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Music exists in time. All musicians know this fundamental truth?but what does it actually mean? Thirteen scholars probe the temporality of music from a great variety of perspectives, in response to challenges that Christopher F. Hasty, Walter Naumburg Professor of Music at Harvard University, laid out in his groundbreaking 'Meter as Rhythm'. 00The essays included here bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies. In these investigations, music emerges as an art form that has an important lesson to teach. Not only can music be understood as sounds shaped in time but?more radically?as time shaped in sounds.
Philosophy of nature --- Music --- Aesthetics --- Musical meter and rhythm.
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What is the relationship between music and time? How does musical rhythm express our social experience of time? In Groove: An Aesthetic of Measured Time , Mark Abel explains the rise to prominence in Western music of a new way of organising rhythm: groove. He provides a historical account of its emergence around the turn of the twentieth century, and analyses the musical components which make it work. Tracing the influence of key philosophical arguments about the nature of time on musical aesthetics, Mark Abel draws on materialist interpretations of art and culture to challenge those, like Adorno, who criticise popular music’s metrical regularity. He concludes that groove does not simply reflect the temporality of contemporary society, but, by incorporating abstract time into its very structure, is capable of effecting a critique of it.
Musical meter and rhythm. --- Music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Meter (Music) --- Musical rhythm and meter --- Rhythm (Music) --- Rhythm --- Time in music --- Neumes --- Philosophy and aesthetics. --- Philosophy
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Music --- anno 1400-1499 --- anno 1500-1599 --- Musical meter and rhythm --- Mensural notation --- History
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Cognitive psychology --- Music --- Phonetics --- Biological rhythms --- Language and languages --- Musical meter and rhythm --- Psychology, Applied --- #PBIB:2002.1 --- Applied psychology --- Psychagogy --- Psychology, Practical --- Social psychotechnics --- Meter (Music) --- Musical rhythm and meter --- Rhythm (Music) --- Biological clocks --- Biology --- Biorhythms --- Endogenous rhythms --- Living clocks --- Rhythms, Biological --- Rhythm --- Periodicity --- Psychology --- Music theory --- Time in music --- Neumes --- Prosodic analysis (Linguistics) --- Chronobiology --- Cycles --- Pacemaker cells
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Poetry --- Russian literature --- Russian language --- Versification. --- Russe (Langue) --- Versification --- -Versification --- 82-1 --- Meter --- Metrics --- Prosody --- Authorship --- Poetics --- Rhythm --- Stanzas --- Slavic languages, Eastern --- Poëzie --- 82-1 Poëzie
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Poetry --- Versification. --- Versification --- Meter --- Metrics --- Prosody --- Authorship --- Poetics --- Rhythm --- Stanzas --- Poétique --- 840-1 --- Franse literatuur: poëzie --- 840-1 Franse literatuur: poëzie --- Poétique --- ANALYSE LITTERAIRE --- POESIE
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Philosophie der Zeit --- Musikwissenschaft --- Antike Philosophie --- Ästhetik --- Aristoteles --- Musical meter and rhythm --- Music theory --- Music --- History --- Philosophy and aesthetics. --- Metaphysics --- Philosophy of science --- Aesthetics
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muziekpedagogiek --- Music --- Theatrical science --- ritmes --- History of education and educational sciences --- Jaques-Dalcroze, Emile --- Jaques-Dalcroze-concept --- Jaques-Dalcroze-methode --- Méthode Jaques-Dalcroze --- Rhythm --- Rythme --- Jaques-Dalcroze, Emile, --- Musical meter and rhythm --- Eurythmics --- Instruction and study --- 611 --- Muziekpedagogie: theorie --- Education, Musical --- Music education --- Musical education --- Musical instruction --- Meter (Music) --- Musical rhythm and meter --- Rhythm (Music) --- Eurhythmics --- Study and teaching --- Jaques-Dalcroze, Émile, --- Dalcroze, Émile Jaques-, --- Jacques-Dalcroze, Émile, --- Jaques-Dalcroze, É. --- Zhak-Dalʹkroz, Ėmilʹ, --- Dalʹkroz, Ėmilʹ Zhak-, --- Jaques, Émile, --- Music theory --- Time in music --- Neumes --- Movement education --- Dance --- Eurythmy --- Rhythmic gymnastics --- Naslagwerken muziekpedagogiek en didactiek - algemeen onderzoek --- Music - Instruction and study --- Jaques-Dalcroze, Emile, - 1865-1950
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Keine ausführliche Beschreibung für "Sprache und Metrum" verfügbar.
Poetry --- Literary semiotics --- Prosodic analysis (Linguistics) --- Versification --- Semiotics --- Prosodie (Linguistique) --- Sémiotique --- Sémiotique --- Versification. --- Semiotics. --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Meter --- Metrics --- Prosody --- Authorship --- Poetics --- Rhythm --- Stanzas
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Metrics is often defined as a discipline that concerns itself with the study of meters. In this volume the term is used in a broader sense that more or less coincides with the traditional notion of “versification”. Understood this way, metrics is an eminently complex object that displays variation over time and in space, that concerns forms of a great variety and with different statuses (meters, rhymes, stanzas, prescribed forms, syllabification rules, nursery rhymes, slogans, musical textsetting, ablaut reduplication etc.), and that as a cultural manifestation is performed in a variety of ways (sung, chanted, spoken, read) that can have direct consequences on how it is structured. This profusion of forms is thought to correspond, at the level of perception, to a limited number of cognitive mechanisms that allow us to perceive and to represent regularly iterating forms. This volume proposes a relatively coherent overall vision by distinguishing four main families of metrical forms, each clearly independent of the others and amenable to separate typologies.
Poetry --- Phonetics --- Poetics. --- Versification. --- Typology (Linguistics) --- Poétique --- Versification --- Typologie (Linguistique) --- Poetics --- Meter --- Metrics --- Prosody --- Authorship --- Rhythm --- Stanzas --- Grammar, Comparative and general --- Language and languages --- Linguistic typology --- Linguistics --- Linguistic universals --- Technique --- Typology --- Classification --- E-books
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