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LA CONNAISSANCE DU LIVRE se rattache ici à la mise en jeu dialectique de termes apparemment éloignés : « livre » et « espace ». Le livre ne se réduit donc pas à son support matériel. Notre intention n’est pas non plus de délimiter tous les espaces possibles du livre qu’ils soient physique, esthétique, littéraire, métaphysique ou anthropologique. Il s’agit plutôt de proposer au lecteur un voyage à travers l’espace dans le livre - la page, le texte…, l’espace pour le livre - la bibliothèque, la collection…, l’espace hors du livre - l’œuvre d’art, l’hypertexte… Le livre utopique de Lévinas, Blanchot ou Deleuze, la poésie plastique de Mallarmé, Apollinaire ou Claudel, le récit littéraire de Kundera, Le Clézio, ou Perec, l’espace pictural de Matisse, Kandinsky ou Gris, seront autant de jalons pour mieux mesurer l’étendue de ces espaces infinis que le livre invente.

Book history --- Books --- Livres --- History --- Histoire --- History. --- Education --- Social Sciences --- Book Studies & Arts --- 82.08 --- Literaire activiteiten. Literaire technieken --- 82.08 Literaire activiteiten. Literaire technieken --- Literary studies --- Books - History. --- Technique du livre

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Cet ouvrage présente les résultats des travaux effectués dans le cadre d’un Groupement de recherche (GDR) initié par le CNRS en 2003 pour une durée de quatre ans et portant sur les matériaux du livre médiéval.Ce groupement de recherche avait pour but de fédérer, dans un travail collectif interdisciplinaire et pluridisciplinaire, des équipes de recherche en sciences humaines, des laboratoires de sciences dites «dures», autrement dit des historiens, des paléographes, des archivistes-paléographes, des chimistes, des physiciens, des conservateurs de bibliothèques, d’archives, de musées, mais également des enseignants, des artisans-papetiers et formaires (les formaires étant des fabricants de formes à faire le papier à la main); participaient aussi au projet parcheminiers, enlumineurs, calligraphes, relieurs, etc., ainsi qu’un cinéaste documentariste. L’objectif était de faire progresser la connaissance des matériaux du livre médiéval sur le plan livresque, historique, expérimental ou analytique, en mettant en synergie et en fédérant les approches et les compétences spécifiques des personnels et des laboratoires participant au GDR. Connaissance indispensable pour son apport à l’histoire du livre et capitale pour gérer au mieux les problèmes de la conservation et de la sauvegarde de tout patrimoine.L’originalité de ce GDR fut d’associer des recherches à la fois très différentes et très complémentaires qui pourraient, pour citer T. Delcourt, être regroupées en trois grandes catégories: «les recherches techniques sur les supports matériels de l’écrit que sont le papier, le parchemin, les encres; les recherches sur les différentes étapes intervenant dans la fabrication du livre autour de la reliure, mais aussi des ateliers de parcheminiers ou des moulins à papier; enfin des recherches sur le vocabulaire du livre et de l’écrit au Moyen Age si l’on veut comprendre avec un peu de certitude les textes, les inventaires ou les recettes qui traitent de la fabrication du livre au Moyen Age.»Ces travaux ont été exposés au cours d’un colloque qui s’est tenu à Paris en novembre 2007.

Book history --- Manuscripts, Medieval --- Books --- Papermaking --- Bookbinding, Medieval --- History --- 091.14 --- Codicologie. Codices. Scriptoria --- 091.14 Codicologie. Codices. Scriptoria --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Paper making and trade --- Paper manufacture --- Paper --- Pulping --- Medieval bookbinding --- Congresses --- Manuscripts, Medieval - Congresses --- Books - History - 400-1450 - Congresses --- Books - History - 1450-1600 - Congresses --- Papermaking - History - Congresses --- Bookbinding, Medieval - Congresses --- Education --- Social Sciences --- Book Studies & Arts --- Medieval manuscripts --- Manuscripts

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This collection of thirteen essays examines sixteenth-century type design in France. Typefaces developed during this period were to influence decisively the typography of the centuries which followed, and they continue to influence a great many contemporary typefaces. The papers' common goal is to establish the paternity of the typefaces described and critically to appraise their attributions, many of which have previously been inadequately ascribed. Such an approach will be of interest to type historians and type designers seeking better-documented attributions, and to historians, philologists, and bibliographers, whose study of historical imprints will benefit from more accurate type descriptions. The papers and illustrations focus on the most important letter-cutters of the French Renaissance, including Simon de Colines, Robert Estienne, Claude Garamont, Robert Granjon, Pierre Haultin, and also include a number of minor masters of the period.

