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In Brevity, David Galef provides a guide to writing flash fiction, from tips on technique to samples by canonical and contemporary authors to provocative prompts that inspire powerful stories in a little space. Galef traces the genre back to its varied origins, from the short-short to nanofiction, with examples that include vignettes, prose poems, character sketches, fables, lists, twist stories, surrealism, and metafiction. The authors range from the famous, such as Colette and Borges, to today's voices, like Roxane Gay and Bruce Holland Rogers. A writer and longtime creative writing teacher, Galef also shows how flash fiction skills translate to other types of writing. Brevity is an indispensable resource for anyone working in this increasingly popular form. For more information, see davidgalef.com/brevity.
Flash fiction --- Micro fiction --- Microfiction --- Short-short fiction --- Sudden fiction --- Very short fiction --- Short stories --- Authorship. --- Technique.
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Short stories, American. --- Death --- Flannery O'Connor Award for Short Fiction.
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The latest Grist Anthology is an innovative blend of some of the most exciting and freshest voices in prose and poetry today. It features five sections written from five distinct narrative viewpoints.
English poetry --- Short stories, English. --- English prose literature. --- English short stories --- English fiction --- English literature --- short fiction --- anthology --- prose --- english literature --- poetry --- stories
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Aborda, de manera conjunta, el estudio de la representación autorial en la narrativa, el audiovisual y el teatro hispánico partiendo de la hipótesis de que la autoficción responde a una tendencia general en el arte contemporáneo en la que, aun asumiendo la imposibilidad de un referente estable, los creadores siguen afanándose en plasmar sus identidades, si bien de forma precaria y fragmentaria.
Spanish literature --- Psychological study of literature --- Autobiographical fiction, Spanish --- Autobiographical fiction, Spanish American --- Intermediality. --- Authors in motion pictures. --- Authors in literature. --- Autobiography in literature. --- Ficción autobiográfica española --- Ficción autobiográfica hispanoamericana --- Intermedialidad. --- Autores en películas. --- Autores en literatura. --- Autobiografía en la literatura. --- Motion pictures --- Semiotics --- Influence (Literary, artistic, etc.) --- Spanish American autobiographical fiction --- Spanish American fiction --- Spanish autobiographical fiction --- Spanish fiction --- History and criticism. --- Historia y crítica. --- Flash fiction --- Composición (Literatura) --- Cuento. --- Micro fiction --- Microfiction --- Short-short fiction --- Sudden fiction --- Very short fiction --- Short stories
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Alla centralità del tema amoroso nella narrativa breve non di rado si connette o si affianca la rappresentazione dell’irrazionalità e della follia, in diversi gradi, forme e manifestazioni: dal tragico al comico, dal drammatico al grottesco, dal serio e grave al parodico e irridente. A tali tematiche, dal Medioevo a Cervantes, e alle loro differenti declinazioni – cui si oppongono specularmente, con maggiore o minore frequenza e intensità, i richiami a principi d’ordine, ragione e misura – sono dedicati i saggi di questo volume, che trae origine dal confronto e dialogo di un gruppo di studiosi di più ambiti disciplinari: Letteratura italiana (Johannes Bartuschat, Anna Maria Cabrini, Sandra Carapezza, Claude Cazalé Bérard, Cristina Zampese); Filologia romanza (Beatrice Barbiellini Amidei, Luca Sacchi); Letteratura spagnola (Antonio Gargano, Maria Rosso); Linguistica italiana (Giuseppe Polimeni).
Language & Linguistics --- le thème de l'amour dans la fiction courte --- irrationalité --- folie --- littérature italienne --- philologie romane --- littérature espagnole --- linguistique italienne --- il tema amoroso nella narrativa breve --- irrazionalità --- follia --- Letteratura italiana --- Filologia romanza --- Letteratura spagnola --- Linguistica italiana --- the love theme in short fiction --- irrationality --- madness --- Italian literature --- Romance philology --- Spanish literature --- Italian linguistics
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Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion. Responding to this challenge, Switching Codes brings together leading American and European scholars, scientists, and artists-including Charles Bernstein, Ian Foster, Bruno Latour, Alan Liu, and Richard Powers-to consider
Communication in learning and scholarship --- Information technology. --- Humanities --- Arts --- Technological innovations. --- philosophy, fine arts, photography, criticism, information technology, intellectual life, charles bernstein, bruno latour, ian foster, alan liu, richard powers, essays, dialogue, short fiction, game design, it specialists, traditional art, contemporary culture, educators, policymakers, essay collection, digital humanities, cross-disciplinary, critical texts, multimodal discourse, methodology, computation, machine learning, electronic linguistics.
