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This volume critically challenges the current creative city debate from a historical perspective. In the last two decades, urban studies has been engulfed by a creative city narrative in which concepts like the creative economy, the creative class or creative industries proclaim the status of the city as the primary site of human creativity and innovation. So far, however, nobody has challenged the core premise underlying this narrative, asking why we automatically have to look at cities as being the agents of change and innovation. What processes have been at work historically before the predominance of cities in nurturing creativity and innovation was established? In order to tackle this question, the editors of this volume have collected case studies ranging from Renaissance Firenze and sixteenth-century Antwerp to early modern Naples, Amsterdam, Bologna, Paris, to industrializing Sheffield and nineteenth-and twentieth century cities covering Scandinavian port towns, Venice, and London, up to the French techno-industrial city Grenoble. Jointly, these case studies show that a creative city is not an objective or ontological reality, but rather a complex and heterogenic "assemblage," in which material, infrastructural and spatial elements become historically entangled with power-laden discourses, narratives and imaginaries about the city and urban actor groups.
World history --- anno 1500-1799 --- anno 1800-1999 --- Cities and towns --- Cities and towns. --- Cultural industries --- Cultural industries. --- Diffusion of innovations --- Diffusion of innovations. --- Innovation. --- Kreativität. --- Stadt. --- History.
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In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. This aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia.
History of civilization --- anno 1600-1699 --- England --- Creative ability. --- Creation (Literary, artistic, etc.) --- Music --- Kreativität. --- History --- History and criticism. --- England. --- Civilization --- creativity --- History and criticism --- Creativeness --- Creativity --- Ability --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Authorship. --- Crafts. --- Creative Act. --- Creativity. --- Early Modern Society. --- Genius. --- Human Imagination. --- Inspiration. --- Originality. --- Patron. --- Seventeenth-Century England.
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"In this exciting new book Angela McRobbie charts the 'euphoric' moment of the new creative economy, as it rose to prominence in the UK during the Blair years, and considers it from the perspective of contemporary experience of economic austerity and uncertainty about work and employment. McRobbie makes some bold arguments about the staging of creative economy as a mode of 'labour reform'; she proposes that the dispositif of creativity is a fine-tuned instrument for acclimatising the expanded, youthful urban middle classes to a future of work without the raft of entitlements and security which previous generations had struggled to win through the post-war period of social democratic government. Adopting a cultural studies perspective, McRobbie re-considers resistance as 'line of flight' and shows what is at stake in the new politics of culture and creativity. She incisively analyses 'project working' as the embodiment of the future of work and poses the question as to how people who come together on this basis can envisage developing stronger and more protective organisations and associations. Scattered throughout the book are excerpts from interviews with artists, stylists, fashion designers, policy-makers, and social entrepreneurs"--
Sociology of work --- Sociology of culture --- Cultural industries. --- Cultural industries --- Arts --- SOCIAL SCIENCE --- Kulturwirtschaft. --- Kreativität. --- Künstler. --- Arbeitsbedingungen. --- Soziale Situation. --- Social entrepreneurship. --- Intelligentie. --- Employees. --- Economic aspects. --- Media Studies. --- Social science --- Soziale situation. --- Media studies. --- #SBIB:316.334.2A531 --- Organisatiesociologie: arbeidssituatie en arbeidsomstandigheden: andere diensten: overheid, onderwijs, onderzoek, gezondheid, cultuur en recreatie
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The first edition of *Making is Connecting* struck a chord with crafters, YouTubers, makers, music producers, artists, and coders alike. Gauntlett argues that through making things - online and offline - people want to make their mark, and to make connections. This shift from a 'sit-back-and-be-told culture' to a 'making-and-doing culture' means that a vast array of people are exchanging their own ideas, videos, and other creative material online, as well as engaging in real-world crafts, music projects, and hands-on experiences. Drawing on evidence from psychology, politics, philosophy, and economics, Gauntlett shows that this everyday creative engagement is necessary and essential for the happiness and survival of modern societies. This fully revised second edition includes many new sections, as well as three new chapters on creative processes, do-it-yourself strategies, and platforms for creativity.
