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During the Paris pandemic confinement period of 2020, with the dread of viral death in the air, artist Joseph Nechvatal finished his second book of poetry, titled Styling Sagaciousness: Oh Great No!The mythopoeic mélange of Styling Sagaciousness is intended as a complicated forensic fairy-tale, suitable for Nô theater, which keeps slipping in and out of idiosyncratic narration, a ghostly appearance-disappearance act that turns on the nub of our narcissism concerning our death – that strange, incurable, and deeply irrational affliction we all share. Putting identity aside, Nechvatal's poetry tests the limits of form and stretches the bounds of meaning by recasting our experiences of encountering our self as the sumptuous physicality of total negation. As such, Styling Sagaciousness delivers an airy irrational punch of needed nonsensical negation by tying together insouciant informality with a visceral camp irony: at turns hip and flamboyant and morally outrageous.This seven-part death farce epic poem follows up Nechvatal's sex farce epic poem Destroyer of Naivetés. Nechvatal intends these two books (with complementary cover images of his painting penelOpe in agOny) to be the sum total of his mature poetic output; addressing first Eros, and then, with Styling Sagaciousness, Thanatos.
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Michel de M'Uzan has derived several innovative notions from his clinical experience that are relevant not only for the psychoanalyst's status of identity, which is sometimes dramatically shaken by his or her patient's unconscious, but also for the artist who is deeply destabilized by his act of creation, as well as for the caring person who lets him/herself be caught in the nets, as it were, of someone who is dying. Such are the extreme examples of the precarious nature of the boundaries of being in which the author discerns, not necessarily a pathological disposition, but rather an opportunity for the mind to construct itself and achieve authenticity. Through this invigorating recognition of the unconscious with the emergence, at the heart of analysis, of 'paradoxical thoughts', the experience of 'blurred frontiers' characteristic of a vacillating sense of identity, the perception of an 'every man's land' in which the analytic treatment unfolds, and the elaboration of an 'original grammar' specific to the formulation of the intervention/interpretation of the analyst during the session.
Death instinct. --- Identity (Psychology) --- Death --- Death drive --- Death wish --- Thanatos --- Instinct --- Psychoanalysis --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- Psychological aspects. --- Psychological aspects --- Psychology
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Le clinicien ne peut que s'incliner devant la réalité contraignante de la destructivité. Intrapsychique ou intersubjective, s'exprimant somatiquement ou psychiquement, souvent énigmatique, elle questionne et fait théoriser nous laissant dans de nombreuses incertitudes. La névrose traumatique et son syndrome central : la compulsion de répétition. Les résistances dans les cures sans fin et l'observation d'un enfant qui joue en mettant en scène la disparition de sa mère constituent les hypothèses cliniques qui vont permettre à Freud d'introduire en 1920 le concept de pulsion de mort qu'il nomme d'emblée pulsion de destruction. Tout au long de son travail, il insistera de plus en plus sur l'importance de cette pulsion. Ainsi écrit-il dans « Le malaise dans la culture » ; « Je ne peux pas comprendre comment nous avons pu négliger l'universalité de l'agression non érotique et de la destruction». La pulsion de mort est alors définie comme une manifestation de la tendance à la réduction absolue des tensions, au retour vers l'état inorganique, vers la mort et rend compte de la compulsion de répétition dans la vie psychique qui se place « au-delà du principe de plaisir ». Elle représente ce qu'il y a en nous de plus originaire, d'élémentaire et de pulsionnel. Elle pousse à la déliaison, à la séparation. Elle sera aussi considérée par Freud comme pulsion d'emprise et volonté de puissance. Partant de cette conceptualisation, des cliniciens, pour la plupart psychanalystes, s'interrogent sur la destructivité psychique. Serait-elle un représentant de la pulsion de mort, un signe de désintrication pulsionnelle , une marque de l'agressivité primaire ? Les auteurs de cet ouvrage (Dominique Arnoux, Maurizio Balsamo, Dominique Cupa, Bernard Golse, Sylvain Missonnier, Denys Ribas, Jean-François Saucier, Claude Smadja) proposent différentes réponses et en tirent les conséquences pour leur pratique.
Death instinct. --- Psychoanalysis. --- Death drive --- Death wish --- Thanatos --- Dynamics. --- Differential equations. --- 517.91 Differential equations --- Differential equations --- Dynamical systems --- Kinetics --- Mathematics --- Mechanics, Analytic --- Force and energy --- Mechanics --- Physics --- Statics --- Psychology --- Psychology, Pathological --- Death --- Instinct --- Psychoanalysis --- Psychological aspects --- Death instinct
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The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance.
Death instinct. --- Death --- Capitalism --- Market economy --- Economics --- Profit --- Capital --- Death drive --- Death wish --- Thanatos --- Instinct --- Psychoanalysis --- Psychological aspects. --- Psychology --- Psychological aspects --- Death instinct --- Death - Psychological aspects --- Capitalism - Psychological aspects
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A shocking and extreme interpretation of the father of psychoanalysis.
