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Painting, Dutch --- 75.03 --- achttiende eeuw --- kunst --- landschap --- landschapsschilderkunst --- Nederland --- negentiende eeuw --- portret --- portretschilderkunst --- R.H. Fuchs --- schilderkunst --- twintigste eeuw --- vijftiende eeuw --- zestiende eeuw --- zeventiende eeuw --- Dutch painting

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Uitgave in samenwerking met de Open universiteit. Tekstboek bij de cursus Cultuurwetenschappen van de Open universiteit te Heerlen Twaalf auteurs geven een analyse van de wisselende waarderingen van de schilderkunst van de 'Gouden eeuw'. Deze werd door verzamelaars en liefhebbers altijd gewaardeerd, maar pas in de achttiende en negentiende eeuw maakte deze periode grote opgang. Aanvankelijk komt de bewondering uit het buitenland en pas daarna worden Rembrandt en de zijnen in Nederland zelf 'ontdekt'.

Painting --- anno 1600-1699 --- Netherlands --- Painting, Dutch. --- Painting, Modern --- -Modern painting --- Paintings, Modern --- -Painting, Modern --- gouden eeuw (Holland) --- Painting, Dutch --- Dutch painting --- History --- painting [image-making] --- 75.035 --- Schilderkunst ; Classicisme. Romantiek. Historicisme. Eclectisme --- schilderkunst --- geschiedenis --- kunsttheorie --- 17de eeuw --- Noordelijke Nederlanden --- 75.034(492) --- Schilderkunst ; Nederland ; 17de eeuw --- 75.01 --- Schilderkunst ; Renaissance. Barok. Roccoco ; Nederland --- Kunst ; theorie, filosofie, esthetica --- Hollandse school --- 17de eeuw. --- Noordelijke Nederlanden.

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The essays collected in this volume are devoted to the Utrecht painter Abraham Bloemaert. The artist has received considerable scholarly attention following the publication of the catalogue raisonné of his paintings and, more recently, of his drawings, particularly in connection with the major exhibition The Bloemaert Effect (2012, Utrecht & Schwerin). This publication examines Abraham Bloemaert as a universal artist while it also aims to better understand his contribution towards the development of new iconographic themes. The choice and execution of specific subjects are considered in light of the local religious context, among others. In order to offer new perspectives and stimulate further research, the volume carefully examines the role of his workshop and the various artistic practices – painting, engraving, and drawing – in which its members engaged under Bloemaert’s supervision. A key question ties together the multifaceted approaches presented here: should Bloemaert be considered as the ‘father of the Utrecht school’ and the founder of a dynasty of artists?

Painting --- workshops [organizations] --- influence --- Bloemaert, Abraham --- Art, Dutch --- Painting, Dutch --- History and criticism --- Bloemaert, Abraham, --- Criticism and interpretation. --- Dutch painting --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- Blomart, A. --- Blomart, Abraham, --- Painters --- Graphic arts & prints* --- Low Countries (c. 1501-1800) --- Baroque & Rococo painting --- Engraving, Dutch --- Drawing, Dutch --- Artists' studios --- Utrechtse school

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"Explores the relationship between art and religion after the iconoclasm of the Dutch Reformation. Reassesses Dutch realism and its pictorial strategies in relation to the religious and political diversity of the Dutch cities"--Provided by publisher.

Religious architecture --- Painting --- iconoclasm --- mural painting [image-making] --- anno 1600-1699 --- Netherlands --- Interior architecture in art --- Church buildings in art --- Reformation and art --- Painting, Dutch --- Themes, motives --- Church buildings in art. --- Interior architecture in art. --- Themes, motives. --- Dutch painting --- Art and the Reformation --- Churches in art --- Art and religion --- Christian art and symbolism --- Reformation and art - Netherlands --- Painting, Dutch - 17th century - Themes, motives --- Christelijke kunst --- kerkelijk kunstbezit

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"Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday - pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism?" "In this book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values." "After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists - Honore de Balzac, George Eliot, Thomas Hardy, and Marcel Proust - who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life." "Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art."--Jacket.

Fiction --- Comparative literature --- Painting --- anno 1800-1899 --- Netherlands --- English fiction --- Art and literature --- French fiction --- Realism in literature --- Painting, Dutch --- History and criticism --- History --- Influence --- Realism in literature. --- History and criticism. --- Influence. --- Dutch painting --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- English fiction - 19th century - History and criticism --- Art and literature - Great Britain - History - 19th century --- French fiction - 19th century - History and criticism --- Art and literature - France - History - 19th century --- Painting, Dutch - 17th century - Influence