Creative ability --- Culture. --- SOCIAL SCIENCE / Media Studies. --- Social networks. --- Web 2.0 --- Social aspects. --- Manufacturing technologies --- Mass communications --- Sociology of culture --- Social networks --- Culture --- Social aspects --- Créativité --- Gesellschaft. --- Heimwerken. --- Internet. --- Kreativität. --- Media Studies. --- Persönlichkeitsentwicklung. --- Réseaux sociaux. --- SOCIAL SCIENCE --- Social Media. --- Social Support. --- Sozialer Wandel. --- Soziales Netzwerk. --- Aspect social. --- Creative ability - Social aspects --- Web 2.0 - Social aspects --- social media
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What is it like to work in the media? Are media jobs more 'creative' than those in other sectors? This book explores these issues in the creative industries, using a combination of original research and a synthesis of existing studies. Through its close analysis of key issues - such as tensions between commerce and creativity, the conditions and experiences of workers, alienation, autonomy, self-realisation, emotional and affective labour, self-exploitation, and how possible it might be to produce ‘good work’ - Creative Labour makes a major contribution to our understanding of the media, of work, and of social and cultural change. In addition, the book undertakes an extensive exploration of the creative industries, spanning numerous sectors including television, music and journalism.This book provides a comprehensive and accessible account of life in the creative industries in the 21st century. It is a major piece of research and a valuable study aid for both undergraduate and postgraduate students of subjects including business and management studies, sociology of work, sociology of culture, and media and communications. (Provided by publisher)
Sociology of work --- Cultural industries --- Mass media --- Creative ability --- Labor --- Social aspects --- Employees --- Arbeitswelt. --- Creative ability. --- Kreativität. --- Kulturindustrie. --- Kulturwirtschaft. --- Massenmedien. --- Mitarbeiter. --- Social aspects. --- Employees. --- Creative industries --- Culture industries --- Industries --- Labor and laboring classes --- Manpower --- Work --- Working class --- Creativeness --- Creativity --- Ability --- Creation (Literary, artistic, etc.) --- #SBIB:316.334.2A531 --- Organisatiesociologie: arbeidssituatie en arbeidsomstandigheden: andere diensten: overheid, onderwijs, onderzoek, gezondheid, cultuur en recreatie --- Cultural industries - Social aspects --- Mass media - Employees --- Labor - Social aspects
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"The Routledge Handbook of Language and Creativity provides an introduction and survey of the wide range of perspectives on the relationship between language and creativity. Divided into four sections, this handbook covers the dimensions of language and creativity, literary creativity, multimodal and multimedia creativity, and creativity within language teaching and learning. Written by a group of leading academics from around the world, The Routledge Handbook of Language and Creativity will serve as an important reference for students and scholars in the fields of English language studies, applied linguistics, education and communication studies"--
Creativity (Linguistics) --- Language and languages --- Creation (Literary, artistic, etc.) --- Creatividad --- Lenguaje y lenguas. --- Creatividad y comunicación. --- Creación literaria. --- Lingüística aplicada. --- LANGUAGE ARTS & DISCIPLINES --- Language and languages. --- Sprache. --- Kreativität. --- Konstnärligt skapande. --- Språk. --- Filosofía. --- General. --- Linguistics --- Cognitive psychology --- Creation (Literary, artistic, etc.). --- Creativity (Linguistics). --- Creation (literary, artistic, etc.) --- Creation (literary, artistic, etc.). --- Creativity (linguistics) --- Creativity (linguistics). --- Language arts & disciplines --- Creativity (Linguistics) - Handbooks, manuals, etc. --- Language and languages - Handbooks, manuals, etc. --- Creation (Literary, artistic, etc.) - Handbooks, manuals, etc.
