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Literature --- Discourse analysis, Literary --- Literary discourse analysis --- Rhetoric --- Style, Literary --- Discourse analysis, Literary. --- Literary style
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English language --- Discourse analysis, Literary --- Discourse analysis --- -Germanic languages --- Literary discourse analysis --- Rhetoric --- Style, Literary --- Discourse analysis, Literary. --- Discourse analysis. --- -Discourse analysis --- -Literary discourse analysis --- Literary style --- Germanic languages --- English language - Discourse analysis
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Influential accounts of European cultural history variously suggest that the rise of nominalism and its ultimate victory over realist orientations were highly implemental factors in the formation of Modern Europe since the later Middle Ages, but particularly the Reformation. Quite probably, this is a simplification of a state of affairs that is in fact more complex, indeed ambiguous. However, if there is any truth in such propositions - which have, after all, been made by many prominent commentators, such as Panofsky, Heer, Blumenberg, Foucault, Eco, Kristeva - we may no doubt assume that literary texts will have responded and in turn contributed, in a variety of ways, to these processes of cultural transformation. It seems of considerable interest, therefore, to take a close look at the complex, precarious position which literature, as basically a symbolic mode of signification, held in the perennial struggles and discursive negotiations between the semiotic 'twin paradigms' of nominalism and realism. This collection of essays (many of them by leading scholars in the field) is a first comprehensive attempt to tackle such issues - by analyzing representative literary texts in terms of their underlying semiotic orientations, specifically of nominalism, but also by studying pertinent historical, theoretical and discursive co(n)texts of such developments in their relation to literary discourse. At the same time, since 'literary nominalism' and 'realism' are conceived as fundamentally aesthetic phenomena instantiating a genuinely 'literary debate over universals', consistent emphasis is placed on the discursive dimension of the texts scrutinized, in an endeavour to re-orient and consolidate an emergent research paradigm which promises to open up entirely new perspectives for the study of literary semiotics, as well as of aesthetics in general. Historical focus is provided by concentrating on the English situation in the era of transition from late medieval to early modern (c. 1350-1650), but readers will also find contributions on Chrétien de Troyes and Rabelais, as well as on the 'aftermath' of the earlier debates - as exemplified in studies of Locke and (post)modern critical altercations, respectively, which serve to point up the continuing relevance of the issues involved. A substantial introductory essay seeks to develop an overarching theoretical framework for the study of nominalism and literary discourse, in addition to offering an in-depth exploration of the 'nominalism/realism-complex' in its relation to literature. An extensive bibliography and index are further features of interest to both specialists and general readers.
Literary semiotics --- Nominalism in literature --- Discourse analysis, Literary --- Literary discourse analysis --- Rhetoric --- Literary style --- Literary discourse --- Nominalism
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Discourse analysis, Literary. --- Literature --- Pragmatics --- Discourse analysis, Literary --- Discours littéraire --- Literary discourse analysis --- Rhetoric --- Literary style
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"If thinking can be fast or slow, metaphorical thinking can be fast and slow too. But this does not occur as often and in the ways that many metaphor scholars today think. It does mean, however, that we can exert more control over metaphor than has previously been acknowledged. We can even offer resistance to metaphor. Deliberate Metaphor Theory (DMT) claims that there is an essential processing difference between non-deliberate and deliberate metaphor use which can explain all this. This book is the first full account of the DMT model for metaphor comprehension. It presents explicit conceptualization and formal operationalization, and is based on a well-known cognitive-psychological model for all utterance comprehension in discourse. The original three-dimensional model of DMT is here refined into a four-dimensional model, which produces new research questions and discoveries about the use of metaphor. The book brings together numerous cognitive-scientific insights into metaphor. It has a high degree of interdisciplinary accessibility to all students of metaphor, whether master students, PhDs, post docs, or established academics"--
Metaphor. --- Discourse analysis, Literary. --- Literary discourse analysis --- Rhetoric --- Literary style --- Parabole --- Figures of speech --- Reification --- Lexicology. Semantics --- Psycholinguistics
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Literature --- Discourse analysis, Literary --- Semiotics and literature --- Literature and semiotics --- Literary discourse analysis --- Rhetoric --- Literary style --- CRITIQUE GENERALE --- ENTRETIENS (SOCIOLOGIE) --- ESSAI
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Discourse analysis, Literary. --- Style, Literary. --- Diction --- Discourse analysis, Literary --- Style, Literary --- Literature --- Language and languages --- Rhetoric --- Literary discourse analysis --- Literary style --- Style --- Linguistics --- Literary style. --- LECTURE --- METHODE
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So this English professor comes into class and starts talking about the textual organization of jokes, the taxonomy of puns, the relations between the linguistic form and the content of humorous texts, and other past and current topics in language- based research into humor. At the end he stuffs all the various approaches to verbal humor into linguistic theory as a whole. Nobody gets it, see, so he tells them to buy the book.
Wit and humor --- Discourse analysis, Literary --- History and criticism --- Discourse analysis, Literary. --- History and criticism. --- Pragmatics --- Literary discourse analysis --- Rhetoric --- Literary style
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Discourse and Literature boldly integrates the analysis of literature and non-literary genres in an innovative embracing study of discourse. Narrative, poetry, drama, myths, songs, letters, Biblical discourse and graffiti as well as stylistics and rhetorics are the topics treaded by twelve well-known specialists selected and introduced by Teun A. van Dijk.
Discourse analysis, Literary. --- Literary discourse analysis --- Rhetoric --- Literary style --- 82.09 --- 82.09 Literaire kritiek --- Literaire kritiek --- Stilistics --- Pragmatics --- Literary rhetorics --- Literary semiotics --- Analyse du discours littéraire
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French language --- Literary semiotics --- Literature --- French literature --- Discourse analysis, Literary --- Littérature française --- Discours littéraire --- History and criticism --- Congresses --- Histoire et critique --- Congrès --- Gide, André, --- -Discourse analysis, Literary --- -Intertextuality --- -Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Literary discourse analysis --- Rhetoric --- Style, Literary --- -Collected works --- -History and criticism --- -Literary discourse analysis --- Littérature française --- Discours littéraire --- Congrès --- Gide, André, --- Literary style --- Intertextuality --- Congresses.
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