Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Tout est musique, et la musique nous accompagne partout : ces lieux communs n'ont jamais {acute}et{acute}e si vrais qu'aujourd'hui, au temps de l'arrosage musical continuel. Cette ubiquit{acute}e, loin d'{circ}etre simplement une mode, nous oblige {grave}a repenser s{acute}emiotiquement la fonction et le fonctionnement de la musique. Les essais composant S{acute}emiotique et v{acute}ecu musical montrent dans quelle direction se dirigent les recherches de nos jours. L'analyse de l'exp{acute}erience musicale, par exemple, d{acute}etermine la r{acute}eception affective, peut provoquer l'{acute}ebranlement int{acute}erieur, transformer le temps v{acute}ecu, changer et d{acute}eterminer les structures de l'exp{acute}erience ainsi que l'exp{acute}erientialit{acute}e. L'exp{acute}erience musicale est profond{acute}ement li{acute}ee {grave}a l'incarnation et {grave}a la corporalit{acute}e. Elle peut red{acute}efinir l'horizon de compr{acute}ehension, moduler les attentes, d{acute}eterminer et d{acute}elimiter les contenus ph{acute}enom{acute}enaux. Elle est fondamentalement conditionn{acute}ee par l'interaction physique avec un instrument ou encore model{acute}ee par le studio d'enregistrement. L'intelligence artificielle et l'usage de robots dans des spectacles commencent {grave}a remettre en cause nos conceptions de l'exp{acute}erience musicale. Ces nouvelles perspectives d{acute}evelopp{acute}ees en s{acute}emiotique s'ouvrent n{acute}ecessairement et imp{acute}erativement aux sciences cognitives, aux nouvelles approches de la musicologie, {grave}a la transdisciplinarit{acute}e et au transm{acute}edial. Le caract{grave}ere innovant du pr{acute}esent ouvrage qui touche la th{acute}eorie, la m{acute}ethodologie et l'empirisme, t{acute}emoigne de la vivacit{acute}e, de l'inventivit{acute}e et du dynamisme qui caract{acute}erisent la s{acute}emiotique toujours jeune, curieuse et surprenante.

Music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Semiotics --- Philosophy and aesthetics. --- Semiotics. --- Philosophy

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Revolving around the central concept of musical sense-making, this volume includes 31 contributions of scholars from 18 countries, which encompass semiotic musical analysis and phenomenological, hermeneutic, and/or cognitive approaches.0Musical signification has been implicitly discussed for a long time in work on music. Only recently has it been established as an explicit discipline, focusing mainly on sense-making as a major constituent of signification and meaning. A number of questions are still pending. How does one deal with the tensions between an object-centered approach to music and a subjective, cognitive, and hermeneutic approach to musical sense-making? Is there a distinction in content and methodology? How can the objective and the subjective, the art-work and the receiver, the immanent meaning and the attributed meaning be brought together? Making Sense of Music is an attempt to answer these questions through the insights of several diverging fields. Revolving around the central concept of musical sense-making, this volume includes 31 contributions of scholars from 18 countries, which encompass semiotic musical analysis and phenomenological, hermeneutic, and/or cognitive approaches.

Semiotics and art