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This collection of Russian short stories from the 21st century includes works by famous writers and young talents alike, representing a diversity of generational, gender, ethnic and national identities. Their authors live not only in Russia, but also in Europe and the US. Short stories in this volume display a vast spectrum of subgenres, from grotesque absurdist stories to lyrical essays, from realistic narratives to fantastic parables. Taken together, they display rich and complex cultural and intellectual reality of contemporary Russia, in which political, social, and ethnic conflicts of today coexist with themes and characters resonating with classical literature, albeit invariably twisted and transformed in an unpredictable way. Most of texts in this volume appear in English for the first time. 21 may be useful for college courses but will also provide exciting reading for anyone interested in contemporary Russia.
Russian prose literature --- Russian literature --- Aleksandr Ilichevsky. --- Aleksey Tsvetkov Jr. --- Arkady Babchenko. --- Denis Osokin. --- Elena Dolgopyat. --- Evgeny Shklovsky. --- Kirill Kobrin. --- Lara Vapnyar. --- Leonid Kostyukov. --- Linor Goralik. --- Margarita Khemlin. --- Maria Boteva. --- Marianna Geide. --- Nikolai Baitov. --- Nikolai Kononov. --- Pavel Pepperstein. --- Polina Barskova. --- Russia. --- Russian culture. --- Russian fiction. --- Russian literature. --- Russian short stories. --- Russian writers. --- Sergei Soloukh. --- Short stories. --- Stanislav Lvovsky. --- Valery Votrin. --- Vladimir Sorokin. --- contemporary Russia. --- contemporary fiction. --- diversity in writing. --- early 21st century. --- fiction. --- literature in translation. --- prose. --- short fiction. --- twenty first century. --- twenty-first century.
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This collection of Russian short stories from the 21st century includes works by famous writers and young talents alike, representing a diversity of generational, gender, ethnic and national identities. Their authors live not only in Russia, but also in Europe and the US. Short stories in this volume display a vast spectrum of subgenres, from grotesque absurdist stories to lyrical essays, from realistic narratives to fantastic parables. Taken together, they display rich and complex cultural and intellectual reality of contemporary Russia, in which political, social, and ethnic conflicts of today coexist with themes and characters resonating with classical literature, albeit invariably twisted and transformed in an unpredictable way. Most of texts in this volume appear in English for the first time. 21 may be useful for college courses but will also provide exciting reading for anyone interested in contemporary Russia.
Russian prose literature --- Russian prose literature. --- Short stories, Russian --- Short stories, Russian. --- 2000-2099. --- Aleksandr Ilichevsky. --- Aleksey Tsvetkov Jr. --- Arkady Babchenko. --- Denis Osokin. --- Elena Dolgopyat. --- Evgeny Shklovsky. --- Kirill Kobrin. --- Lara Vapnyar. --- Leonid Kostyukov. --- Linor Goralik. --- Margarita Khemlin. --- Maria Boteva. --- Marianna Geide. --- Nikolai Baitov. --- Nikolai Kononov. --- Pavel Pepperstein. --- Polina Barskova. --- Russia. --- Russian culture. --- Russian fiction. --- Russian literature. --- Russian short stories. --- Russian writers. --- Sergei Soloukh. --- Short stories. --- Stanislav Lvovsky. --- Valery Votrin. --- Vladimir Sorokin. --- contemporary Russia. --- contemporary fiction. --- diversity in writing. --- early 21st century. --- fiction. --- literature in translation. --- prose. --- short fiction. --- twenty first century. --- twenty-first century.
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This collection brings together for the first time more than 360 of Mark Twain's short works written between 1851, the year of his first extant sketch, and 1871, when he renounced his ties with the Buffalo Express and the Galaxy, resolving to ";write but little for periodicals hereafter."; In October 1871 Clemens and his family moved to Hartford, where they would live until 1891. No longer a journalist, he was about to complete his second full-length book, Roughing It. The literary apprenticeship that he had begun twenty years before in the print shops of Hannibal, and pursued in the newspaper offices of Virginia City, San Francisco, and Buffalo, had at last come to a close. The selections included in these volumes represent a generous sampling from Mark Twain's most imaginative journalism, a few set speeches, a few poems, and hundreds of tales and sketches recovered from more than fifty newspapers and journals, as well as two dozen unpublished items of various description-the main body of what can now be found of his early literary and subliterary work, though by no means everything written during those twenty years of experimentation. The selections are ordered chronologically and therefore provide a nearly continuous record of the author's literary activity from his earliest juvenilia up through the mature work that he published in the Galaxy, the Buffalo Express, and many other journals.
LITERARY CRITICISM / American / General. --- Twain, Mark, --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de --- a duel prevented. --- advice to the unreliable on church going. --- american authors. --- american literature. --- an apology repudiated. --- buffalo express. --- carson city. --- classics. --- connubial bliss. --- dog controversy. --- galaxy. --- gallant fireman. --- hannibal. --- how to cure a cold. --- humor. --- journalism. --- juvenilia. --- literary criticism. --- mark twain. --- more ghosts. --- nevada. --- our stock remarks. --- pah utes. --- poems. --- religion. --- samuel clemens. --- satire. --- short fiction. --- short stories. --- social commentary. --- spanish mine. --- speeches. --- those blasted children.
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