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Nous le pressentons sans toujours pouvoir l'exprimer : nos expériences les plus ordinaires entretiennent une profonde unité avec celles de la poésie, de la peinture, et de l'amour. Qu'est-ce qui se donne dans ce qui, alors, commence ? Comment nommer, dire et décrire ce qu'"il y a" avant la pensée et qui la devance ? Sans doute peut-on montrer le chemin qui y mène, ou plutôt les chemins : la parole, le regard, l'affect. Il y a ce que rend présent le mot ; il y a ce qui se présente au regard ; il y a ce qui se rend présent dans l'affect. A la croisée de Husserl, de Merleau-Ponty et de Maldiney, Jérôme de Gramont interroge ici notre condition native, en visant le tréfonds de notre histoire affective, à ce point extrême et paradoxal où la souffrance, inévitable, peut se retourner à tout moment en joie

Philosophical anthropology --- Affect (Psychology) --- Beginning --- Phenomenology --- Affect (Psychologie) --- Commencement (Philosophie) --- Phénoménologie --- Phénoménologie --- Image (Philosophy)

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"Explores the theoretically fertile concept of the formless as articulated by modern literature and visual arts, and argues that instead of an elimination of form the formless stands for an affective operation based on both aesthetically and speculative generative deformation of forms"--

Form (Philosophy) in art. --- Form (Philosophy) in literature. --- Form (Philosophy) --- Affect (Psychology) in art. --- Affect (Psychology) in literature. --- Affect (Psychology) --- Form (Philosophy) in art --- Form (Philosophy) in literature --- Affect (Psychology) in art --- Affect (Psychology) in literature --- Form (Philososphy) --- Philosophy and psychology of culture --- Cognitive psychology --- Aesthetics --- Audiovisual methods --- Film --- Literature

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Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument.

Movement (Philosophy) --- Senses and sensation --- Affect (Psychology) --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Philosophy --- Emotions --- Psychology --- Affective and dynamic functions --- Affect (Psychology). --- Movement (Philosophy). --- Senses and sensation. --- Mouvement (philosophie) --- Sens et sensations --- Affect (psychologie)

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How do participants display affectivity in social interaction? Based on recordings of authentic everyday conversations and radio phone-ins, this study offers a fine-grained analysis of how recipients of affect-laden informings deploy sound objects, i.e. interjections (oh, ooh and ah) and paralinguistic signals (whistle and clicks), for responsive displays of affectivity. Examining the use of such sound objects across a number of interactional activities including news telling, troubles talk, complaining, assessments and repair, the study provides evide

Psycholinguistics --- Phonetics --- English language --- Affective and dynamic functions --- Grammar, Comparative and general --- Affect (Psychology) --- Emotions. --- Phonology. --- Affect (Psychology). --- Emotions --- Phonology --- Feelings --- Human emotions --- Passions --- Psychology --- Affective neuroscience --- Apathy --- Pathognomy --- Linguistics --- Philology --- Grammar, Comparative and general Phonology

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In an age of AI and automated translation, the affective remains a decisively human condition. Translation and Affect is a collection of essays that investigate the role of affects and emotions across the spectrum of translatorial activities and areas, from public service interpreting to multilingual poetry recitals, from translator training to translation technology. In an effort at creating a consilient approach that bridges different research traditions in Translation Studies, Koskinen uses affective labour and affects and their stickiness as a lens to understand how it feels to translate and how translations feel. Written in a personal and engaging style, the book encourages readers interested in translation issues to look at translation as an affective practice and to explore and reflect their own ways of living with translation.

Affect (Psychology) in translating. --- Translating and interpreting --- Psychological aspects. --- Translation science --- Affect (Psychology) in translating --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Psychological aspects --- Translating --- E-books