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Sculpture, Romanesque --- Sculpture, German --- Sculpture allemande --- Catalogs --- Catalogues --- -Sculpture, German --- -Sculpture, Medieval --- -German sculpture --- Romanesque sculpture --- Sculpture, Medieval --- -Catalogs --- German sculpture --- SCULPTURE ROMANE --- ALLEMAGNE

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Sculpture --- Iconography --- anno 500-1499 --- France --- Marginality, Social, in art --- Sculpture, Gothic --- Sculpture, Medieval --- Sculpture, Romanesque --- Marginalité dans l'art --- Sculpture gothique --- Sculpture médiévale --- Sculpture romane --- Themes, motives --- Thèmes, motifs --- -Sculpture, Medieval --- -Sculpture, Romanesque --- -Romanesque sculpture --- Gothic sculpture --- -Themes, motives --- Marginalité dans l'art --- Sculpture médiévale --- Thèmes, motifs --- Romanesque sculpture --- Sculpture, Gothic - France - Themes, motives --- Sculpture, Medieval - France - Themes, motives --- Sculpture, Romanesque - France - Themes, motives

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Technology and conservation are indispensible to our understanding of the history of religious art. Material and technical aspects of historical art works yield a great deal of information about provenance, and thus reflect the cultural networks that characterized the world that produced them. Furthermore, the imagery and decoration of art works express their religious meanings, while details including reworking and damage may inform us about their use (or disuse) in liturgy and devotion. The Swedish conservator and art historian Peter Tangeberg has shown how the insights and methods of art conservation can make important steps in the history of art (not least religious art). He has brought the wealth of medieval and early modern art works in Scandinavia to a European audience and opened up new discussions - as well as stirring up old ones - on a range of aspects, including the transfer of styles and motifs, materials and technologies across Central and Northern Europe. This volume, which is dedicated to Tangeberg by fifteen friends and colleagues on the occasion of his 75th birthday, reflects much of his long and fruitful professional life.0All of the contributions pursue a combined perspective on technical/material issues and contextual (mostly liturgical or devotional) aspects. The art works cover the period from c. 1100 to c. 1800 and all originated in the wide area of Tangeberg's scholarly activity, especially Scandinavia and large parts of Western and Central Europe.

Art --- anno 1100-1199 --- anno 1700-1799 --- anno 1400-1499 --- anno 1200-1299 --- anno 1600-1699 --- anno 1300-1399 --- anno 1500-1599 --- Eastern and Central Europe --- Europe: North --- Tångeberg, Peter --- anno 1500-1799 --- anno 1200-1499 --- Wood sculpture, Medieval --- Sculpture, Medieval --- Christian art and symbolism --- Conservation and restoration --- Festschriften

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Sexually explicit sculptures may be found on a number of medieval churches in France and Spain. This fascinating study examines the origins and purposes of these sculptures, viewing them not as magical fertility symbols, nor even as idols of ancient pre-Christian religions, but as serious works that dealt with the sexual customs and salvation of medieval folk, and thus gave support to the Church's moral teachings. [publisher's description]

Religious architecture --- anno 1200-1499 --- Europe --- Erotic sculpture, European --- Sculpture, Medieval --- Church decoration and ornament --- Themes, motives. --- -Erotic sculpture, European --- -Sculpture, Romanesque --- -Stone carving --- -Christian art and symbolism --- -Sculpture, Medieval --- -#VCV monografie 1999 --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Decoration and ornament, Architectural --- Sculpture --- Romanesque sculpture --- European erotic sculpture --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Themes, motives --- #VCV monografie 1999 --- Erotic sculpture, European - Themes, motives. --- Sculpture, Medieval - Themes, motives. --- Church decoration and ornament - Themes, motives. --- MEDIEVAL CIVILIZATION --- CARVING (DECORATIVE ARTS) --- EUROPE

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Sculpture --- anno 1200-1499 --- Belgium --- Arts graphiques --- Belgique --- België --- Grafische kunst --- Polychromy --- Sculpture, Gothic --- Wood-carving, Gothic --- -Sculpture, Gothic --- -Wood-carving, Gothic --- -Gothic wood-carving --- Gothic sculpture --- Sculpture, Medieval --- Color in sculpture --- Color --- -Polychromy --- Gothic wood-carving --- Polychromy - Belgium --- Sculpture, Gothic - Belgium --- Wood-carving, Gothic - Belgium --- carvings [visual works] --- sculpture techniques --- polychromy --- beeldhouwkunst, Nederlanden --- Gothic [Medieval]