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"Charles Altieri's book sets modernist American poetry in a precise cultural context by analysing how major poets reacted to the challenge posed by modernist painting's radical critique of traditional representational models for art. It argues that modernist poets have tended to resist the received values of their contemporary culture by finding idealising principles in modes of pure abstraction. It traces the use of such abstraction in literature from Wordsworth, through Baudelaire and Mallarme, to T.S. Eliot, William Carlos Williams, Marianne Moore, and Gertrude Stein. There are summary chapters also on Wallace Stevens and Ezra Pound, considerations of Cezanne and the Cubists, and a substantial theoretical discussion of the nature of abstract art."--Publisher description.

Poetry --- American literature --- anno 1900-1999 --- Abstractie in de literatuur --- Abstraction dans la littérature --- Abstraction in literature --- Ik in de literatuur --- Moi dans la littérature --- Self in literature --- American poetry --- Modernism (Literature) --- Poésie américaine --- Modernisme (Littérature) --- History and criticism --- Histoire et critique --- Abstraction in literature. --- Art and literature --- Self in literature. --- History and criticism. --- History --- Soi dans la littérature --- Zelf in de literatuur --- Abstraction dans la littérature --- Poésie américaine --- Modernisme (Littérature) --- Moi dans la littérature --- 20th century --- United States --- Eliot, Thomas Stearns --- Criticism and interpretation --- Pound, Ezra Loomis --- Stevens, Wallace --- Williams, William Carlos --- Moore, Marianne --- Stein, Gertrude

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Literature

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Philosophy of language --- Agent (Philosophy) --- Art and society. --- Expression (Philosophy) --- Language and languages --- Philosophy. --- Agent (Philosophy). --- Expression (Philosophy).