both written and visual, between Europe and the rest of the world by means of prints in the Early Modern period.

E-books --- 76 <4> --- 76 "14" --- 76 "15/17" --- 76 "15/17" Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- 76 "14" Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- 76 <4> Grafische kunsten. Grafiek. Prentkunst--Europa --- Grafische kunsten. Grafiek. Prentkunst--Europa --- Graphic arts --- History of civilization --- books --- prints [visual works] --- cultural diffusion --- anno 1500-1799 --- Prints --- Art and society --- History. --- Technique. --- boekdrukkunst --- Technique

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"Sculpture in Print, 1480-1600 is the first monograph dedicated to the intriguing history of the translation of statues and reliefs into print. The multitude of engravings, woodcuts and etchings show a highly creative handling of the 'original' antique or contemporary work of art. The essays in this volume reflect these various approaches to and challenges of translating sculpture in print. They analyze foremost the beginnings of the phenomenon in Italian and Northern Renaissance prints and they highlight by means of case studies amongst many other topics the interrelated terminology between sculpture and print, lost models in print, the inventive handling of fragments, as well as the transformation of statues into narrative contexts"--

Sculpture in art. --- Sculpture --- Graphic arts --- prints [visual works] --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Prints, Renaissance --- Themes, motives. --- Art and history --- History and art --- History --- History in art --- 76 "14" --- 76 "15" --- 73 --- 73 Beeldhouwkunst. Sculptuur --- Beeldhouwkunst. Sculptuur --- 73 Plastic arts --- Plastic arts --- 76 "15" Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- 76 "14" Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499

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Romeyn de Hooghe was the most inventive and prolific etcher of the later Dutch Golden Age. The producer of wide-ranging book illustrations, newsprints, allegories, and satire, he is best known as the chief propaganda artist working for stadtholder and king William III. This study, the first book-length biography of de Hooghe, narrates how his reputation became badly tarnished when he was accused of pornography, fraud, larceny, and atheism. Traditionally regarded as a godless rogue, and more recently as an exponent of the Radical Enlightenment, de Hooghe emerges in this study as a successful entrepreneur, a social climber, and an Orangist spin doctor. A study in seventeenth-century political culture and patronage, focusing on spin and slander, this book explores how artists, politicians, and hacks employed literature and the visual arts in political discourse, and tried to capture their readership with satire, mockery, fun, and laughter.

Hooghe, de, Romeyn --- Art and state --- Artists --- Graphic arts --- Prints, Dutch --- History --- Hooghe, Romeyn de, --- Criticism, interpretation, etc. --- Politics --- prints [visual works] --- politics --- pamphlets --- anno 1600-1699 --- Netherlands --- Art --- Arts --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Visual communication --- Dutch prints --- Government policy --- Hooghe, Romein de, --- De Hooghe, Romeyn, --- Hooghe, Romanus de, --- Hooge, Romein de, --- Hoogue, Romein de, --- Hooge, Romain de, --- Hooge, Romeyn de, --- Hoog, Romeyn de, --- Hoogh, Romeyn de, --- Hooch, Romeyn de, --- Hogius, Romeyn de, --- Hoge, Romeyn de, --- Hogh, Romeyn de, --- Hooghe, Romijn de, --- Marlois, --- 929 --- 949.2.04 --- 096 --- 096 Private presses --- Private presses --- 949.2.04 Geschiedenis van Nederland:--(1648-1795) --- Geschiedenis van Nederland:--(1648-1795) --- 929 Biography. Genealogy. Heraldry --- Biography. Genealogy. Heraldry --- 929 Biografie. Genealogie. Heraldiek --- Biografie. Genealogie. Heraldiek