Book history --- anno 1500-1599 --- France --- 655.24 <44> --- Lettertypes. Lettersoorten--algemeen - niet verwarren met schrift; z.o. {003} en {681.615}--Frankrijk --- Type and type-founding --- Type designers --- History --- Type and type-founding -- France -- History -- 16th century. --- Type and type-founding -- France -- Specimens. --- Type designers -- France -- History -- 16th century. --- Education --- Social Sciences --- Book Studies & Arts --- Designers --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Printing --- Typesetting --- Letters. --- Typografie. --- Frankrijk. --- Type and type founding

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The rapid growth of the Internet and the World Wide Web is transforming the way information is accessed and used. New models for distributing, sharing, linking, and marketing information are appearing. This volume examines emerging economic and business models for global publishing and information access, as well as the attendant transformation of international information markets, institutions, and businesses. It provides those in the public, private, and nonprofit sectors with a practical framework for dealing with the new information markets. Topics addressed include the effects of various technological factors and market environments on pricing; the relationship among classic production costs, transaction costs, and the economic value of intellectual property; the effects of different pricing practices for telecommunications and Internet services on the pricing of information; the bundling and unbundling of information services; changing cost structures and the allocation of rights among authors, publishers, and other intermediaries; the effects of markets for complementary products and services, including advertising, on the pricing and use of information; and policy implications of different pricing models.A Publication of the Harvard Information Infrastructure Project in Collaboration with the School of Information Management and Systems at the University of California at Berkeley.

Intellectual property -- Economic aspects. --- Internet publishing -- Economic aspects. --- Technological innovations -- Economic aspects. --- Internet publishing --- Intellectual property --- Technological innovations --- Education --- Social Sciences --- Book Studies & Arts --- Economic aspects --- Social Sciences and Humanities. Law --- Civil Law --- Intellectual Property Laws Intellectueel --- Intellectual Property Laws Intellectueel. --- Graphics industry --- Industrial and intellectual property --- Computer architecture. Operating systems --- Electronic publishing --- Economic aspects. --- Propriété intellectuelle --- Innovations --- Aspect économique --- Internet publishing - Economic aspects. --- Internet publishing - Economic aspects --- Intellectual property - Economic aspects --- Technological innovations - Economic aspects

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This book deals with the "De Bry Collection of Voyages", one of the most monumental publications of Early Modern Europe. It analyzes the textual and iconographic changes the De Bry publishing family made to travel accounts describing Asia, Africa and the New World. It discusses this editorial strategy in the context of the publishing industry around 1600, investigating the biography of the De Brys, the publications of the Frankfurt firm, and the making of the collection, as well as its reception by Iberian inquisitors and seventeenth-century readers across the Old World. The book draws on a wide variety of primary sources, and is hence important for historians, book historians, and art historians interested in the development of Europe's overseas empires.

Book history --- Bry, de, Theodor --- Bry, de, Johann Theodor --- Publishers and publishing --- Travelers' writings, European. --- Voyages and travels. --- History. --- Bry, Theodor de --- Voyages and travels --- Travelers' writings, European --- Education --- General --- Social Sciences --- Bibliography - General --- Book Studies & Arts --- History --- Bry, Theodor de, --- travel literature --- publishers --- illustrations [layout features] --- engravers [printmakers] --- Journeys --- Travel books --- Travels --- Trips --- Geography --- Adventure and adventurers --- Travel --- Travelers --- European travelers' writings --- European literature --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Publishing --- booksellers --- de Bry, Theodor --- de Bry, Théodore --- booksellers [people] --- Bry, theodor de (1528-1598). grands voyages --- Editeurs et édition --- Pays-bas --- Histoire