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Anderson, Laurie ; Antonakos, Stephen ; Aycock, Alice ; Bacon, Francis ; Bark, Jared ; Bartlett, Jennifer ; Baselitz, Georg ; Baukhage, Gerd ; Baumann, Horst H. ; Bertholin ; Beuys, Joseph ; Böhmler, Claus ; Brisley, Stuart ; Burden, Chris ; Burton, Scott ; Cacciola, Enzo ; Cane, Louis ; Center for Advanced Visual Studies ; Christo ; Close, Chuck ; Costa, Claudio ; Cremer, Fritz ; d'Armagnac, Ben ; Davies, John ; Dossi, Ugo ; Erben, Ulrich ; Farina, Ralston ; Riverhead (New York) ; Fleischner, Richard ; Freie internationale Universität für Kreativität und interdisziplinäre Forschung ; Freyer, Achim ; Gaul, Winfred ; Gerz, Jochen ; Gette, Paul-Armand ; Girke, Raimund ; Girouard, Tina ; Gitlin, Michael ; Gonschior, Kuno ; Graeser, Camille ; Graubner, Gotthard ; Graves, Nancy ; Green, Alan ; Grosvenor, Robert ; Gruber, Hetum ; Hall, Nigel ; Hamilton, Richard ; Hangen, Heijo ; Haraguchi, Noriyuki ; Haus-Rucker-Co ; Head, Tim ; Heisig, Bernhard ; Heizer, Michael ; Hofschen, Edgar ; Isenrath, Hans-Paul ; Jastram, Joachim ; Johns, Jasper ; Karavan, Dani ; Kirili, Alain ; Klauke, Jürgen ; de Kooning, Willem ; Kovacs, Attila ; Kriwet, Ferdinand ; Lakner, Laszlo ; Lang, Nikolaus ; Lichtenstein, Roy ; Lüpertz, Markus ; de Maria, Walter ; Matta-Clark, Gordon ; Mattheuer, Wolfgang ; McLean, Bruce ; Merz, Gerhard ; Mields, Rune ; Miralda, Antoni ; Morales, Carmengloria ; Morley, Malcolm ; Morris, Robert ; Nestler, Wolfgang ; Nierhoff, Ansgar ; Nonas, Richard ; Nordman, Maria ; Olivieri, Claudio ; Opalka, Roman ; Oppermann, Anna ; Pacileo, Dolores ; Palermo, Blinky ; Pane, Gina ; Penck, A.R. ; Pepper, Beverly ; Poirier, Anne & Patrick ; Pozzi, Lucio ; Prager, Heinz-Günther ; Rabinowitch, David ; Reindeer Werk ; Reineking, James ; Reusch, Erich ; Reuter, Hans Peter ; etc.
performance art --- vormgeving --- beeldende kunst --- boekkunst --- environment --- performances (kunst) --- design [discipline] --- environmental art --- Art --- fine arts --- anno 1900-1999 --- Kassel --- Art, Modern --- Exhibitions --- Documenta --- kunst --- twintigste eeuw --- 7.038 --- 7.039*1 --- 095 <064> --- 82:7 "1970-1985" --- -Modern art --- 7.039*1 Minimal arts. Objectkunst --- Minimal arts. Objectkunst --- 82:7 "1970-1985" Literatuur en kunst--?"1970-1985" --- Literatuur en kunst--?"1970-1985" --- 095 <064> Merkwaardige boekbanden--Tentoonstellingscatalogi. Museumcatalogi --- Merkwaardige boekbanden--Tentoonstellingscatalogi. Museumcatalogi --- schilderkunst --- beeldhouwkunst --- performance --- Bacon Francis --- Bartlett Jennifer --- -Baselitz Georg --- Baukhage Gerd --- Cacciola Enzo --- Cane Louis --- Close Chuck --- Erben Ulrich --- Gaul Winfred --- Girke Raimund --- Gonschior Kuno --- Graeser Camille --- Graubner Gotthard --- Graves Nancy --- Green Alan --- Hamilton Richard --- Hangen Heijo --- Heisig Bernhard --- Heizer Michael --- Hofschen Edgar --- Johns Jasper --- de Kooning Willem --- Kovacs Attila --- Lakner Laszlo --- Lichtenstein Roy --- Lüpertz Markus --- Mattheuer Wolfgang --- Merz Gerhard --- Mields Rune --- Morales Carmengloria --- Morley Malcolm --- Olivieri Claudio --- Opalka Roman --- Palermo --- Penck A.R. --- Pozzi Lucio --- Reuter Hans-Peter --- Richter Gerhard --- Rutault Claude --- Sitte Willi --- Stella Frank --- Tübke Werner --- Venet Bernar --- Warhol Andy --- van de Wint Reindert Wepko --- Zappettini Gianfranco --- Zeniuk Jerry --- Antonakos Stephen --- Aycock Alice --- Beuys Joseph --- Böhmler Claus --- Christo --- Cremer Fritz --- Davies John --- Flavin Dan --- Fleischner Richard --- Freyer Achim --- Gitlin Michael --- Gruber Hetum --- Hall Nigel --- Haraguchi Noriyuki --- Head Tim --- Isenrath Paul --- Jastram Jo --- Karavan Dani --- Kirili Alain --- De Maria Walter --- Matta-Clark Gordon --- Morris Robert --- Neuhaus Max --- Nonas Richard --- Nordman Maria --- Pepper Beverly --- Prager