Civilization --- Psychohistory --- Psychoanalysis --- Death instinct --- History & Archaeology --- History - General --- Death drive --- Death wish --- Thanatos --- Death --- Instinct --- Psychology --- Psychology, Pathological --- Psychoanalysis in historiography --- Child psychology --- Historiography --- History --- Historiometry --- Barbarism --- Civilisation --- Auxiliary sciences of history --- Culture --- World Decade for Cultural Development, 1988-1997 --- Philosophy and civilization --- Philosophy --- Psychological aspects --- Psychoanalysis. --- Psychohistory. --- Philosophy. --- CIVILIZATION --- PSYCHOANALYSIS --- PSYCHOHISTORY --- DEATH INSTINCT --- PHILOSOPHY --- PSYCHOLOGICAL ASPECTS
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In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of myth. Highlighting the work of major painters such as David, Girodet, Gerard, Ingres, and Delacroix and sculptors such as Houdon and Pajou, David to Delacroix reveals how these artists offered innovative reinterpretations of myth while incorporating contemporaneo
Mythology, Classical, in art. --- Romanticism in art --- Psychology and art --- Art, French --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Art and psychology --- Art --- Romanticism (Art) --- Idealism in art --- Naturalism in art --- Realism in art --- Themes, motives. --- mythologie --- romantiek --- psychologie --- Cupido, Amor (Eros) --- thanatos --- vrouw --- krankzinnigheid --- Girodet-Trioson, Anne-Louis --- Gros, Antoine-Jean --- Delacroix, Eugène --- Ingres, Jean Auguste Dominique --- 18de eeuw --- 19de eeuw --- Frankrijk --- mythologie. --- romantiek. --- psychologie. --- Cupido, Amor (Eros). --- thanatos. --- vrouw. --- krankzinnigheid. --- Girodet-Trioson, Anne Louis. --- Gros, Antoine Jean. --- Delacroix, Eugène. --- Ingres, Jean Auguste Dominique. --- 18de eeuw. --- 19de eeuw. --- Frankrijk. --- (verhaal van) Cupido, Amor (Eros) --- Girodet-Trioson, Anne Louis --- Gros, Antoine Jean
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A new theory of aesthetics in which artworks have a death-drive of their own.
Death instinct. --- Death. --- Aesthetics. --- Freud, Sigmund --- 82:159.9 --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Literatuur en psychologie. Literatuur en psychoanalyse --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Death --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Death drive --- Death wish --- Thanatos --- Instinct --- Psychoanalysis --- Psychology --- Psychological aspects --- Radio broadcasting Aesthetics --- Aesthetics --- Death in art. --- Death in literature. --- Psychological aspects. --- Freud, Sigmund,
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The theory of law and economics that dominates American jurisprudence today views the market as rational and individuals as driven by the desire to increase their wealth. It is a view riddled with misconceptions, as Jeanne Lorraine Schroeder demonstrates in this challenging work, which looks at contemporary debates in legal theory through the lens of psychoanalysis and continental philosophy. Through metaphors drawn from classical mythology and interpreted via Lacanian psychoanalysis and Hegelian philosophy, Schroeder exposes the hidden and repressed erotics of the market. Her work shows how the predominant economic analysis of markets and the standard romantic critique of markets are in fact mirror images, reflecting the misconception that reason and passion are inalterably opposed.
Erotica. --- Romanticism. --- Utilitarianism. --- Economic man. --- Feminist jurisprudence. --- Sociological jurisprudence. --- Law and economics --- Eroticism --- Pornography --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Ethics --- Hedonism --- Philosophy --- Homo oeconomicus --- Human beings --- Economics --- Self-interest --- Feminism, Legal --- Legal feminism --- Feminist theory --- Jurisprudence --- Law --- Law and society --- Society and law --- Sociology of law --- Sociology --- Law and the social sciences --- Economics and jurisprudence --- Economics and law --- Jurisprudence and economics --- Psychological aspects --- Philosophy. --- Venus --- فينوس --- Fīnūs --- Venera --- Венера --- Gwener --- Venuše --- Βένους --- Venous --- Venere --- ונוס --- Венус --- ウェヌス --- Uenusu --- Wenus --- Vèniri --- Venuša --- 维纳斯 --- Weinasi --- Venus (Roman deity) --- alienation. --- commodification. --- consumer behavior. --- continental philosophy. --- contract theory. --- desire. --- echo. --- economic analysis. --- economics. --- eros. --- euridice. --- feminist theory. --- free market. --- gender. --- gift theory. --- greek mythology. --- hegel. --- individual choice. --- lacan. --- law. --- legal theory. --- market analysis. --- markets. --- midas. --- mythology. --- narcissus. --- nonfiction. --- orpheus. --- pandora. --- passion. --- philosophy. --- potlatch. --- property. --- psychoanalysis. --- psychology. --- rational egoism. --- rational market. --- rule of law. --- social theory. --- sociology. --- thanatos. --- utilitarianism. --- venus. --- wealth.
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