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Music in time : phenomenology, perception, performance
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ISBN: 9780964031760 Year: 2016 Volume: 9 24 Publisher: Cambridge (Mass.) : Harvard university press,

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Music exists in time. All musicians know this fundamental truth?but what does it actually mean? Thirteen scholars probe the temporality of music from a great variety of perspectives, in response to challenges that Christopher F. Hasty, Walter Naumburg Professor of Music at Harvard University, laid out in his groundbreaking 'Meter as Rhythm'. 00The essays included here bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies. In these investigations, music emerges as an art form that has an important lesson to teach. Not only can music be understood as sounds shaped in time but?more radically?as time shaped in sounds.


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Groove : an aesthetic of measured time
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ISBN: 9004242945 9789004242944 9789004242937 9004242937 1322199965 9781322199962 Year: 2014 Publisher: Leiden, Netherlands : Brill,

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What is the relationship between music and time? How does musical rhythm express our social experience of time? In Groove: An Aesthetic of Measured Time , Mark Abel explains the rise to prominence in Western music of a new way of organising rhythm: groove. He provides a historical account of its emergence around the turn of the twentieth century, and analyses the musical components which make it work. Tracing the influence of key philosophical arguments about the nature of time on musical aesthetics, Mark Abel draws on materialist interpretations of art and culture to challenge those, like Adorno, who criticise popular music’s metrical regularity. He concludes that groove does not simply reflect the temporality of contemporary society, but, by incorporating abstract time into its very structure, is capable of effecting a critique of it.


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Tactus, mensuration and rhythm in Renaissance music
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ISBN: 9781107064720 9781107587717 9781107637023 Year: 2017 Publisher: Cambridge Cambridge University Press

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Rhythm in psychological, linguistic and musical processes
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ISBN: 0398052352 Year: 1986 Publisher: Springfield (Ill.): Thomas


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Metre, rhythm, stanza, rhyme
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ISBN: 0905088085 Year: 1980 Volume: 7 Publisher: Essex University of Essex. Department of language & linguistics

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Introduction à l'analyse de la poésie.. 2, De la strophe à la construction du poème
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ISBN: 2130414095 2130398707 9782130414094 9782130398707 Year: 1988 Volume: vol *9 II Publisher: Paris: PUF,

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Elemente der Rhythmik : Theorie der musikalischen Zeit : griechisch-deutsch
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ISBN: 9783787340408 3787340408 9783787340415 Year: 2021 Publisher: Hamburg : Felix Meiner Verlag,

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Sprache und Metrum : Semiotik und Linguistik des Verses
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ISBN: 3484105747 3111607542 Year: 1988 Publisher: Tübingen : Max Niemeyer Verlag,

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Keine ausführliche Beschreibung für "Sprache und Metrum" verfügbar.


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Towards a typology of poetic forms : from language to metrics and beyond
Authors: ---
ISSN: 19776531 ISBN: 9789027208194 9027208190 9789027289049 1282312324 9786612312328 9027289042 Year: 2009 Volume: 2 Publisher: Amsterdam Benjamins

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Metrics is often defined as a discipline that concerns itself with the study of meters. In this volume the term is used in a broader sense that more or less coincides with the traditional notion of “versification”. Understood this way, metrics is an eminently complex object that displays variation over time and in space, that concerns forms of a great variety and with different statuses (meters, rhymes, stanzas, prescribed forms, syllabification rules, nursery rhymes, slogans, musical textsetting, ablaut reduplication etc.), and that as a cultural manifestation is performed in a variety of ways (sung, chanted, spoken, read) that can have direct consequences on how it is structured. This profusion of forms is thought to correspond, at the level of perception, to a limited number of cognitive mechanisms that allow us to perceive and to represent regularly iterating forms. This volume proposes a relatively coherent overall vision by distinguishing four main families of metrical forms, each clearly independent of the others and amenable to separate typologies.

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