Heinz-Günter --- Reineking James --- Reusch Erich --- Rinke Klaus --- Schuler Alf --- Serra Richard --- Shapiro Joel --- Singer Michael --- Spagnulo --- Takis --- Trakas George --- Vostell Wolf --- Walther Franz Erhard --- Winner Gerd --- 75.036 --- 73.036 --- Modern art --- fotografie --- film --- video --- 77.04 --- -791.45 --- 791.43 --- Baselitz Georg --- Penck A.R --- 791.45 --- fine arts [discipline] --- Kassel [Hesse] --- Beeldende kunst ; Documenta 6 (1977) --- Kunsttentoonstellingen ; internationale --- Kunstgeschiedenis ; 1950 - 2000 --- Graphics industry --- Art styles --- Iconography --- Applied arts. Arts and crafts --- Drawing --- Graphic arts --- Photography --- Film --- happenings --- drawing [image-making] --- photography [process] --- archaeology --- mythology [literary genre] --- video art --- motion pictures [visual works] --- typography --- Schuler, Alf --- Graubner, Gotthard --- Horn, Rebecca --- Davies, John --- Böhmler, Claus --- Tinguely, Jean --- Hollein, Hans --- Baselitz, Georg --- Penck, A.R. --- Olivieri, Claudio --- Rutault, Claude --- Girouard, Tina --- Bandau, Joachim --- Baukhage, Gerd --- Morales, Carmengloria --- Heisig, Bernhard --- Lang, Nikolaus --- Cremer, Fritz --- Brisley, Stuart --- Potts, Don --- Shapiro, Joel --- Gitlin, Michael --- Warhol, Andy --- Gruber, Hetum --- Stella, Frank --- Hamilton, Richard --- Bartlett, Jennifer --- Gonschior, Kuno --- Kirili, Alain --- Klauke, Jürgen --- Kriwet, Ferdinand --- Mattheuer, Wolfgang --- Neuhaus, Max --- Nonas, Richard --- Pane, Gina --- Pepper, Beverly --- Reusch, Erich --- Rinke, Klaus --- Schult, HA --- Simonds, Charles --- Pu & Puse --- Johns, Jasper --- Antonakos, Stephen --- Bans, Ossie --- Bark, Jared --- Bertholin, Jean-Marie --- Sitte, Willi --- Cacciola, Enzo --- Freyer, Achim --- Costa, Claudio --- Dossi, Ugo --- Farina, Ralston --- Fleischner, Richard --- Geresheim, Hinrich --- Morris, Robert --- Gette, Paul-Armand --- Grenze, Eckhard --- Hange, Heijno --- Haraguchi, Noriyuki --- Herzfeld, Anatol --- Hofschen, Edgar --- Jastram, Joachim --- Kiel, Luz & Petra --- Lenzen, Don --- Beuys, Joseph --- Oppermann, Anna --- Pacileo, Dolores --- Pozzi, Lucio --- Reineking, James --- Schober, Helmut --- David, Michael --- Richter, Gerhard --- Trakas, George --- Wint, van de, Rudi --- Windheim, von, Dorothee --- Werk, Reeinder --- Heizer, Michael --- Rabinowitch, David --- Serra, Richard --- Lakner, László --- Morley, Malcolm --- Lichtenstein, Roy --- Bacon, Francis --- Salentin, Hans --- Cohen, Harold --- Ruthenbeck, Reiner --- Walther, Franz Erhard --- Close, Chuck --- Flavin, Dan --- Head, Tim --- Lüpertz, Markus --- Merz, Gerhard --- Winner, Gerd --- Zappettini, Gianfranco --- Karavan, Dani --- Gerz, Jochen --- Armagnac, d', Ben --- Aycock, Alice --- Baumann, Horst. H. --- Burden, Chris --- Burton, Scott --- Cane, Louis --- Erben, Ulrich --- Gaul, Winfred --- Girke, Raimund --- Graeser, Camille Louis --- Graves, Nancy --- Green, Alan --- Hall, Nigel --- Isenrath, Paul --- Kovács, Attila --- Maria, de, Walter --- Mields, Rune --- Nierhoff, Ansgar --- Nordman, Maria --- Opałka, Roman --- Palermo, Blinky --- Piacentino, Gianni --- Prager, Heinz-Günter --- Takamatsu, Jiro --- Venet, Bernar --- Vostell, Wolf --- Wodiczko, Krysztof --- McLean, Bruce --- Zeniuk, Jerry --- Miralda, Antoni --- Tübke, Werner --- Poirier, Anne --- Kooning, de, Willem --- Anderson, Laurie --- Reuter, Hans Peter --- Matta-Clark, Gordon --- Panamarenko --- Spagnulo, Giuseppe --- Haus-Rucker-Co --- Center for Advanced Visual Studies --- Freie Internationale Universität für Kreativität und Interdisciplinäre Forschung --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 2000-2099 --- Art, Modern - 20th century - Exhibitions --- Grenzer, Eckhart --- hedendaagse kunst --- Documenta 6 (1977) --- 20ste eeuw. --- 20ste eeuw
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